PUNTUACIÓN EN IMDb
7,1/10
17 mil
TU PUNTUACIÓN
Un playboy de mediana edad queda fascinado con la hija de un detective privado que ha sido contratado para atraparlo con la esposa de un cliente.Un playboy de mediana edad queda fascinado con la hija de un detective privado que ha sido contratado para atraparlo con la esposa de un cliente.Un playboy de mediana edad queda fascinado con la hija de un detective privado que ha sido contratado para atraparlo con la esposa de un cliente.
- Premios
- 3 premios y 4 nominaciones en total
Olga Valéry
- Hotel Guest with Dog
- (as Olga Valery)
Elga Andersen
- Bit Part
- (sin acreditar)
Claude Ariel
- Existentialist
- (sin acreditar)
Jack Ary
- Man in Love on Right Bank
- (sin acreditar)
Marc Aurian
- Couple Drenched by Water Wagon
- (sin acreditar)
Vera Boccadoro
- Couple Drenched by Water Wagon
- (sin acreditar)
Paul Bonifas
- Police Chief
- (sin acreditar)
Charles Bouillaud
- Ritz Employee
- (sin acreditar)
Françoise Brion
- Minor Role
- (sin acreditar)
Marcelle Broc
- Rich Woman
- (sin acreditar)
Jeanne Charblay
- Client at Baker's
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesGary Cooper was very pleased with his performance and very disappointed that the majority of critics thought him miscast due to his age. Indeed, the film's box-office failure was largely attributed to his being considered too old to play Audrey Hepburn's lover. In April 1958 he had a full facelift and other cosmetic surgery, but the procedure was largely unsuccessful.
- PifiasWhen the gypsy musicians are playing for Flannagan in the Turkish bath, the lead violinist discovers that the condensation has made his instrument fill up with water, tips it out, and continues playing: the sound is unaltered.
- Citas
Ariane Chavasse: Working on a new case?
Claude Chavasse: A client from Brussels. His wife ran away to Paris with the chauffeur. I have to find them; the husband wants his car back.
- ConexionesFeatured in El hombre que cayó a la Tierra (1976)
Reseña destacada
There is likely no more romantic ending to a Hollywood movie than the one in this soufflé-light 1957 romantic comedy, where Audrey Hepburn tries to keep up with a departing train upon which Gary Cooper stands and listens intently to her babbling about her fictitious sexual conquests. Hepburn plays Ariane, a young cellist and the daughter of a Parisian private investigator named Claude Chevasse. She has an unbridled interest in her father's often tawdry cases, chief among them the affairs of Frank Flannagan, a millionaire industrialist and aging playboy who finds himself in various trysts with married women around the world. A certain Monsieur X has come to Chevasse to catch his wife in a suspected extramarital fling with Flannagan. Overhearing Monsieur X's intention to kill his wife and her lover, Ariane decides to warn Flannagan, and they embark on an afternoons-only affair under the pretense that she is as much a worldly bon vivant as he is. Things come to a head when Flannagan becomes infatuated with this mysterious "thin girl" and recruits Crevasse to find out who she is.
Master filmmaker Billy Wilder leaves his unmistakable stamp on this confection with a clever, ironic script co-written with his long-time partner I.A.L. Diamond in their first collaboration. The dialogue is full of their trademark sparkling banter, and leave it to Wilder to use a Gypsy string quartet to act as a chorus for Flannagan's sexual shenanigans. Hepburn is her usual impeccable self as Ariane and especially good fun when she layers the deceptions about her checkered past. Cooper played this type of boulevardier role in the 1930's under masters like Ernst Lubitsch, and it is quite enjoyable to see him come back to this milieu two decades later as an aging lothario. Looking weather-beaten after years of Westerns and adventure pictures, he was given a lot of grief because of the age difference between him and Hepburn, but I actually find the gap quite touching and Cooper surprisingly game. Maurice Chevalier is ideally cast as Crevasse even if has to play down his naturally effervescent manner. Granted the film runs a little too long at 126 minutes, but it is fine, light entertainment similar to Wilder and Hepburn's previous collaboration, the classic 1954 "Sabrina". The print transfer on the 2005 DVD is fine though not outstanding. Unfortunately there are no extras included.
Master filmmaker Billy Wilder leaves his unmistakable stamp on this confection with a clever, ironic script co-written with his long-time partner I.A.L. Diamond in their first collaboration. The dialogue is full of their trademark sparkling banter, and leave it to Wilder to use a Gypsy string quartet to act as a chorus for Flannagan's sexual shenanigans. Hepburn is her usual impeccable self as Ariane and especially good fun when she layers the deceptions about her checkered past. Cooper played this type of boulevardier role in the 1930's under masters like Ernst Lubitsch, and it is quite enjoyable to see him come back to this milieu two decades later as an aging lothario. Looking weather-beaten after years of Westerns and adventure pictures, he was given a lot of grief because of the age difference between him and Hepburn, but I actually find the gap quite touching and Cooper surprisingly game. Maurice Chevalier is ideally cast as Crevasse even if has to play down his naturally effervescent manner. Granted the film runs a little too long at 126 minutes, but it is fine, light entertainment similar to Wilder and Hepburn's previous collaboration, the classic 1954 "Sabrina". The print transfer on the 2005 DVD is fine though not outstanding. Unfortunately there are no extras included.
- EUyeshima
- 22 ago 2006
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Love in the Afternoon
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.100.000 US$ (estimación)
- Recaudación en todo el mundo
- 718 US$
- Duración2 horas 10 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was Ariane (1957) officially released in India in English?
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