A través del campo abierto y las tierras desérticas, dos ciclistas se dirigen desde Nueva York a Nueva Orleans y, en el camino, se encuentran con un hombre que cierra una brecha en contra de... Leer todoA través del campo abierto y las tierras desérticas, dos ciclistas se dirigen desde Nueva York a Nueva Orleans y, en el camino, se encuentran con un hombre que cierra una brecha en contra de la cultura que desconocen.A través del campo abierto y las tierras desérticas, dos ciclistas se dirigen desde Nueva York a Nueva Orleans y, en el camino, se encuentran con un hombre que cierra una brecha en contra de la cultura que desconocen.
- Nominado para 2 premios Óscar
- 10 premios y 14 nominaciones en total
- Joanne
- (as Sandy Wyeth)
- Jack
- (as Robert Walker)
- Mime #3
- (as Ellie Walker)
Argumento
¿Sabías que...?
- CuriosidadesDennis Hopper and Peter Fonda did not write a full script for the movie, and made most of it up as they went along. They didn't hire a crew, but instead picked up hippies at communes across the country, and used friends and passers-by to hold the cameras, and were drunk and stoned most of the time.
- PifiasWyatt and Billy are going to the Mardi Gras celebrations in New Orleans. This indicates that they are traveling in either late January or early February, given that Mardi Gras usually takes place in mid February. Despite this, and despite the number of states they drive through, the men never drive through an area of cold weather. Many of the characters they meet are wearing summer style clothes, and the weather is most obvious in New Mexico, where the winters can be extremely hard with lots of snow.
- Citas
George Hanson: You know, this used to be a helluva good country. I can't understand what's gone wrong with it.
Billy: Man, everybody got chicken, that's what happened. Hey, we can't even get into like, a second-rate hotel, I mean, a second-rate motel, you dig? They think we're gonna cut their throat or somethin'. They're scared, man.
George Hanson: They're not scared of you. They're scared of what you represent to 'em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That's what it's all about.
George Hanson: Oh, yeah, that's right. That's what's it's all about, all right. But talkin' about it and bein' it, that's two different thangs. I mean, it's real hard to be free when you are bought and sold in the marketplace. Of course, don't ever tell anybody that they're not free, 'cause then they're gonna get real busy killin' and maimin' to prove to you that they are. Oh, yeah, they're gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it's gonna scare 'em.
Billy: Well, it don't make 'em runnin' scared.
George Hanson: No, it makes 'em dangerous. Buhhhh! Neh! Neh! Neh! Neh! Neh! Neh! Swamp!
- ConexionesFeatured in NBC Experiment in Television: This Is Al Capp (1970)
In 1969 I was eighteen and a freshman at Cambridge University. I was also a near-fundamentalist and a member of the Christian Union. Its officials decreed that Easy Rider was unsuitable for Christian viewing; I'd seen some enthusiastic reviews which made me curious. Moral and spiritual dilemma followed. To view or not to view? I prayed about it - look, this is a long time ago, right - and decided that if it had been OK for the Christian Union's leaders to see it, if only to realise it was morally dubious, then it was OK for me. They hadn't been corrupted, presumably; the Lord would see that I wasn't either.
So I went and it blew me away. I thought then and think now, that this is a magnificently perceptive commentary on hippie culture and one that only the medium of film can deliver. Naive idealism is weighed against the squalid reality of drugs (and indeed alcohol). Freedom is portrayed as often aimless, self-indulgent and downright boring. The underlying morality could be seen as puritanical: a celebration of the free-lovin' drop-out Sixties it ain't, more a weary end-of-decade critique thereof. I would have thought there was much to commend it to the Christian Union moralisers, yet as ever they couldn't see past the surface - drug abuse, loose women. Yet it has its high moments, in more ways than one, and is always a treat for the eyes.
My decision to defy the Christian Union by seeing the film was an early step out of my fundamentalist prison and I haven't stopped walking yet. No-one's ever going to tell me what I can and can't watch again: nor will I censor anyone else's viewing. I'm still a believer, but not of the kind that the Christian Union would have thought will ever go to heaven. Guess I'll have to live with that.
- rjbrad
- 16 ago 2005
- Enlace permanente
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Easy Rider
- Localizaciones del rodaje
- Las Vegas, Nuevo México, EE.UU.("parade without a permit" parade)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 360.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 123.276 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 74.448 US$
- 14 jul 2019
- Recaudación en todo el mundo
- 124.600 US$
- Duración1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1