PUNTUACIÓN EN IMDb
6,2/10
3,7 mil
TU PUNTUACIÓN
Un hombre intenta recuperar un caballo que le robó un bandido mexicano.Un hombre intenta recuperar un caballo que le robó un bandido mexicano.Un hombre intenta recuperar un caballo que le robó un bandido mexicano.
- Premios
- 1 premio y 1 nominación en total
Emilio Fernández
- Lazaro
- (as Emilio Fernandez)
Argentina Brunetti
- Yaqui Woman
- (sin acreditar)
Debra Domasin
- Paquita
- (sin acreditar)
Abel Fernandez
- Mexican Farmer
- (sin acreditar)
Raven Grey Eagle
- Minor Role
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesAccording to co-star John Saxon, Marlon Brando's relationship with director Sidney J. Furie got to the point where Brando, when getting ready to do a close-up, would be reading a book. He would only lower the book when Furie yelled "Action." When he yelled "Cut," Brando would raise the book again. According to Peter Manso's book on Brando, however, Brando and Furie met years later. Brando was quoted to have said, "I thought you were a no-good double-crosser, and I didn't know if I could trust you, but I saw the film and you have the great sense of the best visual directors. Let's do another movie together." Furie, according to the book, replied, "Never!" Furie, for his part, claims that they only came to blows once on the entire shoot of The Appaloosa (1966).
- PifiasThe Appaloosa which portrays the title character was actually a registered Appaloosa stallion named Cojo Rojo. He was born in 1960 and just prior to being used for the film he was racing on the California tracks. He sired several foals, including several race champions. During filming a few other similarly marked horses were used as stunt horses, but the majority of work was done by Cojo Rojo.
- Citas
[first lines]
Priest: Madam.
[enters confessional booth]
Matt Fletcher: I'm having a little trouble getting started, Father.
Priest: You are in the House of God now, my son. Speak from your heart.
Matt Fletcher: Well, I've done a lot of killin'. I've killed a lot of men and sinned a lot of women. But the men I killed needed killin' and the women wanted sinnin', and well, I never was one much to argue.
- ConexionesReferenced in Enemigo a las puertas (2001)
Reseña destacada
This film seems to be caught between the 1950s western movies and the Spaghetti Westerns later in the 60s. While the 1950s hero drawn into conflict was 'minding his own business and wanted to be left alone', once crossed the bad guy found he woke a sleeping giant. Perhaps this style was how America saw itself after Pearl Harbor.
"The Appaloosa", on the other hand, has a different style. While Brando was minding his business before being drawn into conflict, the theft of his horse occurs while he is drunk and unable handle the situation, and he seems to be inept. It is a long scene and one that ends in humiliation for Brando's character. Even if a 1950s hero was caught off guard while being drunk, he wasn't humiliated. A 1950s hero would not appear inept, just that he had made a mistake that allowed the bad guy to get the upper hand.
There are other instances in the film where Brando's character doesn't act as a 1950s hero: his ridiculous Mexican accent, his initial plan at the gang's hideout to leave with his horse, his arm-wrestling scene, his reluctance to take revenge. Brando's character was more in style of the 60s make-the-hero-more-realistic and less larger-than-life. He doesn't win all the battles. There is nothing wrong with this, as long as you interested in watching this.
I was fine with it. I did like the final gun battle as it was different from the usual face-to-face shootout.
I had problems with Brando's mumbling. His character didn't seem laconic, but someone who couldn't express himself. While he did have some good lines, other times he seemed to ramble.
The "in disguise at the bar" scene should have been cut. The conversation left me confused and the fake Mexican accent was irritating. This scene only served to introduce one of the outlaw gang members and could have been done another way.
I enjoyed the scenery, that Brando's character was a religious man without it being central to the movie, his intelligence in the final gun battle, and the motivations being believable for the conflict: the bad guy's pride and standing before his gang, and Brando's need for this horse in his future plans.
"The Appaloosa", on the other hand, has a different style. While Brando was minding his business before being drawn into conflict, the theft of his horse occurs while he is drunk and unable handle the situation, and he seems to be inept. It is a long scene and one that ends in humiliation for Brando's character. Even if a 1950s hero was caught off guard while being drunk, he wasn't humiliated. A 1950s hero would not appear inept, just that he had made a mistake that allowed the bad guy to get the upper hand.
There are other instances in the film where Brando's character doesn't act as a 1950s hero: his ridiculous Mexican accent, his initial plan at the gang's hideout to leave with his horse, his arm-wrestling scene, his reluctance to take revenge. Brando's character was more in style of the 60s make-the-hero-more-realistic and less larger-than-life. He doesn't win all the battles. There is nothing wrong with this, as long as you interested in watching this.
I was fine with it. I did like the final gun battle as it was different from the usual face-to-face shootout.
I had problems with Brando's mumbling. His character didn't seem laconic, but someone who couldn't express himself. While he did have some good lines, other times he seemed to ramble.
The "in disguise at the bar" scene should have been cut. The conversation left me confused and the fake Mexican accent was irritating. This scene only served to introduce one of the outlaw gang members and could have been done another way.
I enjoyed the scenery, that Brando's character was a religious man without it being central to the movie, his intelligence in the final gun battle, and the motivations being believable for the conflict: the bad guy's pride and standing before his gang, and Brando's need for this horse in his future plans.
- TallPineTree
- 2 feb 2007
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- How long is The Appaloosa?Con tecnología de Alexa
Detalles
- Duración1 hora 38 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was Sierra prohibida (1966) officially released in India in English?
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