PUNTUACIÓN EN IMDb
7,9/10
2 mil
TU PUNTUACIÓN
Lo más destacado del Festival de Jazz de Newport de 1958.Lo más destacado del Festival de Jazz de Newport de 1958.Lo más destacado del Festival de Jazz de Newport de 1958.
- Premios
- 2 premios en total
Argumento
¿Sabías que...?
- CuriosidadesBert Stern, when trying to retrieve his archives from Spain, offered the Schomburg Center for Research in Black Culture, a division of the New York Public Library, all the footage of the film, along with the outtakes, in return for their paying the outstanding $50,000 storage bill and shipping them back to New York.
- Citas
Louis Armstrong: I was at a little Italian trumpet player's house, and his mother was a Countess, well they was makin' that spaghetti and we was wailin', you know. In this big ol' dinin' room they had this table and up in the ceilin' they had Mark Anthony and Cleo and all the cats that they painted. Lookin' down on you as if to say, "Man, you shore can eat!"
[laughs]
Louis Armstrong: Well, we have a lot of fun travelin', man.
Reseña destacada
An exhilarating bullseye of music and spirit and a masterwork in aesthetics and observation.
Absolutely not a minute is wasted. Every decision of whether to show the performers, the audience, or the moments where it cuts to different scenes around the neighborhood (which could each function as a perfect short film on their own) all feels cohesively motivated in serving as a perfect testament to universal human joy and enthusiasm for creative spirits. The eye for capturing people in unguarded, emblematic moments serves as a fantastic precursor to Monterey Pop and Woodstock (as well as Neil Young's Weld but people aren't ready for that conversation yet) and its spirit was later taken to great effect by Jonathan Demme.
I get the sense that a great deal could be written about the larger cultural contexts that contributed to an object this pure and awesome being preserved, but for me its most inspiring as a testament to sensitive and committed people being on their absolute A-game for every aspect of production. This includes the people behind the camera having an acute sense for the perfect moments and angles to capture (and the showcase of lighting perfection from shot to shot, especially in such a free-form documentary setting, is absolute insanity), to the people responsible for the preservation of the film itself being so rich and beautiful, to the editors having an exacting sense of rhythm and kineticism (and making consistently creative and surprising choices among what must have been an intimidating amount of fantastic footage to curate), to the performers who each and every one of them manage at least one spellbinding and memorable moment (Anita O'Day being a total BEAST of a performer, Chuck Berry using a clarinet player to stunning effect, and Satchmo ascending to god form and winning music are just some of my favorites and I'm sure you'll have your own because every performance serves as a unique, full expression).
I cannot overstate what a revelation this film is, from the performances themselves to the cutaways to the life surrounding the festival, these are transcendent moments that form this fusion of music and image that feel like all of human existence was made in order to converge to this place and time, which is now available immaculately forever.
Absolutely not a minute is wasted. Every decision of whether to show the performers, the audience, or the moments where it cuts to different scenes around the neighborhood (which could each function as a perfect short film on their own) all feels cohesively motivated in serving as a perfect testament to universal human joy and enthusiasm for creative spirits. The eye for capturing people in unguarded, emblematic moments serves as a fantastic precursor to Monterey Pop and Woodstock (as well as Neil Young's Weld but people aren't ready for that conversation yet) and its spirit was later taken to great effect by Jonathan Demme.
I get the sense that a great deal could be written about the larger cultural contexts that contributed to an object this pure and awesome being preserved, but for me its most inspiring as a testament to sensitive and committed people being on their absolute A-game for every aspect of production. This includes the people behind the camera having an acute sense for the perfect moments and angles to capture (and the showcase of lighting perfection from shot to shot, especially in such a free-form documentary setting, is absolute insanity), to the people responsible for the preservation of the film itself being so rich and beautiful, to the editors having an exacting sense of rhythm and kineticism (and making consistently creative and surprising choices among what must have been an intimidating amount of fantastic footage to curate), to the performers who each and every one of them manage at least one spellbinding and memorable moment (Anita O'Day being a total BEAST of a performer, Chuck Berry using a clarinet player to stunning effect, and Satchmo ascending to god form and winning music are just some of my favorites and I'm sure you'll have your own because every performance serves as a unique, full expression).
I cannot overstate what a revelation this film is, from the performances themselves to the cutaways to the life surrounding the festival, these are transcendent moments that form this fusion of music and image that feel like all of human existence was made in order to converge to this place and time, which is now available immaculately forever.
- prostrateconstantly
- 20 jul 2021
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Jazz on a Summer's Day?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Festival de jazz
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 74.811 US$
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Jazz en un día de verano (1959) officially released in India in English?
Responde