Días de otoño

Fascinating representation of mythomania, of how one's own illusions are constituted by the illusions of others, here presented with suggestions of the others that come to life with the character's imagination, the imaginary, being withdrawn and isolation over the real, to expatiate and company, for empathizing and sympathizing to generate a deception that grows and grows to keep up appearances for fear of what others will say, the disillusionment of the deception for who manages to break through the defences and for whom shyness is lost and that deception turned into one's own and resignified, symbolising in the material the overcoming of delirium, shaping the illusion in montage with symbols such as reflections, photos, drawings, shadows and statues, making the reflection of the mirror static with the photo, materialising the imaginary child with the drawing that later is given dimension with statues, the phrase "one day forgetting will end or hope will end" as an aphorism that in order to forget we have to lose hope, but to overcome forgetting is to recover hope, the films that the character makes changing the life of other characters as a metaphor for films changing the life of the spectator, great Gavaldón taking the melodrama to the thriller through Figueroa's precious cinematography.