Oficial y caballero

Though ribbed by some critics for being a crude update of the formula film romances of the 1940's, audiences still showed up in droves to see this film and turned it into one of the biggest grossers of 1982. While the film may certainly follow the general formulaic outlines of the genre, director Taylor Hackford and screenwriter Douglas Day Stewart dodge sentimentalization with a healthy dosage of grim reality. This is no longer the ultra-glamorized world of old Hollywood; AN OFFICER AND A GENTLEMAN is a movie about love in the real world. By not sheltering it's lovers from the harsh nature of humanity, the film manages to have a significantly greater impact as it works toward a deservedly optimistic ending.

In a role turned down by both John Travolta and John Denver, Richard Gere lends a brooding intensity that electrifies what could have been a bland protagonist. Debra Winger, with her down-home sexiness at it's peak, turns in a fascinating portrayal of small town frustration, and Louis Gossett Jr nearly steals the picture in a harrowing, Oscar-winning performance. In fact, Gere's relationship with Gossett's Drill Sargent is just as involving as his love affair with Winger. The supporting cast is also well-cast, with David Keith, Robert Loggia, and Lisa Blount delivering standout performances.

Richard Gere plays Zack Mayo, a prospective Navy Officer training cadet who must decide to gain control over his direction-less life, helped by a no-nonsense Gunnery sergeant(superbly played by Louis Gossett Jr., who won an Academy Award) who berates Zack, but all in the effort of making him into a successful Naval officer. Debra Winger plays his girlfriend, who is also struggling with her own life. They both have friends(played by David Keith and Lisa Blount) whose relationship mirrors their own, only with far different results.

Entertaining and old-fashioned(in some ways!) film is well acted by its stars, and has stylish direction by Taylor Hackford. Story is surprisingly involving(if a bit predictable) and builds to a satisfying conclusion with the winning song "Up Where We Belong".

A big hit that made its leads stars.

An Officer and a Gentleman is a well-crafted melodrama set against the back drop of the elite Naval Aviator training facility in upstate Washington. Richard Gere portrays Zachary Mayo, a young man and son of a career sailor who has risen from residing above a house of ill repute in the Philippines to becoming an officer's candidate destined to fly jets.

Gere is terrific as Mayo, and works incredibly hard to combine the complex emotions of the character with his seemingly, simplistic facade. Gere is supported by a great cast including Debra Winger as the young factory worker who yearns of a better life with Mayo, David Keith as a cadet who's not all that he seems, and the legendary Louis Gossett, Jr. as Gunnery Sgt. Emil Foley, Mayo's adamant and hard-edged drill instructor who remains Zach's total bane of existence. Gossett won a well-deserved Oscar for this role, and he remains the true highlight of this film.

Some have called An Officer and a Gentlemen out-dated, improbable, and too melodramatic, and perhaps it is all of these. But, it is so entertaining and so enthralling, I find it easily to become enveloped by the picture's story and characters. You want them all to succeed, and you feel for them when they fail. This is the true mark of a truly great film.

Highly recommended.

First, there is not, and never was, an Aviation Officer Candidate School (AOCS) in Washington state. I would assume it was used because the true locale for AOCS, Pensacola, FL, wasn't suitable for some reason. Officer candidates going to AOCS already have their degrees and are undergoing training, physical and educational, to earn their commission. No, it's not four years like the Naval Academy, but then again, it's not four years of hell at the Academy, as another reviewer attempted to posit. Any officer commissioned through AOCS is an officer just like an academy grad and both, ultimately, can end up with regular commissions vice reserve commissions.

Next, the training at AOCS was fairly accurately portrayed in the movie. Lots of running, swimming, academics, inspections, etc. all intended to result in the individual becoming part of a team. Another reviewer, obviously not a Republican (LOL), detests this movie just because of his perception that it endorsed the philosophy of the Reagan years. Utter balderdash, of course. What this movie portrays, again fairly accurately, is the growth of a loner into someone who realizes, as Spock so eloquently stated in one of the Star Trek movies, "(t)he needs of the many outweigh the needs, or the wants, of the one or the few." Mayo learns to be part of a team; he learns to care for others and cease being a "user" of people in his life...an example he learned from his father.

The terminology, during the 80s when I went through AOCS, was still DOR..."Drop On Request." It was an "out" exercised by very few people, mostly because those of us in AOCS were already motivated to come into the Navy and specifically into Naval Aviation. The rigors, as stated previously, are presented fairly accurately although a little melodramatic in places, e.g., the altitude chamber. Never in all my years in the Navy did I see anyone "freak" out in the chamber, which is a required test, along with swim quals, every four years to remain qualified to fly.

The legend of the "Pensacola Debs" was presented to us early on in AOCS. Yes, there are stories, many of them true, of men meeting their wives while going through training in Penasacola, but I'd wager there's not a higher incidence in P'cola than there is at any military base or college town for that matter. Odd, but you put men and women in the same room and some will pair off, and some will marry and remain together forever. The bar in the film, TJ's, was based on a bar in Penascola named Trader Jon's. Trader had a running deal that if you caught him wearing matching socks, you'd get some prize...can't remember if it was money or drinks. Let's just say, he never paid off as far as I know. Trader died a few years back, but I'm pretty sure some of the stuff from his bar is probably at the Naval Aviation Museum at NAS Pensacola.

The Drill Instructor portrayal by Louis Gossett is VERY true to life! While they cussed us, screamed at us, pushed us physically and looked for what would "trip" us up, they also, in retrospect, wanted us to succeed. One thing they never did, and would have been severely disciplined for, was hit us, so the fight scene, while improbable, works in the movie. PTing us into the ground, though...you bet they did! This movie works for me because I lived the life both during the AOCS part and during a career in the Navy in aviation. The portrayals are pretty much spot-on and believable. Sure there's dramatic license, but there is in any movie! Anyone who believes Full Metal Jacket tells it "like it is" is delusional; there's plenty of dramatic license there, too. Relax, enjoy the movie. It's about personal growth, love, and sacrifice; all in all good things. Not the best movie ever made, but certainly not the worst!

This has to be Richard Gere's best movie and the one movie I felt he deserved an Oscar nomination for. I read once that his role of Zach Mayo was first offered to John Denver. It is impossible to think of anyone else in the role which is one indication of how good Gere was. Lou Gossett, Jr. steals the show and gets a deserved Oscar as Gunnery Sergeant Foley. Debra Winger is also delectable as Paula, Zach's working class girlfriend. I had read that Winger had a real problem doing the nude scenes with Gere and felt very uncomfortable being undressed in front of the camera. Supposedly the scene in which she is crying while making love to Zach isn't because she's feeling passion, it is because she is feeling humiliated. The movie also had to snip out a couple of seconds of Winger flexing her hips a bit too much during a bed scene. Still one of the steamiest bed scenes in film history. The most riveting moment of the movie is when Foley is going to kick Zach out of the program and Gere frantically and desperately screams "DON'T YOU DO THAT! I AIN'T GOT NOWHERE ELSE TO GO!" All of Zach's arrogance is drained out of him and he is just a desperate kid begging for the only chance he'll ever have. Powerful moment. In the end, Zach gains maturity. Would you want to fly into combat with Zach Mayo or with Tom Cruise's Maverick in "Top Gun"? Zach Mayo, hands down.