Añade un argumento en tu idiomaA mentally unstable woman and her son move to a sprawling mansion in Portugal to grow roses.A mentally unstable woman and her son move to a sprawling mansion in Portugal to grow roses.A mentally unstable woman and her son move to a sprawling mansion in Portugal to grow roses.
- Premios
- 1 premio en total
Argumento
¿Sabías que...?
- CuriosidadesThe director forbad the use of any subtitles.
- Citas
Fernando, The Friend: You are the Mother of the world. I beseech you like a son, you must grant me that grace. Only you can grant it. You must grant me that grace. You must or I will burn you! I will set your heart on fire, if you don't hear me...
- ConexionesFeatured in Mondo Lux - Die Bilderwelten des Werner Schroeter (2011)
Reseña destacada
The IMDb classifies the genre of the film as Drama/Musical, but "Pretentious Nonsense" is probably a more accurate characterization, even if this is a little unkind. The film is certainly pretty to look at; each scene is (visually) as carefully composed as an oil painting, and the slow pace combines these images to an overall impression that is not unlike visiting an art gallery, i.e. moving from picture to picture, pondering over each for a while.
The classical music accompanies this well and enhances that emotion, and the characters' movement have a certain balletic quality that fits to the mood.
However, that alone does not make a movie. There is barely a story extractable from the proceedings, and the personal relationships between the characters do not ring true, not physically, not emotionally; they are just weird. Ballet has similar difficulties when it tries to tell its audience a story, but there is little justification for maintaining this difficulty at the cinema, just for the heck of it.
The film is certainly watchable, like a piece of art, and is in this sense a vast improvement over Schroeter's dreadful "Das Liebeskonzil", but it does not engage the audience. In other words: for toffee-nosed elitists only.
The classical music accompanies this well and enhances that emotion, and the characters' movement have a certain balletic quality that fits to the mood.
However, that alone does not make a movie. There is barely a story extractable from the proceedings, and the personal relationships between the characters do not ring true, not physically, not emotionally; they are just weird. Ballet has similar difficulties when it tries to tell its audience a story, but there is little justification for maintaining this difficulty at the cinema, just for the heck of it.
The film is certainly watchable, like a piece of art, and is in this sense a vast improvement over Schroeter's dreadful "Das Liebeskonzil", but it does not engage the audience. In other words: for toffee-nosed elitists only.
- SMK-4
- 21 may 2005
- Enlace permanente
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- The Rose King
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By what name was Der Rosenkönig (1986) officially released in Canada in English?
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