PUNTUACIÓN EN IMDb
7,3/10
120 mil
TU PUNTUACIÓN
Una anciana judía y su chófer afroamericano en el sur de Estados Unidos mantienen una relación que crece y mejora con los años.Una anciana judía y su chófer afroamericano en el sur de Estados Unidos mantienen una relación que crece y mejora con los años.Una anciana judía y su chófer afroamericano en el sur de Estados Unidos mantienen una relación que crece y mejora con los años.
- Ganó 4 premios Óscar
- 22 premios y 24 nominaciones en total
Patti LuPone
- Florine Werthan
- (as Patti Lupone)
Jo Ann Havrilla
- Miss McClatchey
- (as Joann Havrilla)
Crystal Fox
- Katie Bell
- (as Crystal R. Fox)
Best Picture Winners by Year
Best Picture Winners by Year
See the complete list of Best Picture winners. For fun, use the "sort order" function to rank by IMDb rating and other criteria.
Argumento
¿Sabías que...?
- CuriosidadesThree black men are seen crossing railroad tracks in Atlanta. All three of these men are descendants of the real person (Will Coleman) that the "Hoke" character was based upon.
- PifiasThe bombing of The Temple in Atlanta took place in 1958, yet is shown as occurring in 1966 or later (because it is shown after the scene in which Boolie receives an award in 1966). Hoke is also driving mid-1960s Cadillac in the scene.
- Citas
Daisy Werthan: Hoke?
Hoke Colburn: Yes'm.
Daisy Werthan: You're my best friend.
Hoke Colburn: No, go on Miss Daisy.
Daisy Werthan: No, really, you are...
[Takes Hoke's hand]
Daisy Werthan: You are.
Hoke Colburn: Yes'm.
- Créditos adicionalesFilm title logo appears at the end of closing credits
- ConexionesFeatured in Precious Images (1986)
- Banda sonoraAfter The Ball
(1892)
Words and Music by Charles Harris (as Charles K. Harris)
Sung a cappella by Jessica Tandy (uncredited)
Published by Charles K. Harris Publishing Company, Inc.
Reseña destacada
When Jessica Tandy won her Oscar for Driving Miss Daisy a lot of people forget this was hardly the first southern lady that the British born Tandy played. On Broadway Jessica was the original Blanche Dubois in A Streetcar Named Desire and was the only one of the original cast who didn't make the trip to Hollywood with Vivien Leigh playing Blanche and winning a second Oscar for it. But there is a universe of difference between Blanche Dubois and Daisy Werthing and it ain't just age.
In fact Tandy may play the only role film history where you start at 70 and then age in the part. She's a genteel southern woman, but formidable who happens to be Jewish. One day she has an accident and emerges unhurt, but the car is wrecked and son Dan Aykroyd decides that his mother needs a chauffeur.
An idea not pleasing to Tandy as she's used to doing for herself. Even the presence of Esther Rolle as a cook was upsetting to her, but Rolle toughed it out and became a household fixture. So when Aykroyd hires Morgan Freeman to be a driver, Freeman will have his work cut out for him.
The success of Driving Miss Daisy is really dependent on the chemistry between Tandy and Freeman. You haven't got that and the film would sink. Fortunately they click beautifully together.
Author Alfred Uhry grew up in the Atlanta of the time and Atlanta was relatively a beacon of some light in the cracker and segregated south of the time. Mayor William B. Hartsfield of the period always advertised his city as the one too busy to hate. Given the parameters of the times, Hartsfield moved to gradually end segregation and to improve the services for Atlanta's black population. Hartsfield is mentioned in passing in the film. Remember Tandy's character is Jewish, a people not looked on too fondly either by a lot of the Deep South. But in Atlanta they have some measure of safety.
Uhry's memories yielded him a Pulitzer Prize winning play and an Academy Award Best film. He also got an Oscar for adapting his off Broadway success to the screen. Of course Jessica Tandy became the oldest player to ever receive an acting Oscar. And Driving Miss Daisy also got an Oscar for Best Makeup.
And it was nominated for Best Art&Set Direction, Best Editing, Best Costumes with Oscar nods for Morgan Freeman for Best Actor and Dan Aykroyd for Best Supporting Actor.
For Freeman his best moment comes when on a trip to Mobile,Alabama with Tandy he puts up with the indignities and humiliation of segregation and exposes Tandy to a world she really wasn't aware of. And Tandy got her Oscar for the moment when she and those around her realize that Alzheimer's Disease has gotten control. For an elderly player to even contemplate such a thing that could so easily happen to them must be a nerve wracking experience. Jessica Tandy saw in her life such colleagues as Rita Hayworth, Dana Andrews, and Edmond O'Brien among others lose their last few years and careers to the long lingering twilight of Alzheimer's, no doubt she drew from all of them and her own fears that it could happen to her to deliver this performance.
Driving Miss Daisy is one of the best films of the last half of the last century and one that will be studied and revived for years to come. Budding actors who need chemistry lessons should study what is working between Tandy and Freeman.
In fact Tandy may play the only role film history where you start at 70 and then age in the part. She's a genteel southern woman, but formidable who happens to be Jewish. One day she has an accident and emerges unhurt, but the car is wrecked and son Dan Aykroyd decides that his mother needs a chauffeur.
An idea not pleasing to Tandy as she's used to doing for herself. Even the presence of Esther Rolle as a cook was upsetting to her, but Rolle toughed it out and became a household fixture. So when Aykroyd hires Morgan Freeman to be a driver, Freeman will have his work cut out for him.
The success of Driving Miss Daisy is really dependent on the chemistry between Tandy and Freeman. You haven't got that and the film would sink. Fortunately they click beautifully together.
Author Alfred Uhry grew up in the Atlanta of the time and Atlanta was relatively a beacon of some light in the cracker and segregated south of the time. Mayor William B. Hartsfield of the period always advertised his city as the one too busy to hate. Given the parameters of the times, Hartsfield moved to gradually end segregation and to improve the services for Atlanta's black population. Hartsfield is mentioned in passing in the film. Remember Tandy's character is Jewish, a people not looked on too fondly either by a lot of the Deep South. But in Atlanta they have some measure of safety.
Uhry's memories yielded him a Pulitzer Prize winning play and an Academy Award Best film. He also got an Oscar for adapting his off Broadway success to the screen. Of course Jessica Tandy became the oldest player to ever receive an acting Oscar. And Driving Miss Daisy also got an Oscar for Best Makeup.
And it was nominated for Best Art&Set Direction, Best Editing, Best Costumes with Oscar nods for Morgan Freeman for Best Actor and Dan Aykroyd for Best Supporting Actor.
For Freeman his best moment comes when on a trip to Mobile,Alabama with Tandy he puts up with the indignities and humiliation of segregation and exposes Tandy to a world she really wasn't aware of. And Tandy got her Oscar for the moment when she and those around her realize that Alzheimer's Disease has gotten control. For an elderly player to even contemplate such a thing that could so easily happen to them must be a nerve wracking experience. Jessica Tandy saw in her life such colleagues as Rita Hayworth, Dana Andrews, and Edmond O'Brien among others lose their last few years and careers to the long lingering twilight of Alzheimer's, no doubt she drew from all of them and her own fears that it could happen to her to deliver this performance.
Driving Miss Daisy is one of the best films of the last half of the last century and one that will be studied and revived for years to come. Budding actors who need chemistry lessons should study what is working between Tandy and Freeman.
- bkoganbing
- 16 ene 2010
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Tot passejant Miss Daisy
- Localizaciones del rodaje
- 822 Lullwater Road, Druid Hills, Atlanta, Georgia, Estados Unidos(Miss Daisy's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 7.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 106.593.296 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 73.745 US$
- 17 dic 1989
- Recaudación en todo el mundo
- 145.793.296 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Paseando a Miss Daisy (1989) officially released in Japan in Japanese?
Responde