Al acercarse a su sueño de llevar una vida normal, un ladrón de cajas fuertes profesional acepta hacer un trabajo para la mafia, que tiene otros planes para él.Al acercarse a su sueño de llevar una vida normal, un ladrón de cajas fuertes profesional acepta hacer un trabajo para la mafia, que tiene otros planes para él.Al acercarse a su sueño de llevar una vida normal, un ladrón de cajas fuertes profesional acepta hacer un trabajo para la mafia, que tiene otros planes para él.
- Premios
- 2 premios y 6 nominaciones en total
Jim Belushi
- Barry
- (as James Belushi)
W.R. Brown
- Mitch
- (as W.R. [Bill] Brown)
Argumento
¿Sabías que...?
- CuriosidadesAfter El padrino (1972), this was James Caan's favorite film of his own. He had stated that his monologue in the diner was the scene of which he was most proud in his career.
- PifiasFrank's mentor at the steel mill said, "Seven-, Eight-thousand degrees. Portable equipment! Sonny, if I can build it, it's going to be a son-of-a-bitch to use." Given that and the small hole cut at the top of the elevator shaft, getting into the vault room with all the welding equipment, oxygen and acetylene tanks would not have been easy but they could have winched it down. When planning the heist, it is mentioned they would be spending 16 to 18 hours inside the building.
- Citas
Okla: Lie to no one. If there 's somebody close to you, you'll ruin it with a lie. If they're a stranger, who the fuck are they you gotta lie to them?
- Versiones alternativasThere are three official versions of the film - the Theatrical Cut (1981), the Director's Special Edition (1995), and the Director's Cut (2014). The Director's Special Edition was released on LaserDisc in 1995, and subsequently on DVD in 1998. This was the only version of the film available until 2014, when Criterion released the newly edited Director's Cut on DVD and Blu-ray. The following year Arrow Video released a two-disc Blu-ray set featuring both the Theatrical Cut and the Director's Cut. There is only one difference between the Theatrical Cut and the Director's Cut - right after the opening heist, there is a new scene where Frank (James Caan) meets his friend Cap (Willie Dixon) on the pier and the two admire the stillness of the water (1:22). The rest of the Director's Cut is identical to the Theatrical Cut. The Director's Special Edition also features the scene with Cap, but there are also some other minor changes, which were not been carried over to the Director's Cut. For the Special Director's Edition,
- After the second heist, the scene of Frank lighting up a cigarette and nodding to himself has been shortened (-00:02).
- The cut from Frank nodding to the shot of the beach is no longer in sync with the music, instead it cuts to the beach before the music cue.
- A slow motion shot of Jessie (Tuesday Weld) holding the baby on the beach is absent (-00:07).
- The initial shot of the waves in the above scene has been slowed down (00:09).
- The shot of Frank taking a box from a shelf before telling Jessie to leave has been shortened (-00:03).
- During the scene where Frank is telling Jessie to leave, her line "We just disassemble it and put it back in a box like an erector set you just send back to a store?" has been changed to "We just disassemble it and put it back in a box?"
- The last shot of Frank's collage has been shortened (-00:02).
- The speed of some of the shots during the shootout has been altered; the shot of Attaglia (Tom Signorelli) falling to the ground and the shot of Frank falling after Carl (Dennis Farina) shoots him have been sped up (-00:04), whilst the shot of Carl falling back into the bushes has been slowed down and edited slightly differently (00:02)
Reseña destacada
I've always been impressed by Micheal Mann's films. Starting with The Insider, I was intrigued by his camera-work and the use of music to compliment a scene.
With Thief, his directorial debut, he shows what movie fans will be in store for over the 30 years. Of course some of the techniques to steal are dated, but I loved the glossy, yet gritty atmosphere of the film. Tuesday Weld, was also quite good as Caan's love interest. It has an amazing ending as well.
The film is Waaaaaaay ahead of its time. And I was genuinely impressed with James Caans performance. This film is an underrated gem and should be viewed by Mann fans who liked Heat and Collateral.
8/10
With Thief, his directorial debut, he shows what movie fans will be in store for over the 30 years. Of course some of the techniques to steal are dated, but I loved the glossy, yet gritty atmosphere of the film. Tuesday Weld, was also quite good as Caan's love interest. It has an amazing ending as well.
The film is Waaaaaaay ahead of its time. And I was genuinely impressed with James Caans performance. This film is an underrated gem and should be viewed by Mann fans who liked Heat and Collateral.
8/10
- mbanwait
- 22 oct 2010
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Detalles
Taquilla
- Presupuesto
- 5.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 11.492.915 US$
- Recaudación en todo el mundo
- 11.494.812 US$
- Duración2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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