Mujeres al borde de un ataque de 'nervios'
Una actriz de televisión se encuentra con una variedad de personajes excéntricos después de embarcarse en un viaje para descubrir por qué su amante la dejó abruptamente.Una actriz de televisión se encuentra con una variedad de personajes excéntricos después de embarcarse en un viaje para descubrir por qué su amante la dejó abruptamente.Una actriz de televisión se encuentra con una variedad de personajes excéntricos después de embarcarse en un viaje para descubrir por qué su amante la dejó abruptamente.
- Nominado para 1 premio Óscar
- 22 premios y 24 nominaciones en total
- Paulina Morales
- (as Kiti Manver)
- Padre de Lucía
- (as Yayo Calvo)
- Policía I
- (as Angel de Andrés-López)
Argumento
¿Sabías que...?
- CuriosidadesPedro Almodóvar and Carmen Maura's personal relationship was seriously damaged during the shooting, which Maura even defined as a "living hell". It took 18 years for them to work again, on Volver (2006).
- PifiasCandela, while giving Pepa's rabbits water, comments to Carlos about how the rabbits love the turnips they're eating (in the English and French subtitles as well as in the original Spanish audio), but the only vegetables in the cage are leeks, and the rabbits aren't eating them.
- Citas
Pepa: Hello. I'm the mother of the notorious Crossroads Killer. When my son comes home after one of his famous crimes, his clothes are just filthy.
[Pepa holds up a bloody shirt. The police arrive]
Policía I: Where are the clothes your son wore...
Policía II: At the time of the murder?
[Pepa takes a clean shirt out of the dryer]
Pepa: Right here. Sparkling clean.
Policía I: No trace of blood.
Policía II: Or guts.
Policía I: Unbelievable!
[Pepa holds up a box of detergent]
Pepa: Ecce Homo. It's unbelievable.
- ConexionesFeatured in Final Cut: Hölgyeim és uraim (2012)
The film contains all the elements of an absurdist play by the likes of Beckett, Stoppard or Ionesco. From its bizarre and essentially alienating dialogue, to its disjointed plot brought somewhat together by the end, it is an absolute delight to see such films around today.
All the characters are wonderfully developed and, like in a play, the narrative is light in plot but heavy in characters. It makes you think, not about the story it is telling since the story itself is ludicrous, and not about what is said for the same reason, but just about the way the characters interact with each other and how this can be applied to everyday life.
There are also some wonderful performances contained within. Each of the actors and actresses are so gutsy and alive inside this strange para-universe that Almodovar has created. It really is a treat to watch, with the persistently wry and often wildly ironic humour extracted to its full potential by the deadpan mock seriousness plastered across each character's face. It gives us a good laugh, not just at the film itself but at ourselves and the elements of us we can see in it. Plus the mambo cab is a dead-set winner.
After seeing this film, I am currently desperate to see another Almodovar. From this one piece I can see he is definitely a director worth celebrating and admiring and I will try to encourage many others to discover him for themselves. ****1/2 / *****
- Laitue_Gonflable
- 17 sept 2003
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Women on the Verge of a Nervous Breakdown
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 700.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 7.251.740 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 13.399 US$
- 13 ago 2006
- Recaudación en todo el mundo
- 7.305.816 US$
- Duración1 hora 28 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1