A principios de la década de 1970, una joven que pasaba por la zona rural de Tennessee queda atrapada sin querer en una disputa entre dos clanes vecinos locales, los Feathers y los Gutshalls... Leer todoA principios de la década de 1970, una joven que pasaba por la zona rural de Tennessee queda atrapada sin querer en una disputa entre dos clanes vecinos locales, los Feathers y los Gutshalls.A principios de la década de 1970, una joven que pasaba por la zona rural de Tennessee queda atrapada sin querer en una disputa entre dos clanes vecinos locales, los Feathers y los Gutshalls.
Kathy Watts
- Lyda Jo Gutshall Feather
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesBased on the 1969 novel, "The Lolly Madonna War," by Sue Grafton, author of the popular "alphabet mysteries" featuring hard-boiled female Private Investigator Kinsey Millhone. The twelfth installment, "'L' is for Lawless," was published in the United States in 1995.
- Citas
Sister E. Gutshall: [to Hawk's made-up face] Indian chief my foot! You look like a shitty little queer!
- Versiones alternativasThe film originally received an "R" rating from the MPAA due to the violence, which was later trimmed to receive a "PG" rating. The details removed from the "R" version include a brief Season Hubley nude scene, and "toning down" of the violence, especially the scene in which "Laban" kicks "Thrush" to death. Most critics saw the "R" version.
- ConexionesFeatured in The Moviemakers (1973)
Reseña destacada
Not a film for all tastes. It's violent, almost nihilistic in outcome, and certainly not a classic Hollywood ending. Like some other reviewers, I take the narrative to be an allegory on war, at least of certain types of war. Here a dispute over a lovely Tennessee meadow escalates tragically into a shooting war between two patriarchal families that devastates both clans. Tragically, neither patriarch (Steiger nor Ryan) exercises the kind of leadership to head off the calamitous results. Thus headstrong elements are allowed to operate at gut level instead of anything reasoned, producing tragic results.
Frankly, I'm not sure whether I liked the film or not. Parts are compelling, especially the sensitive romance between Bridges and Hubley. Both are outstanding; in fact Hubley almost made me feel her painful confusion. Also, the beauty of the rolling hills and meadow contrasts creatively with the clans' destructive emotions. Then too, whose inspiration was balding Edd Lauter's secret fantasy to fly away on his tattooed wings to become the next southern Elvis, his chances about as good as mine. And judging from the dilapidated shacks, their time would be better spent fixing up where they dwell instead of taking each other down.
On the movie's downside is the choppy editing that at times makes the storyline hard to follow, especially when the scene shifts from one clan to the other. Thus the threads can at times be hard to follow. Moreover, except for the few romantic interludes, the mood is unrelentingly grim, not exactly an audience come-on. Anyway, Steiger is uncharacteristically restrained, while Ryan doesn't get the screen time his talent deserves. At the same time, a lot of younger talent does get a chance to shine.
All in all, I guess I respect the movie more than I liked it, its moral certainly meriting that kind of consideration.
Frankly, I'm not sure whether I liked the film or not. Parts are compelling, especially the sensitive romance between Bridges and Hubley. Both are outstanding; in fact Hubley almost made me feel her painful confusion. Also, the beauty of the rolling hills and meadow contrasts creatively with the clans' destructive emotions. Then too, whose inspiration was balding Edd Lauter's secret fantasy to fly away on his tattooed wings to become the next southern Elvis, his chances about as good as mine. And judging from the dilapidated shacks, their time would be better spent fixing up where they dwell instead of taking each other down.
On the movie's downside is the choppy editing that at times makes the storyline hard to follow, especially when the scene shifts from one clan to the other. Thus the threads can at times be hard to follow. Moreover, except for the few romantic interludes, the mood is unrelentingly grim, not exactly an audience come-on. Anyway, Steiger is uncharacteristically restrained, while Ryan doesn't get the screen time his talent deserves. At the same time, a lot of younger talent does get a chance to shine.
All in all, I guess I respect the movie more than I liked it, its moral certainly meriting that kind of consideration.
- dougdoepke
- 22 may 2016
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