Varias historias sobre la vida de los habitantes de los barrios marginales de Tokio, incluido un joven mentalmente deficiente obsesionado con conducir su propio tranvía.Varias historias sobre la vida de los habitantes de los barrios marginales de Tokio, incluido un joven mentalmente deficiente obsesionado con conducir su propio tranvía.Varias historias sobre la vida de los habitantes de los barrios marginales de Tokio, incluido un joven mentalmente deficiente obsesionado con conducir su propio tranvía.
- Nominado para 1 premio Óscar
- 4 premios y 1 nominación en total
Argumento
¿Sabías que...?
- CuriosidadesThe movie was made as the first feature of the Committee of the Four Knights, a group founded by four of Japan's greatest directors: Akira Kurosawa, Keisuke Kinoshita, Masaki Kobayashi and Kon Ichikawa. According to a interview with Ichikawa, they wanted their first picture to be a hit. When this film told a story deemed too depressing and was subsequently a failure with audiences, the group disbanded and never made another film. The movie's failure also contributed to Kurosawa's suicide attempt one year later.
- Citas
Beggar: Our house ought to be built on a hill. We Japanese used to build houses in valleys and mountain coves. We've always preferred the lowlands.
Beggar's Son: That's true. I saw pictures of foreign countries. They have their houses in high places, but ours are in low places.
Beggar: There's a reason for that. There are many earthquakes and typhoons in Japan. Wooden houses in high places are easily shaken by earthquakes and typhoons. So they chose the lowlands to avoid the danger. But that's not the only reason.
Beggar: [continues] The Japanese prefer soft light to bright sunshine. We like shady places. We like to live in the midst of nature. So we couldn't get used to concrete houses.
Beggar's Son: That's right. I don't like concrete houses either. They're too cold for me.
Beggar: But we shouldn't forget one thing. It's true that wooden houses suit the Japanese people. But we mustn't cling to our culture and characteristics if we become weak and lose endurance as a result. By living in houses made of stone, iron, and concrete, foreigners have strengthened their characters and capabilities. Now we're building our own house. We must take our future into consideration. We must think of you, your children, and your grandchildren.
Beggar's Son: Yes, that's true.
- ConexionesFeatured in 62nd Annual Academy Awards (1990)
The film is a mix of several stories, from neighbors who share the same house (and wives), to others isolated from the world and life itself.
The narrative is interesting, it's like a case study of a community that even living in the worst conditions is able to dream and be happy, and even with almost nothing they cling to it with all their strength. It was Kurosawa's first color film, where the director clearly sees himself adapting to that format.
Some scenes are a bit too long, where almost nothing goes on and evolves, which can lead to a bit of distraction by the viewers, if they are easy to get bored.
This film needs to be talked about more when someone discusses Kurosawa's filmography.
- MarcoParzivalRocha
- 19 oct 2020
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Detalles
Taquilla
- Recaudación en todo el mundo
- 981 US$
- Duración2 horas 20 minutos
- Color
- Relación de aspecto
- 1.37 : 1