Una dramatización, en estilo teatral moderno, de la vida y el pensamiento del filósofo vienés Ludwig Wittgenstein, educado en Cambridge.Una dramatización, en estilo teatral moderno, de la vida y el pensamiento del filósofo vienés Ludwig Wittgenstein, educado en Cambridge.Una dramatización, en estilo teatral moderno, de la vida y el pensamiento del filósofo vienés Ludwig Wittgenstein, educado en Cambridge.
- Premios
- 1 premio en total
- Tutor
- (as Tanya Wade)
Argumento
¿Sabías que...?
- CuriosidadesAlong with Blue (1993), this is one of the final films of Derek Jarman.
- Citas
John Maynard Keynes: Let me tell you a little story. There was once a young man who dreamed of reducing the world to pure logic. Because he was a very clever young man, he actually managed to do it. When he'd finished his work, he stood back and admired it. It was beautiful. A world purged of imperfection and indeterminacy. Countless acres of gleaming ice stretching to the horizon. So the clever young man looked around the world he'd created and decided to explore it. He took one step forward and fell flat on his back. You see, he'd forgotten about friction. The ice was smooth and level and stainless. But you couldn't walk there. So the clever young man sat down and wept bitter tears. But as he grew into a wise old man, he came to understand that roughness and ambiguity aren't imperfections, they're what make the world turn. He wanted to run and dance. And the words and things scattered upon the ground were all battered and tarnished and ambiguous. The wise old man saw that that was the way things were. But something in him was still homesick for the ice, where everything was radiant and absolute and relentless. Though he had come to like the idea of the rough ground, he couldn't bring himself to live there. So now he was marooned between earth and ice, at home in neither. And this was the cause of all his grief.
- ConexionesFeatured in Derek Jarman: Life as Art (2004)
- Banda sonoraKlavierstücke Op. 119 No. 1 Intermezzo in B minor
Composed by Johannes Brahms
Light, engaging and entertaining, the director has made far more difficult and challenging films than Wittgenstein. This is to the good - as the philosopher was undoubtedly a highly complex personality. He needed simplifying.
Jarman treats his subject with great love and sensitivity. The care and attention extends to ensuring that things are kept easy and simple. Wittgenstein's philosophical outpourings are exceptionally hard to access, but we are given just enough so that we appreciate the genius. It's cleverly done.
The craft extends from Wittgenstein's early life and subsequent work right through to scenes on his deathbed. Via this device we catch glimpses of the whole person. We come to learn a lot about our subject through Jarman's deft and sympathetic treatment.
Don't watch this expecting the surreal grit of Jubilee or high art of Caravaggio. Instead, ready yourself for an eclectic journey through the life and works of one of the world's greatest minds. Your guide is Jarman. He clearly cares about Ludwig Wittgenstein and by the end so do we.
- tobydale
- 24 sept 2020
- Enlace permanente
Selecciones populares
- How long is Wittgenstein?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 300.000 GBP (estimación)