Mientras investiga el contrabando de un magnate del oro, James Bond descubre un complot para contaminar la reserva de oro de Fort Knox.Mientras investiga el contrabando de un magnate del oro, James Bond descubre un complot para contaminar la reserva de oro de Fort Knox.Mientras investiga el contrabando de un magnate del oro, James Bond descubre un complot para contaminar la reserva de oro de Fort Knox.
- Ganó 1 premio Óscar
- 7 premios y 6 nominaciones en total
Gert Fröbe
- Auric Goldfinger
- (as Gert Frobe)
Harold Sakata
- Oddjob
- (as Harold Sakata {Tosh Togo})
Argumento
¿Sabías que...?
- CuriosidadesAston Martin was initially reluctant to part with two of their cars for the production. The producers had to pay for the Aston Martin, but after the success of the movie, both at the box office and for the company, they never had to spend money on a car again.
- PifiasBond squeezes the plastic explosive out of its packaging before laying it. This is unnecessary as it would have worked while still wrapped and as a professional spy he should have known this. Also it just increases the time that he might get caught and stopped.
- Citas
James Bond: Do you expect me to talk?
Auric Goldfinger: No, Mr. Bond, I expect you to die!
- Créditos adicionalesThe opening credits include footage from Goldfinger, as well as an unused cut of a helicopter scene in From Russia with Love (1963) (helicopter). One of the Goldfinger scenes shown (Bond visiting Q Branch) isn't actually in the movie. Additionally, a putt shown is from a different POV than actually used.
- Versiones alternativasThe English mono track on the Blu-ray fades the end credits version of the Goldfinger theme about 5 seconds early, around the same time as the picture goes to black. All other audio tracks keep the long version. As well, the Blu-ray includes a few restoration credits right after the fade to black, but these do not replace anything or alter the timing.
- ConexionesEdited into Heineken's the Chase (2015)
- Banda sonoraGoldfinger
Music by John Barry
Lyrics by Leslie Bricusse and Anthony Newley
Performed by Shirley Bassey
Reseña destacada
First of all, I must state for the record, Sean Connery is THE James Bond. Even though the first Bond film I ever saw was "For Your Eyes Only" with Roger Moore. I was very young and very much drawn in. I have seen every one of the Bond films and without a doubt, "Goldfinger" is the finest the 007 saga has to offer.
Before I had begun an appreciation of the Connery films, i.e. before I'd seen them, a good friend and cartooning mentor, Ross Paperman, sorted me out. He helped me see how Connery's Bond was suave and sophisticated but also demonstrated a quality the other Bonds do not portray: fear. Not a panicky soil-your-pants kind of fear, mind you. But Connery's Bond actually has a few anxious, sweat-soaked-brow moments. A perfect example is when Bond is strapped to a table as Goldfinger's captive with a laser beam primed to cut him in half. 007 has to think fast. "Do you expect me to talk?" "No, Mr. Bond, I expect you to die!" A famous scene and line from Bond's most enjoyable film.
Perhaps what makes the earlier films more enjoyable is that they had fresh, innovative elements that have now become cliché and gimmicky. The new films are often stale and already covered ground and they don't even appear to be trying anymore.
But it's more than that. Even watching "Goldfinger" today, having seen all the latest in special effects and technology that Hollywood has to offer, it still is riveting and thoroughly entertaining. That is also without the added advantage of being overly nostalgic about "Goldfinger". How could I? I hadn't even been born when it first hit theaters, and it was far from my first 007 experience. The story, the characters and the fun of "Goldfinger" is timeless and if given a chance could probably rope in a whole new generation of fans. It just doesn't seem likely to happen.
Much of the satire from the Austin Powers films is directly derived from the Connery films, especially "Goldfinger" and "Dr. No", proving their lasting effect on popular culture. As well, John Barry's scores from the Connery films are finding their way into the ears of a new generation through pop music as snippets from his soundtracks are sampled by such artists as Robbie Williams, Mono and Curve, to name a few.
But if by some fluke you read this and you haven't seen "Goldfinger" yet, do yourself right and acquaint yourself with the real James Bond. You'll probably be hooked by the time you hear Shirley Bassey's voice in the famous opening theme.
Before I had begun an appreciation of the Connery films, i.e. before I'd seen them, a good friend and cartooning mentor, Ross Paperman, sorted me out. He helped me see how Connery's Bond was suave and sophisticated but also demonstrated a quality the other Bonds do not portray: fear. Not a panicky soil-your-pants kind of fear, mind you. But Connery's Bond actually has a few anxious, sweat-soaked-brow moments. A perfect example is when Bond is strapped to a table as Goldfinger's captive with a laser beam primed to cut him in half. 007 has to think fast. "Do you expect me to talk?" "No, Mr. Bond, I expect you to die!" A famous scene and line from Bond's most enjoyable film.
Perhaps what makes the earlier films more enjoyable is that they had fresh, innovative elements that have now become cliché and gimmicky. The new films are often stale and already covered ground and they don't even appear to be trying anymore.
But it's more than that. Even watching "Goldfinger" today, having seen all the latest in special effects and technology that Hollywood has to offer, it still is riveting and thoroughly entertaining. That is also without the added advantage of being overly nostalgic about "Goldfinger". How could I? I hadn't even been born when it first hit theaters, and it was far from my first 007 experience. The story, the characters and the fun of "Goldfinger" is timeless and if given a chance could probably rope in a whole new generation of fans. It just doesn't seem likely to happen.
Much of the satire from the Austin Powers films is directly derived from the Connery films, especially "Goldfinger" and "Dr. No", proving their lasting effect on popular culture. As well, John Barry's scores from the Connery films are finding their way into the ears of a new generation through pop music as snippets from his soundtracks are sampled by such artists as Robbie Williams, Mono and Curve, to name a few.
But if by some fluke you read this and you haven't seen "Goldfinger" yet, do yourself right and acquaint yourself with the real James Bond. You'll probably be hooked by the time you hear Shirley Bassey's voice in the famous opening theme.
- ToldYaSo
- 19 jul 1999
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Goldfinger
- Localizaciones del rodaje
- Goldfinger Avenue, Pinewood Studios, Iver Heath, Buckinghamshire, Inglaterra, Reino Unido(Bond infiltrates Auric Enterprises)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 51.081.062 US$
- Recaudación en todo el mundo
- 51.220.312 US$
- Duración1 hora 50 minutos
- Color
- Relación de aspecto
- 1.33 : 1
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What is the streaming release date of James Bond contra Goldfinger (1964) in Australia?
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