PUNTUACIÓN EN IMDb
4,6/10
334
TU PUNTUACIÓN
Expatriados estadounidenses sin esperanza habitan un pequeño pueblo español donde los residentes mueren misteriosamente después de la llegada de un culto religioso.Expatriados estadounidenses sin esperanza habitan un pequeño pueblo español donde los residentes mueren misteriosamente después de la llegada de un culto religioso.Expatriados estadounidenses sin esperanza habitan un pequeño pueblo español donde los residentes mueren misteriosamente después de la llegada de un culto religioso.
Domingo Codesido Ascanio
- Salt
- (as David Carpenter)
Alibe Parsons
- Susannah
- (as Alibe)
Argumento
¿Sabías que...?
- Créditos adicionalesIntroductory epigram, immediately following opening titles: But I do nothing upon myself...and yet I am mine own Executioner--John Donne
- ConexionesFeatured in Cruel, Usual, Necessary: The Passion of Silvio Narizzano (2024)
- Banda sonoraNatural Me
by Georgann Rea and Marian Montgomery
Reseña destacada
BLOODBATH opens with a woman walking the world's ugliest pig. No, really, you've got to see this thing! Next, a woman pulls the head off of a chicken. We get the immediate impression that something wonky is going on here, since none of the locals seem to have been born with the ability to smile. That is, unless they happen to be leering maniacally.
In total contrast to this, a very non-twelfth century-looking woman appears, dressed in groovy threads. She enters a building where western music plays. Her name is Susanna (Alibe Parsons), and she's met by the heroin-filled, racial slur-spouting, Chicken (Dennis Hopper). They're part of a misfit group of expatriates, living together in this tiny, ultra-religious village in Spain, and they stick out like ballerinas in a bowling alley.
These two groups are set against each other, as scenes of a religious festival is intercut with the hedonistic frivolity of the foreigners. Does anyone see a catastrophic culture clash coming?
Enter the fun-loving ex-movie star, Treasure Evans (Caroll Baker). She's sort of a younger version of Nora Desmond, and another part of this oddball bunch of bananas, that includes an aging WWII General and a mega-flamboyant gay man. They're a family, clinging together in order to be themselves, in spite of their increasingly oppressive surroundings. We get the impression that none of them could survive alone.
When these exiles gather for a Good Friday celebration, their drunken revelry flies in the face of the solemn procession going on beside them. Things have been tense and creepy all along, and the atmosphere gets really thick from here on out!
Soon, the darkness, religious insanity, and death take over completely.
This is one of those wonderfully weird, disturbing films that could only have come out in the 1970's. Filled with bizarre situations and an overhanging sense of gathering, unstoppable doom, the horror bubbles up like a corpse in a bog!
Mr. Hopper is as good or better here than in many of his outings, playing it natural, and letting it fly! For those who've never seen him go absolutely berserk, well, he certainly does that here!
SOME NICE TOUCHES: Watch for the red telephone! And, what's up with the pregnant woman with the umbrella?...
In total contrast to this, a very non-twelfth century-looking woman appears, dressed in groovy threads. She enters a building where western music plays. Her name is Susanna (Alibe Parsons), and she's met by the heroin-filled, racial slur-spouting, Chicken (Dennis Hopper). They're part of a misfit group of expatriates, living together in this tiny, ultra-religious village in Spain, and they stick out like ballerinas in a bowling alley.
These two groups are set against each other, as scenes of a religious festival is intercut with the hedonistic frivolity of the foreigners. Does anyone see a catastrophic culture clash coming?
Enter the fun-loving ex-movie star, Treasure Evans (Caroll Baker). She's sort of a younger version of Nora Desmond, and another part of this oddball bunch of bananas, that includes an aging WWII General and a mega-flamboyant gay man. They're a family, clinging together in order to be themselves, in spite of their increasingly oppressive surroundings. We get the impression that none of them could survive alone.
When these exiles gather for a Good Friday celebration, their drunken revelry flies in the face of the solemn procession going on beside them. Things have been tense and creepy all along, and the atmosphere gets really thick from here on out!
Soon, the darkness, religious insanity, and death take over completely.
This is one of those wonderfully weird, disturbing films that could only have come out in the 1970's. Filled with bizarre situations and an overhanging sense of gathering, unstoppable doom, the horror bubbles up like a corpse in a bog!
Mr. Hopper is as good or better here than in many of his outings, playing it natural, and letting it fly! For those who've never seen him go absolutely berserk, well, he certainly does that here!
SOME NICE TOUCHES: Watch for the red telephone! And, what's up with the pregnant woman with the umbrella?...
- Dethcharm
- 8 jun 2021
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Las flores del vicio (El cepo)
- Localizaciones del rodaje
- Empresas productoras
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By what name was El cielo se cae (1975) officially released in India in English?
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