El asesino del Shogun

I imagine that many Japanese cinema purists look down on Shogun Assassin, viewing it as bastardised art, the film consisting of the juiciest bits from the first two classic Lone Wolf and Cub films edited together and re-dubbed for the US market. I, however, see the film as a fond reminder of the video nasty era when, against the wishes of the BBFC, I proudly owned an ex-rental, big box VIPCO VHS copy of the movie; it was one of the highlights of my collection, a gloriously violent saga that introduced me to the world of unflappable samurais and arterial spray, for which I will be ever grateful.

Of course these days the censors have seen sense and all of the Lone Wolf and Cub movies are available in their entirety on DVD (pristine prints in their original language with English subtitles, no less); but while it's great to see the movies as the filmmakers intended, I still get a kick out of Shogun Assassin's incongruous American voice-over, grimy 80s synth score and erratic editing, elements that take me back to a time when collecting banned movies was a challenge and the viewing seemed more rewarding as a result. As soon as Daigoro's narration kicks in, I'm back in the darkened bedroom of my youth, revelling in all the stylish blood and violence wreaked by super cool rōnin for hire Ogami Itto (Tomisaburô Wakayama), enjoying the fact that I'm sampling forbidden fruit, and it tastes good.