PUNTUACIÓN EN IMDb
7,0/10
5,9 mil
TU PUNTUACIÓN
Un desaliñado chico de la basura se convierte en el pupilo de un afamado pistolero, y el escenario de la confrontación se prepara cuando el pistolero se desquicia y arrasa el pueblo del chic... Leer todoUn desaliñado chico de la basura se convierte en el pupilo de un afamado pistolero, y el escenario de la confrontación se prepara cuando el pistolero se desquicia y arrasa el pueblo del chico con violencia y corrupción.Un desaliñado chico de la basura se convierte en el pupilo de un afamado pistolero, y el escenario de la confrontación se prepara cuando el pistolero se desquicia y arrasa el pueblo del chico con violencia y corrupción.
José Calvo
- Blind Bill
- (as Pepe Calvo)
Karl-Otto Alberty
- Blonde Deputy with Harmonica
- (as Hans Otto Alberty)
Nazzareno Natale
- Wild Jack's Henchman
- (as Natale Nazareno)
Argumento
¿Sabías que...?
- CuriosidadesAround the 27-minute mark Lee Van Cleef's character Talby walks through a street with white buildings. This is the exact same set seen in For a Few Dollars More (1964). also starring Van Cleef (and Clint Eastwood). The particular scene in this film is also shot from the exact same perspective and angle as in "For a Few Dollars More" when Eastwood's character has a short stand-off with three Mexican gunslingers.
- PifiasWhen Scott gees his horse to go after Talby in the English version, his yells are simply reused from the Italian version (despite their two voice actors sounding very different).
- Citas
Frank Talby: Third lesson: never get between a gun and its target.
- ConexionesEdited into The Writer (2012)
Reseña destacada
"Day of Anger" is an incredible western. Not only is it one of the 3 or 4 best non-Leone spaghetti westerns, It also has just about the best non-Morricone music score I have heard.
Lee Van Cleef is at his very best in this movie as Talby, the slick, intelligent, and ruthless gunfighter. As is the case with many spaghetti westerns, this movie draws a very thin line between "good" and "evil." Talby is a killing machine who is out for his own personal gain, yet he is also very likable in many ways. When he takes Scott under his wing and teaches him not to put up with being treated with disrespect from the "good" citizens of Clifton, Talby actually becomes the only person who represents any real sort of "justice" in the whole town. Then we find out that the pillars of the community have something to hide, and Talby delivers his own brand of justice to them also.
Giuliano Gemma always delivers a great spaghetti western performance, and he is at the top of his game here as well. In the role of Scott Mary he has to play a character who goes through a lot of different emotions, and a couple of life-changing events. When Scott becomes a gunfighter like Talby, we relate to him and like him even more as he demands and gets respect from the people who used to spit on him. Talby's comment to the townsfolk of Clifton sums up why: "He was born a wolf, but you made him rabid." What a great line! The final showdown at the end is one of the classics. It is wonderfully choreographed with the film's music, and has that artistic, operatic quality that the very best spaghetti westerns possess. There's lots of emotion going on in this one, as it is plain to see that the two men squaring off still have respect and admiration for each other. On some level, it even still seems like they are friends, but this moment was inevitable, like an uncontrollable force of nature. As Talby says, "once you start killing, you can't stop." Talby's killing finally draws that thin line, Scott ends up on the other side of it, and the final showdown begins. I will say no more.
Riz Ortolani's score is awesome. I love the opening theme, and the pictures and movements on the screen that accompany it. It pulls you right into this film before the story even begins. Not only is the music great, it is very original as well. It is not a Morricone rip-off at all. Ortolani's style here is all his own. It is much more of a swinging 60's sound that retains just enough western flavor to make it appropriate for this type of film. This is a soundtrack I would like to have on CD.
This is one of those movies that I just can't say enough about. I would recommend it to anyone, and if you like spaghetti westerns you really need to own it.
Lee Van Cleef is at his very best in this movie as Talby, the slick, intelligent, and ruthless gunfighter. As is the case with many spaghetti westerns, this movie draws a very thin line between "good" and "evil." Talby is a killing machine who is out for his own personal gain, yet he is also very likable in many ways. When he takes Scott under his wing and teaches him not to put up with being treated with disrespect from the "good" citizens of Clifton, Talby actually becomes the only person who represents any real sort of "justice" in the whole town. Then we find out that the pillars of the community have something to hide, and Talby delivers his own brand of justice to them also.
Giuliano Gemma always delivers a great spaghetti western performance, and he is at the top of his game here as well. In the role of Scott Mary he has to play a character who goes through a lot of different emotions, and a couple of life-changing events. When Scott becomes a gunfighter like Talby, we relate to him and like him even more as he demands and gets respect from the people who used to spit on him. Talby's comment to the townsfolk of Clifton sums up why: "He was born a wolf, but you made him rabid." What a great line! The final showdown at the end is one of the classics. It is wonderfully choreographed with the film's music, and has that artistic, operatic quality that the very best spaghetti westerns possess. There's lots of emotion going on in this one, as it is plain to see that the two men squaring off still have respect and admiration for each other. On some level, it even still seems like they are friends, but this moment was inevitable, like an uncontrollable force of nature. As Talby says, "once you start killing, you can't stop." Talby's killing finally draws that thin line, Scott ends up on the other side of it, and the final showdown begins. I will say no more.
Riz Ortolani's score is awesome. I love the opening theme, and the pictures and movements on the screen that accompany it. It pulls you right into this film before the story even begins. Not only is the music great, it is very original as well. It is not a Morricone rip-off at all. Ortolani's style here is all his own. It is much more of a swinging 60's sound that retains just enough western flavor to make it appropriate for this type of film. This is a soundtrack I would like to have on CD.
This is one of those movies that I just can't say enough about. I would recommend it to anyone, and if you like spaghetti westerns you really need to own it.
- spider89119
- 31 mar 2006
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- How long is Day of Anger?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Day of Anger
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 51 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was El día de la ira (1967) officially released in India in English?
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