I'd heard of "Léolo" years ago, but just now got the chance to watch this masterpiece. This film is really one of a kind, bizarre, dark, amusing at moments (but should never be classified as a "comedy"), and extremely poignant. With a fantastic visual style, reminiscent of Jean-Pierre Jeunet and Fellini ("Amarcord", especially), but also a complete original, and a mind-blowing soundtrack (that includes Tom Waits and The Rolling Stones), Jean-Claude Lauzon created the two worlds of young Leo Lauzon (played by Maxime Collin; the name Lauzon is not a coincidence): his real life with his (very) dysfunctional family in Montréal, and his imaginary life as Léolo Lozone, son of a Sicilian peasant.
"Léolo" isn't, however, a cute story of a child with vivid imagination. It is definitely not for kids, and its dark extremes (attempted murder, sexual awakening, etc.) can shock even some adults. Jean-Claude Lauzon (1963-1997) died on a plane crash five years after its release, having made only two films, "Night Zoo" (1987) being the first. It's a sad loss of an extremely promising, iconoclastic artist, who managed to create a masterpiece in his second feature. There's an interesting anecdote about "Léolo" leaving the 1992 Cannes Film Festival with no awards: according to Ken Turan of Los Angeles Times, "Léolo" would've probably won the Golden Palm if Lauzon hadn't made an obscene suggestion to Jamie Lee Curtis, one of the jurors. Lauzon himself would've told Turan that he found himself next to Jamie Lee at the buffet at the Hotel du Cap, introduced himself and said: "What the boy in the film does to the piece of liver, I want to do to you". Apparently, Curtis wasn't that flattered...
With or without the Golden Palm or an Oscar for best foreign film, "Léolo" is one of the 'lost' masterpieces of the 90s that deserve to be discovered (Richard Corliss and Richard Schickel included it on their list of 100 greatest films of all time). A must see for anyone who loves unique film-making. 10/10.
