Un niño se encuentra con un caballo y forma un vínculo con él, y luego lo entrena para correr.Un niño se encuentra con un caballo y forma un vínculo con él, y luego lo entrena para correr.Un niño se encuentra con un caballo y forma un vínculo con él, y luego lo entrena para correr.
- Nominado para 2 premios Óscar
- 8 premios y 6 nominaciones en total
Larbi Doghmi
- Arab
- (as Dogmi Larbi)
John Karlsen
- Archeologist
- (as John Karlson)
Donald Hodson
- Taurog
- (as Don Hudson)
Argumento
¿Sabías que...?
- CuriosidadesAmong the innovations of sound editor Alan Splet, who won a special Oscar® for his work, was attaching microphones to the underside of the horse during the racing scenes to catch his actual hoof-beats and breathing.
- PifiasCyclone, the gray racehorse, changes from a soft pale gray, to a dappled gray, to a very dark gray with a white tail throughout the match race.
- Citas
Snoe: Hey, what happened to you?
Alec Ramsey: Everything.
Snoe: Everything? That's a whole lot. It can't be everything.
- Créditos adicionalesA scene played throughout the end credits showed Alec and the Black's time at the beach.
- Versiones alternativasThe 1994 VHS and 1997 DVD releases plaster the 1976 United Artists logo with the 1987 United Artists logo.
- ConexionesFeatured in Sneak Previews: Oscar Special 1980 (1980)
Reseña destacada
The first thing that strikes you when you see "The Black Stallion" is its cinematography. However the vivid colours are only the doorway into the film. It is important to remember that the title is not "The Stallion" but "The Black Stallion". It is the title's first announcement of bold colour and the connotations of power in "Stallion" that introduce a richness of dichotomies. There is the black horse and the white boy (would the film really have been the same with the ubiquitous white horse?). There is the contrast between the horse's power and the boy's frailty. The scenes on the island and the scenes in the city. Indeed, the film's running time is almost split down the middle between this last contrast. There is also the contrast between the boy and the old man he befriends, and many others. But most importantly, there is the contrast between solitude and companionship. There are a lot of lonely characters in this film. Everyone from the horse to the boy, to the trainer to the boy's mother seem to be trying to struggle through life on their own. It is this quest to deal with loneliness that is the film's most profound achievement. It is not so much a condemnation of solitude as an analysis between its benefits compared to the benefits of companionship. Whether or not "The Black Stallion" answers these questions is something the viewer will have to decide for themselves. I believe the film asks more questions than it answers. Although some may find the film's ending a bit too predictable and sacharine tasting, the overall effect of the film's beauty and its questions concerning solitude and survival, erase any minor faults the movie may contain. Part "Androcles and the Lion" and part "National Velvet", "The Black Stallion" is more than a childrens' movie. It brings together the "blackness" (as in the black void of space) of loneliness with the stallion's individual power to show how all of us are alone in a fundamental way but that we also have an ability within us to not only survive but draw great things from it. We can fulfill through our particular skills and abilities the necessary requirement of helping each other without losing the strength we receive from our individual independence and uniqueness.
- Invariable Self
- 1 sept 2000
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- El cavall negre
- Localizaciones del rodaje
- Sardinia, Italia(beach and island scenes)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.700.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 37.799.643 US$
- Recaudación en todo el mundo
- 37.799.643 US$
- Duración1 hora 58 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was El corcel negro (1979) officially released in India in Hindi?
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