PUNTUACIÓN EN IMDb
5,8/10
8,4 mil
TU PUNTUACIÓN
Un joven intenta ayudar a una adolescente a encontrar al asesino en serie que asesinó a sus padres antes de que el asesino los persiga.Un joven intenta ayudar a una adolescente a encontrar al asesino en serie que asesinó a sus padres antes de que el asesino los persiga.Un joven intenta ayudar a una adolescente a encontrar al asesino en serie que asesinó a sus padres antes de que el asesino los persiga.
- Premios
- 2 nominaciones en total
Isabell O'Connor
- Georgia Jackson
- (as Isabell Monk)
Argumento
¿Sabías que...?
- CuriosidadesThe character played by Asia Argento is inspired by her half-sister Anna (Nicolodi's daughter from a previous marriage) who actually suffered from anorexia. Anna died in a scooter accident in 1994 shortly after the film's release, but she is seen in the actual movie during the closing credits dancing in the balcony.
- PifiasThe newscaster says that Dr. Judd died on impact at the scene of the accident, but he actually delivers some last words before succumbing.
- Versiones alternativasA special uncut version reportedly available on video features 7 minutes of footage omitted from foreign prints including:
- a new introduction of the Aura and David characters: David (Chris Rydell) drives Grace (Laura Johnson) to the airport and sees Aura (Asia Argento) being beaten by a man whose plane ticket she tried to steal;
- a new scene features Grace visiting David at the TV station and asking him about Aura; David invites Grace to his house and then calls Aura at home to ask her if she needs any food; Aura lies to him and tells she's already eaten;
- Aura visits a market and is spotted by Dr. Jarvis (Frederic Forrest), who tries to catch her;
- After David and Aura escape from the Marigold, she tells him she's taken a little souvenir from Nurse Volkmann's purse; another new shot shows the Marigold's owner talking to the police;
- David checks into a hotel after following Linda Quirk's car and asks for a room overlooking the parking lot;
- David asks for information about Dr. Lloyd in a saloon;
- After David calls Grace and asks her for prescription forms, she meets and confronts him, trying to make him face the fact that he's become a junkie;
- The death scenes of Linda Quick and of the killer are more graphically explicit (the wire is seen cutting through Linda's neck).
- ConexionesFeatured in Dario Argento: Il mio cinema (1999)
- Banda sonoraRuby Rain
Sung by Laura Evan
Lyrics by Paolo Steffan
Music by Pino Donaggio
Arranged and Performed by Paolo Steffan
Reseña destacada
Dario Argento's Trauma is his only American film in full length.
The film is filled with elements from his previous Italian produced films. The Hitchcockian element from Argento's Animal trilogy is present here (the Hitchcock element even furthered by Pino Donaggio's music score, a frequent Brian De Palma collabarator), as is the Freudian undertone of repressed guilt and past sins from Deep Red and Tenebrae. This is Argento basically delivering his usual giallo in a more American style. And he's hugely successful at it, too.
Trauma has a lot of great set pieces, some great scenes of extreme violence and gore to spare,a cleverly plotted and written story, decent performances from Rydell and Asia and genuine old fashioned suspense. And a devilishly clever ending. Trauma has it all in abundance.
It goes a bit over the top concerning those severed heads and some make-up effects could have been better, I thought. But these are minor quibbles in an otherwise excellent suspense yarn from a master director. Trauma may well be his most underrated film.
I have to say, also, that I find it immensely enjoyable that Argento used live sound here instead of his usual dubbing.
The film is filled with elements from his previous Italian produced films. The Hitchcockian element from Argento's Animal trilogy is present here (the Hitchcock element even furthered by Pino Donaggio's music score, a frequent Brian De Palma collabarator), as is the Freudian undertone of repressed guilt and past sins from Deep Red and Tenebrae. This is Argento basically delivering his usual giallo in a more American style. And he's hugely successful at it, too.
Trauma has a lot of great set pieces, some great scenes of extreme violence and gore to spare,a cleverly plotted and written story, decent performances from Rydell and Asia and genuine old fashioned suspense. And a devilishly clever ending. Trauma has it all in abundance.
It goes a bit over the top concerning those severed heads and some make-up effects could have been better, I thought. But these are minor quibbles in an otherwise excellent suspense yarn from a master director. Trauma may well be his most underrated film.
I have to say, also, that I find it immensely enjoyable that Argento used live sound here instead of his usual dubbing.
- ODDBear
- 1 jul 2005
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Detalles
Taquilla
- Presupuesto
- 7.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 475 US$
- Duración1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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