El cielo puede esperar

6.9 is not a terrible score on here, but for a movie of this quality it is a shame. I very rarely have given a film a 9 and it is very unusual for me to give a higher than average score. This was my favorite movie when I was a kid and when I saw it again recently I was just as impressed as an adult. The cast was excellent and they managed to evoke much emotion out of a fairy tale like story. One of the few remakes worthy of discussion. I would consider this a must see for anyone who has any kind of feelings whatsoever.

I couldn't think of any other way to describe it in the summary - so I used the word "classy". That's right, classy. It probably stems from the fact that the movie is done in such good taste - very appealing and witty humor.

The entire cast does an absolutely perfect job in this movie. From Warren Beatty, to James Mason (is James Mason physically capable of putting in a bad performance ? ), to Buck Henry, to Jack Warden.

Perhaps the two best performances are Charles Grodin (the slimy personal assistant to Leo Farnsworth),and Dyan Cannon as the psycho Julia Farnsworth. They are both brilliant in their roles.

Very worth watching. Also worth more than its IMDB 6.9 rating.

This film is entertaining. I like Warren in this film, and the script is crazy enough that it works. There is a message about hope in this film, and we all need hope. Some parts of the film can be so funny, I like how they end it. This film ties all the lose ends up nicely. I remember the 78 and 79 Rams those were pretty good teams. 7 or 8 out of ten.

I remember as a kid, I loved this movie. I had seen it in the theatre and liked it so much I saw it again! I think the appeal here is the same as in many of these types of films-it's a sweet whimsical fairytale of a movie that is pure entertainment but manages to be lovely without being corny at the same time.

There aren't to many movies like this around now. Of coarse, not having seen this since I was a child who knows whether I'd still be such a fan but at that time, I wept buckets and since it was one of the first films that I saw that stuck with me, I have fond memories of it.

People shouldn't put this movie down for realism or not having realism etc. It's a fantasy type movie. It's the type of movie you know your wtavhing a movie while you watch it but you cry anyway! I don't think this movie can be dismissed as being lightweight or unimportant. Where would film be without romance? This is up there in that category and many I know feel the same. It's a breath of fresh air and should be seen by anyone who likes warm sentimental (yeah OK sappy!!) movies!

After appearing the rare Mike Nichols misstep THE FORTUNE (1975), it took Beatty three long years to return to the screen with the genteel comedy/fantasy HEAVEN CAN WAIT (1978). In addition to essaying the lead role, Beatty also made his debut in the director's chair, with the assistance of legendary comedy writer Buck Henry (who also plays a supporting role in the film). A remake of 1941 semi-classic HERE COMES MR. JORDAN, HEAVEN CAN WAIT may not surpass the delightful whimsy of the original classic, but it emerges as somewhat of a modern classic in it's own right. The film was an instant hit with both critics and audiences, was nominated for an astounding 9 Oscars including "Best Picture," and remains a magical film that is almost impossible not to love.

Beatty not only proves himself to be a perfectly competent film director, and the picture also provides the star with one of his best roles as an actor. Beatty's good-natured football player Joe is the exact type of lovable stud that you cannot help but fall for. The film's screenplay takes Joe from earth to heaven and to back to earth again through an assortment of various bodies, and Beatty's easygoing charisma holds it all together and keeps viewers involved in the story and fixated on the screen. This is a star performance if there ever was one, and Beatty has rarely been more likable.

The rest of the cast is particularly winning. The still silver-tongued James Mason (in a part originally offered to the retired Cary Grant) as the heavenly Mr. Jordan and the endearing gruff Jack Warden are perfect as father figure-types for Beatty's Joe, and Charles Grodin and Dyan Cannon are absolutely terrific as the film's pair of villains. The only performer missing the boat is a blah Julie Christie, who is pleasant but unconvincing in the sadly underwritten role of the ecologist love interest of the body Beatty has temporarily inherited. It seems as though the creators thought dressing Christie in frumpy wardrobe and frizzy hairstyle was enough to give the character depth, but all they succeeded in was making a natural beauty look rather hideous.

The film is a joyous, comedic piece of whimsy that manages to incorporate slapstick comedy, romance, fantasy, and even an underdog sports story without ever feeling bloated or disjointed. The true emotional highpoint comes with Mr. Jordan's farewell to Joe, as well as Max failing to recognize him in his new body. The rather shallow development of Christie's character leaves the film's THE WAY WE WERE-like finale ringing a bit hollow, but it's still an effectively bittersweet coda nonetheless. This film launched a major revival of whimsical comedies that remained popular until the late-eighties, and it easily remains the best effort of this revival.