Spaghetti with Chorizo Western filmed in Spanish location as La Pedriza ,Manzanares Del Real and Colmenar Viejo and interior scenes shot in usual Italian scenarios called Elios studios. It deals with an inmate wrongfully imprisoned for twenty years for a crime he didn't commit and escaping from jail . As Minnesota Clay (Cameron Michell) takes prisoner a lieutenant (Julio Peña) and seeks revenge on the man who withheld evidence at his trial and arrives in a town ravaged by a sheriff and bandits . The gunfighter enemy is Fox (Georges Riviere), who nowadays results to be the Sheriff of a little town who himself terrorises the villagers . At the beginning Clay rescues a woman from bandits , she is named Stella (Ethel Rojo) a gorgeous but devious woman . Later on , Clay is imprisoned by outlaw Ortiz ( Fernando Sancho) and also townsfolk is living in terror of his band . In the middle of these two waring parties is Clay's daughter named Nancy (Diana Martin) who thinks her father is dead . The gunslinger enters the town caught between two feuding factions, a nasty sheriff and a gang of Mexican bandits, and is caught up in a struggle against them. But here is a problem however, Clay is going blind.
The film packs violence , shootouts , high body-count and it's fast moving and quite entertaining . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes . It's an exciting western with breathtaking showdown between the starring Cameron Mitchell and his enemies , Geoges Riviere and Fernando Sancho . The movie contains gun-play, action Western , thrills and bloody spectacle . This interesting theme about a blind gunslinger is also treated in other films such as ¨The blind man¨ by Ferdinando Baldi , ¨An eye for eye¨ by Michael Moore with Robert Lansing and ¨Blind Justice¨ by Richard Spence with Armando Assante . In ¨Minessota Clay¨ appears as secondaries the habitual in Spanish/Italian Western such as Jose Luis Martin , Simon Arriga , Alfonso Rojas , Antonio Casas ,Alvaro De Luna and Guido Pernice , many of them usual in Corbucci films . Special mention to Fernando Sancho in his ordinary role as fatty Mexican bandit and in a cruelly baddie role , he is terrific, and bears a hysterical and mocking aspect , subsequently he would play similar characters . The movie gets the ordinary Western issues, such as avengers antiheroes , violent facing off , quick scenes and exaggerated baddies . It's an improbable blending of standard Western with pursuits, high body-count and it's fast moving and quite entertaining. An interesting casting full of usual Spaghetti make this oater well worth the watching . Mediocre cinematography by Jose Aguayo , Luis Buñuel's customary , but is necessary a perfect remastering , being the copy washed-out .
Screenplay with interesting premise about a 'blind gunfighter' is written by Corbucci and Jose G . Maesso , also producer ( he produced several Western as ¨The ugly ones , Minnesota Clay , Django , A train to Durango , Hellbenders¨) . Sergio Corbucci's direction is acceptable , he made numerous Spaghetti classics . Direction is well crafted, here Corbucci is more cynical and violent and less inclined toward humor and packs too much action , but especially this moving Western contains broad violence specially on the character played by Georges Riviere . The other Sergio made several Western classics as ¨ Django¨, ¨The great silence¨, ¨The specialist¨ , ¨The Hellbenders¨ , ¨Navajo Joe¨ , and Zapata Western as ¨The Mercenary¨, ¨The Compañeros¨ and ¨What am I doing in middle of the revolution¨ . In addition Sergio directed other inferior S.W. as ¨Far West story¨ ,¨Johnny Oro¨, ¨The white the yellow an the black¨ , ¨Massacre at Great Canyon (his first Spaghetti) ¨ and ¨Minnesota Clay (his second Western)¨. Corbucci makes a nice camera work with clever choreography on the showdown , fighting , moving shootouts and bemusing scenes . It's an offbeat , surprising and uneven Western but will appeal to Corbucci aficionados . Rating : 6 , riotous Western in which there's too much action and violence and enough excitement .
