Durante una misión de rescate en la selva amazónica, un profesor tropieza con una película perdida filmada por un equipo documental que desapareció.Durante una misión de rescate en la selva amazónica, un profesor tropieza con una película perdida filmada por un equipo documental que desapareció.Durante una misión de rescate en la selva amazónica, un profesor tropieza con una película perdida filmada por un equipo documental que desapareció.
Luca Barbareschi
- Mark Tomaso
- (as Luca Giorgio Barbareschi)
Carl Gabriel Yorke
- Alan Yates
- (as Gabriel Yorke)
Lionello Pio Di Savoia
- 2nd Executive
- (as Pio Di Savoia)
Eva Bravo
- Adulteress
- (sin acreditar)
Ruggero Deodato
- Man Sitting in NYU Campus
- (sin acreditar)
Guillermo
- Felipe Ocaña
- (sin acreditar)
Enrico Papa
- Pantheon Interviewer
- (sin acreditar)
David Sage
- Alan's Father
- (sin acreditar)
Kate Weiman
- 1st Executive
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesTen days after its premiere in Milan, the film was seized by the Italian courts and director Ruggero Deodato was arrested and charged with obscenity. He was later charged with murdering several actors on camera and faced life in prison. The cast had signed contracts requiring them to disappear for a year after shooting to maintain the illusion that they had died. Deodato contacted Luca Barbareschi and told him to contact the three other actors who played the missing film team. When the actors appeared in court, alive and well, the murder charges were dropped.
- PifiasWhen the Yanomamo guide is given muskrat flesh to eat, he never puts any inside in his mouth. Instead, he opens his mouth a few times near it to give the impression that he is eating.
- Citas
Professor Harold Monroe: I wonder who the real cannibals are.
- Créditos adicionalesThe Grindhouse Releasing (USA) and Siren Visual (Australia) DVDs/Blu-rays omit the United Artists Europa logo in favor of a text crawl regarding the film's violent content: "The following motion picture contains intense scenes of extreme violence and cruelty. As distributors of this film, we wish to state with absolute sincerity that by no means do we condone the artistic decisions employed by the makers of this film. However, as firm believers in the constitutional right of free speech, we do not believe in censorship. To quote Thomas Jefferson, 'it behooves every man who values the liberty of conscience for himself, to resist invasion of it in the case of others.' Therefore, we are presenting CANNIBAL HOLOCAUST for the first time in its uncut, uncensored original form, with all sequences photographed by the filmmakers, however offensive and repugnant, presented fully intact. What you will see will definitely shock and offend you. Nonetheless, it should be viewed as a disturbing historical document of a bygone era of extreme irresponsibility which no longer exists, and, hopefully, will never exist again. 'Those who cannot remember the past are condemned to repeat it.' - George Santayana"
- Versiones alternativasThe Grindhouse Releasing re-release, as well as the 2005 DVD, features a scrolling warning before the film from the company stating that the film is uncut and uncensored and while they do not support the "artistic decisions" of the film, they do support free speech. It also plays part of Riz Ortolani's music score in the background.
- ConexionesEdited into Through Eyes of the Dead (1999)
Reseña destacada
Cannibal Holocaust was, first and foremost, a disgusting movie with more violence than I have ever seen. Despite this, it is also one of my favorite movies. It gives a feeling of Blair Witch done right, even though there are some very obviously contrived scenes in which nobody is holding the camera, but despite some small cosmetic problems this is the best horror movie I have ever seen.
Unlike most "shock" films, such as the Guinea Pig movies, Cannibal Holocaust has a very well written plot and a definite progression. The focus is still on making the audience ill, but we don't even see any violence until fairly late in the movie, so the emphasis on plot is much stronger. The story told is a deep one, showing the lengths at which people will go for some goal, the example given being fame and fortune. The theme is reflected in parallel story lines through the second half of the movie, as Alan and his crew go to more and more desperate lengths for fame, and the professor struggles against a big media company to suppress the release of their footage. Even in a "meta" sense, we see the theme appear once again in the lengths the director of Cannibal Holocaust itself went, going so far as to kill and butcher four animals on camera.
Unlike most "shock" films, such as the Guinea Pig movies, Cannibal Holocaust has a very well written plot and a definite progression. The focus is still on making the audience ill, but we don't even see any violence until fairly late in the movie, so the emphasis on plot is much stronger. The story told is a deep one, showing the lengths at which people will go for some goal, the example given being fame and fortune. The theme is reflected in parallel story lines through the second half of the movie, as Alan and his crew go to more and more desperate lengths for fame, and the professor struggles against a big media company to suppress the release of their footage. Even in a "meta" sense, we see the theme appear once again in the lengths the director of Cannibal Holocaust itself went, going so far as to kill and butcher four animals on camera.
- lmtbl
- 1 ene 2004
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- En el infierno caníbal
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 100.000 US$ (estimación)
- Duración1 hora 35 minutos
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
What is the streaming release date of Holocausto caníbal (1980) in the United Kingdom?
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