Max Headroom
- Película de TV
- 1985
- 57min
PUNTUACIÓN EN IMDb
7,1/10
2,3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaIn the dystopic near future, a crusading TV reporter investigates news stories with the help of a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with the help of a wisecracking computer version of himself.In the dystopic near future, a crusading TV reporter investigates news stories with the help of a wisecracking computer version of himself.
- Ganó 1 premio BAFTA
- 3 premios en total
William Morgan Sheppard
- Blank Reg
- (as Morgan Sheppard)
Argumento
¿Sabías que...?
- CuriosidadesAmanda Pays took a typing course to prepare for her role as Theora Jones.
- Citas
Bryce Lynch: You're looking at the future, Mr Grossman: people translated as data.
- Créditos adicionalesThe credits roll over a shot of the overpass that our heroes just passed under. After a few minutes the van owned by the thugs that "killed" Edison passes under it - apparently going after our heroes.
- ConexionesFeatured in Max Headrom, el hombre de la pantalla: Blipverts (1987)
- Banda sonoraYou Think You're a Man
Written by Geoffrey Deane
Performed by Divine
Reseña destacada
The original version of this film, which was titled 120 minutes into the Future (I believe) was by far one of the most impressive and subversive things I have seen on TV. The premise involves the idea that Blipverts, or high-speed advertisements, are allowing the TV stations to create more ad time, but are also at risk of causing the most indolent members of society to spontaneously combust.
This is absolutely wonderful!
The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.
The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.
This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
This is absolutely wonderful!
The whole Max Headroom angle was never really exploited until this became a (too short lived) TV series shortly after. However, this movie is nothing short of being among the most impressive and visionary movies ever made, and by far one of the most interesting (and underrated) cyberpunk tales told.
The low-budget enhances the bleakness of this dystopic future, and the utter pessimism about the future of mankind is palpable at every moment. Watching the TV zombies wander the streets in search of more TV, the dark rooms where the future of man (and media) is decided... the burnt-out buildings, the police-state siege mentality. I have rarely seen anything this ambitious attempted in the past.
This movie warned us about the dangers of mass media, and managed to do it in a way that was not ironic and was highly entertaining. Run out and find this movie if you can (I have seen it on tape, and Sci-Fi channel runs it occasionally). Go... NOW!
- A-Ron-2
- 27 jun 2000
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 750.000 GBP (estimación)
- Duración57 minutos
- Mezcla de sonido
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