PUNTUACIÓN EN IMDb
8,0/10
36 mil
TU PUNTUACIÓN
Los invitados a una cena de sociedad descubren que no les es posible marcharse.Los invitados a una cena de sociedad descubren que no les es posible marcharse.Los invitados a una cena de sociedad descubren que no les es posible marcharse.
- Premios
- 4 premios y 2 nominaciones en total
José Baviera
- Leandro Gomez
- (as Jose Baviera)
Luis Beristáin
- Cristián Ugalde
- (as Luis Beristain)
César del Campo
- Alvaro
- (as Cesar Del Campo)
Enrique García Álvarez
- Alberto Roc
- (as Enrique Garcia Alvarez)
Ofelia Guilmáin
- Juana Avila
- (as Ofelia Guilmain)
Xavier Loyá
- Francisco Avila
- (as Xavier Loya)
Xavier Massé
- Eduardo
- (as Xavier Masse)
Argumento
¿Sabías que...?
- CuriosidadesLuis Buñuel has publicly stated that he considers the film a failure and that if he had shot it later in Paris, he would have gone more extreme with it (cannibalism).
- PifiasAfter the butler trips in the dining room, the lady of the house follows him into the kitchen. While they speak the boom mic can clearly be seen at the bottom of the screen, extending out from under a table.
- Citas
Rita Ugalde: I believe the common people, the lower class people, are less sensitive to pain. Haven't you ever seen a wounded bull? Not a trace of pain.
[Creo que la gente del pueblo, la gente baja, es menos sensible al dolor. ¿Usted ha visto un toro herido alguna vez? Impasible]
- Versiones alternativasIn the uncut print (featured on the Criterion DVD) the guests enter the mansion and go upstairs twice. Some versions omit the surrealistic second arrival.
- ConexionesEdited into Histoire(s) du cinéma: Le contrôle de l'univers (1999)
Reseña destacada
I can't say that I'm a big fan of director Luis Buñuel. While I admire his visual flair - his movies often lack backbone, and this brings them down. The Exterminating Angel is the first Buñuel movie that I've really enjoyed. I enjoyed it because I never got the impression that the point of this film was simply to be weird. Buñuel has found a premise - basically, a satire on the behaviour of the upper class - and lampooned it brilliantly. The key to this movie is setting up the central plot, and the director does such a good job of it that after a while; we don't care that the film is based on an idea that makes no sense at all, and are just able to run with it. The film follows a bunch of guests at a dinner party. At the end of the party, none of them make any effort to go home and after a while it becomes apparent to the party that they physically cannot leave the room. We then watch as the upper class, people who are used to sipping champagne and smoking expensive cigars are reduced to surviving in the most basic ways. They have to hack through the wall to find a water pipe and even begin eating paper to quench their hunger
The satire works because the acting is just so different to the way that the upper class usually conduct themselves - either on screen or otherwise. The structure of the social classes is clearly defined by Buñuel's film also. This is the sort of thing that would really scare the rich, while other social classes have other things to worry about. Before the nightmare begins, various people are commenting on the conduct of one of their own who has had slightly too much to drink. This wouldn't worry anyone who isn't 'high society', but the fact that these people do care about it shows the difference in values between the classes. Buñuel directs the film with almost a complete lack of emotion towards the central ensemble - and this stood out to me as it really allows the film to be funny. It's almost like the director is laughing at the situation that he's put his cast of characters into, which suggests that the Spanish director isn't the biggest fan of the upper classes. There's a million and one ways that this film could be interpreted, and that is what makes it great. If you don't like films that don't make sense; this probably won't do much for you. However, I think that this is one of those films that need to be experienced; and I definitely recommend it.
The satire works because the acting is just so different to the way that the upper class usually conduct themselves - either on screen or otherwise. The structure of the social classes is clearly defined by Buñuel's film also. This is the sort of thing that would really scare the rich, while other social classes have other things to worry about. Before the nightmare begins, various people are commenting on the conduct of one of their own who has had slightly too much to drink. This wouldn't worry anyone who isn't 'high society', but the fact that these people do care about it shows the difference in values between the classes. Buñuel directs the film with almost a complete lack of emotion towards the central ensemble - and this stood out to me as it really allows the film to be funny. It's almost like the director is laughing at the situation that he's put his cast of characters into, which suggests that the Spanish director isn't the biggest fan of the upper classes. There's a million and one ways that this film could be interpreted, and that is what makes it great. If you don't like films that don't make sense; this probably won't do much for you. However, I think that this is one of those films that need to be experienced; and I definitely recommend it.
- The_Void
- 30 oct 2005
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Detalles
Taquilla
- Recaudación en todo el mundo
- 1843 US$
- Duración1 hora 35 minutos
- Color
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Principal laguna de datos
By what name was El ángel exterminador (1962) officially released in India in English?
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