Aquarius

Stageright is possibly one of the greatest slasher/horror films virtually no one has ever seen, which is why I so strongly reccomend you do some searching for a copy. Stagefright tells a simplistic tale (one which verges on cliche, but fortunately manages to avoid the pratfalls of the formulaic slasher film) of a group of thespians whom are currently working on a theatrical production, a musical about a serial murderer. As this occurs, so does the escape of a crazed actor/murderer from the local insane asylum whom happened to brutally kill his co-star several years back in the same theater. He returns to wreak his vengeance upon the cavernous rehearsal hall's new inhabitants, donning an owl mask and weilding a variety of lethal impliments of destruction.

As you can see, there really isn't much to Stagefright in terms of plot, but this aspect does not work against Stagefright, it proves to be an asset. Due to the lack of contrived subplots and red herrings, director Michele Soavi (this film was his debut, proving just how strong of a director he is) can concentrate on the magnificent atmosphere and carnage that ensues. Speaking of carnage, Stagefright not only offers some marvelous suspense/tension , but some great gore. The score only helps to accenutate the mood of the movie and while the characters may be two-dimensional, the aformentioned aspects of Stagefright surpass them. Stagefright is recommended definitively.

Grade: A