PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Historia de cómo un grupo de incorruptibles representantes de la ley ayudaron a encarcelar al gángster de Chicago Al Capone en la década de 1920.Historia de cómo un grupo de incorruptibles representantes de la ley ayudaron a encarcelar al gángster de Chicago Al Capone en la década de 1920.Historia de cómo un grupo de incorruptibles representantes de la ley ayudaron a encarcelar al gángster de Chicago Al Capone en la década de 1920.
Robert Stack
- Eliot Ness
- (metraje de archivo)
Keenan Wynn
- Joe Fuselli
- (metraje de archivo)
Barbara Nichols
- Brandy LaFrance
- (metraje de archivo)
Pat Crowley
- Betty Anderson
- (metraje de archivo)
Bill Williams
- Martin Flaherty
- (metraje de archivo)
Joe Mantell
- George Ritchie
- (metraje de archivo)
Bruce Gordon
- Frank Nitti
- (metraje de archivo)
Neville Brand
- Al Capone
- (metraje de archivo)
Peter Leeds
- LaMarr Kane
- (metraje de archivo)
Eddie Firestone
- Eric Hansen
- (metraje de archivo)
Robert Osterloh
- Tom Kopka
- (metraje de archivo)
Paul Dubov
- Jack Rossman
- (metraje de archivo)
Abel Fernandez
- William Youngfellow
- (metraje de archivo)
Paul Picerni
- Tony Liguri
- (metraje de archivo)
John Beradino
- Johnny Giannini
- (metraje de archivo)
Wolfe Barzell
- Picco
- (metraje de archivo)
Frank Wilcox
- U.S. District Attorney Beecher Asbury
- (metraje de archivo)
Peter Mamakos
- Bomber Belcastro
- (metraje de archivo)
Argumento
¿Sabías que...?
- CuriosidadesAbel Fernandez's character was based on William Jennings Gardner, a real-life Native American member of Elliot Ness' "Untouchables."
- Citas
Betty Anderson: [Eliot Ness arrives after two Capone men pay his fiance a visit] Eliot what kind men are they?
Eliot Ness: They are warped, sadistic, rotten little cowards!
- Versiones alternativasThis was originally a two part presentation on the Westinghouse Desilu Playhouse under the title of simply "The Untouchables," the title given to the subsequent television series.
- ConexionesEdited from Los intocables (1959)
- Banda sonoraAin't Misbehavin
Written by Fats Waller (as Thomas Walter), Harry Brooks and Andy Razaf
Reseña destacada
Al Capone versus Eliot Ness--Evil versus Good--Darkness versus Light...
The late 'Fifties brought B&W television to its highest point and "The Untouchables" was a case in point. People have a way of forgetting that the series--with its graphic violence--was controversial in its own time.
Robert Stack(as Eliot Ness) was here the perfect film noir hero--tough, laconic and utterly loyal to his subordinates. Neville Brand, no slouch himself, lit up the screen as Al Capone--sadistic, as tough as Ness and totally without concern for his own people(or anyone else, for that matter).
The reconstruction of mood and ambiance in this movie(re-edited from the TV series) is flawless. The mythic world which you see here is one that psychologist Carl Jung would have approved of. It was the "world" in which my own Dad had grown up--as seen through a child's eyes.
But, as history, it is woefully wide of the mark. The real Eliot Ness left Federal service after a few short years and was much less moral and self-possessed than the character played by Robert Stack. The real Al Capone had a weakness for beautiful women which ultimately killed him.
While Ness put the Chicago Gangsters under financial pressure, an accountant from the IRS actually put this multiple murderer behind bars--for income tax evasion.
I saw this as a kid, with my Dad at my side. It made me feel that there is, in the end, no issue more important than simple justice. Since that time, like most folks, I've learned to live with moral ambiguity. But that's not all good news, by any means.
The late 'Fifties brought B&W television to its highest point and "The Untouchables" was a case in point. People have a way of forgetting that the series--with its graphic violence--was controversial in its own time.
Robert Stack(as Eliot Ness) was here the perfect film noir hero--tough, laconic and utterly loyal to his subordinates. Neville Brand, no slouch himself, lit up the screen as Al Capone--sadistic, as tough as Ness and totally without concern for his own people(or anyone else, for that matter).
The reconstruction of mood and ambiance in this movie(re-edited from the TV series) is flawless. The mythic world which you see here is one that psychologist Carl Jung would have approved of. It was the "world" in which my own Dad had grown up--as seen through a child's eyes.
But, as history, it is woefully wide of the mark. The real Eliot Ness left Federal service after a few short years and was much less moral and self-possessed than the character played by Robert Stack. The real Al Capone had a weakness for beautiful women which ultimately killed him.
While Ness put the Chicago Gangsters under financial pressure, an accountant from the IRS actually put this multiple murderer behind bars--for income tax evasion.
I saw this as a kid, with my Dad at my side. It made me feel that there is, in the end, no issue more important than simple justice. Since that time, like most folks, I've learned to live with moral ambiguity. But that's not all good news, by any means.
- shaman-7
- 18 sept 2000
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- The Scarface Mob
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 42 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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By what name was Cara Cortada (1959) officially released in India in English?
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