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El histórico concierto del 3 de julio de 1973 del 'leper Messiah'. Este iba a ser el último concierto de David Bowie con Ziggy Stardust and the Spiders from Mars.El histórico concierto del 3 de julio de 1973 del 'leper Messiah'. Este iba a ser el último concierto de David Bowie con Ziggy Stardust and the Spiders from Mars.El histórico concierto del 3 de julio de 1973 del 'leper Messiah'. Este iba a ser el último concierto de David Bowie con Ziggy Stardust and the Spiders from Mars.
Mick Woodmansey
- Self - Drums
- (as Mick Woodmansy, Woody Woodmansey)
Angie Bowie
- Self
- (sin acreditar)
Maureen Starkey
- Self
- (sin acreditar)
Ringo Starr
- Self
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesJeff Beck guested on guitar in two songs and was supposed to have been in the film, but asked not to appear in it because he felt his solos and his appearance, looking more like a '60s blues rocker than Bowie and the Spiders' theatrical outfits didn't quite fit the movie. His performances have been added to the film for its 50th anniversary re-release.
- Citas
David Bowie: What do you know about make-up? You're Just a Girl.
- Versiones alternativasThe 50th anniversary re-release has been restored in 4K picture and sound, and features two previously un-released songs featuring Jeff Beck in the encore (specifically "The Jean Genie" and "Round and Round").
- ConexionesEdited into In Concert: Bowie '73 with the Spiders from Mars (1974)
Reseña destacada
This concert film is probably most famous for capturing a pivotal moment in music history. It is the last show that David Bowie performed under the Ziggy Stardust persona and the last time he was on stage with his backing band The Spiders From Mars. Seemingly his announcement near the end of the show stating that this was the final appearance was not only news to the audience but to the band as well!
The film takes the form mostly as straightforward concert footage. There is also some backstage material interspersed throughout which I think it would have been good to have had more of, seeing as it revealed a little bit more of what Bowie was like behind the mask. But as it was, the vast majority of material is taken from the concert. The approach taken is very stripped down and basic. There isn't really a lot of imagination in the approach but I guess the idea was to let the show speak for itself. Perhaps though it might have been better for a live performance by such a flamboyant performer as Bowie to be presented with a little more imagination. Sometimes, it's the audience reactions to the show that are truthfully the most interesting, seeing as some of his fans seem to be almost hyper-ventilating with emotion. Some of the costume changes now provoke a chuckle or two; although, in truth, I have always found the fashions of the 70's glam rock era to be absolutely catastrophic. But at the end of the day it is a time capsule film and in this sense it is interesting. Even if Bowie does feel the need to do a mime artistry routine.
The concert itself? One for Bowie devotees especially I would say, of which I am not one I have to admit. But I thought Mick Ronson was very good on guitar and they all do knock out the tunes with some energy. It was also interesting to hear a good version of The Velvet Underground's White Light/White Heat close the show.
The film takes the form mostly as straightforward concert footage. There is also some backstage material interspersed throughout which I think it would have been good to have had more of, seeing as it revealed a little bit more of what Bowie was like behind the mask. But as it was, the vast majority of material is taken from the concert. The approach taken is very stripped down and basic. There isn't really a lot of imagination in the approach but I guess the idea was to let the show speak for itself. Perhaps though it might have been better for a live performance by such a flamboyant performer as Bowie to be presented with a little more imagination. Sometimes, it's the audience reactions to the show that are truthfully the most interesting, seeing as some of his fans seem to be almost hyper-ventilating with emotion. Some of the costume changes now provoke a chuckle or two; although, in truth, I have always found the fashions of the 70's glam rock era to be absolutely catastrophic. But at the end of the day it is a time capsule film and in this sense it is interesting. Even if Bowie does feel the need to do a mime artistry routine.
The concert itself? One for Bowie devotees especially I would say, of which I am not one I have to admit. But I thought Mick Ronson was very good on guitar and they all do knock out the tunes with some energy. It was also interesting to hear a good version of The Velvet Underground's White Light/White Heat close the show.
- Red-Barracuda
- 21 abr 2013
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- How long is Ziggy Stardust and the Spiders from Mars?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Bowie '73 with the Spiders from Mars
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 162.547 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6816 US$
- 14 jul 2002
- Recaudación en todo el mundo
- 565.228 US$
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What is the English language plot outline for Ziggy Stardust and the Spiders from Mars (1979)?
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