Un ejecutivo de una compañía informática es demandado por acoso sexual por una antigua amante convertida en jefa que inició el acto a la fuerza, lo que amenaza tanto su carrera como su vida ... Leer todoUn ejecutivo de una compañía informática es demandado por acoso sexual por una antigua amante convertida en jefa que inició el acto a la fuerza, lo que amenaza tanto su carrera como su vida personal.Un ejecutivo de una compañía informática es demandado por acoso sexual por una antigua amante convertida en jefa que inició el acto a la fuerza, lo que amenaza tanto su carrera como su vida personal.
- Premios
- 2 premios y 2 nominaciones en total
- Furillo
- (as Joe Attanasio)
Argumento
¿Sabías que...?
- CuriosidadesA decade later, Demi Moore was sued for sexual harassment by the caretaker of her Idaho ranch, Lawrence Bass, who claimed that she hit on him in the same manner she used to approach Douglas' character in this film, then fired him after he rejected her advances. The case was dismissed.
- PifiasThe mediation is completely unrealistic. In a mediation, no court reporter is present to make a transcript and the lawyers do not cross-examine the opposing parties; it is not a mini-trial. In reality, the parties explain their case to the mediator and the mediator tries to get the two sides to agree on terms.
- Citas
Catherine Alvarez: No means no. Isn't that what we tell women? Do men deserve less?
Meredith Johnson: Well, when he really wanted to stop, he didn't seem to have any problems doing it, did he?
Catherine Alvarez: And that's when you got angry.
Meredith Johnson: Of course I got angry. So would anyone.
Catherine Alvarez: Don't we tell women that they can stop at any point?
Meredith Johnson: Haven't you ever said no and meant yes, Mrs. Alvarez?
Catherine Alvarez: Up until the moment of actual penetration...
Meredith Johnson: [interrupting] The point is he was willing. That tape doesn't change anything.
Catherine Alvarez: The point is you controlled the meeting. You set the time. You ordered the wine. You locked the door. You demanded service and then got angry when he didn't provide it. So you decided to get even, to get rid of him with this trumped up charge. Ms. Johnson, the only thing you have proven is that a woman in power can be every bit as abusive as a man!
Meredith Johnson: You wanna put me on trial here? Let's at least be honest about what it's for! I am a sexually aggressive woman. I like it. Tom knew it, and you can't handle it. It is the same damn thing since the beginning of time. Veil it, hide it, lock it up and throw away the key. We expect a woman to do a man's job, make a man's money, and then walk around with a parasol and lie down for a man to fuck her like it was still a hundred years ago? Well, no thank you!
- ConexionesEdited into Die Geschichte des erotischen Films (2004)
It's interesting that although the story revolves around Michael Douglas's plight, it's the women who set the events in motion and who help the protagonist resolve the problem he's presented with. Female empowerment is the main theme of this movie.
Demi Moore gets perhaps her best movie role ever by playing the sexual predator to Michael Douglas's easygoing mid-level manager. She knows how to play the corporate game much better than him, and quickly boxes him into a dicey situation. How does a guy explain that it was his female boss who hit on him and not the other way around as she claims? Demi Moore controls the situation well for most of the movie, and plays the villain so well that the viewer really enjoys when she finally gets her comeuppance.
Roma Maffia does an excellent job of playing Michael Douglas's lawyer. He's lost on how to respond to the sexual harassment charges and what to do to preserve his job, and she forcefully takes over his defense and steers him towards a successful resolution. She also understands how the game is played and keeps her nerve when the company comes after her client.
Caroline Goodall plays Michael Douglas's wife and displays a perfect combination of anger and support while he resolves the charges against him. A lawyer herself, she understands the situation her husband has gotten into much better than he does, and is there for him as both an advisor and partner.
Rosemary Forsyth plays another female executive at the company who, without giving away the plot, mentors Michael Douglas through his dilemma. She's smart, but calm and principled, and in fact it is she, not Douglas, who eventually gets the promotion to head the company.
Even though Michael Douglas is the protagonist and eventually overcomes the crisis he's facing, his character is basically weak in the movie. He's carefree and unfocused at the outset, assuming the job promotion is his because he's done a good job for the company, and is completely blindsided when a woman takes it away from him and then threatens his career and his marriage. Douglas eventually takes charge and with alot of outside help and some improbable plot twists gets the upper hand, but in the cutthroat world of corporate intrigue, he's the little fish who gets lucky and swims out of the net.
Donald Sutherland hands in his usual fine performance as the president of the company. Dennis Miller plays a computer geek working for Michael Douglas and has a few humorous moments, but suddenly turns nasty in the middle of the movie and then just disappears. Dylan Baker plays a sort of Mr. Smithers kind of character to Donald Sutherland's Monty Burns, and is just egregious enough make you hate him, which is a good sign of a performance well done.
There are a few plot twists that offend the viewer's senses and things are wrapped up just a bit too neatly, but all in all, this is pretty good entertainment from start to finish. The movie touches an important issues, sexual harassment in the workplace, and makes it more interesting by making the woman the aggressor and the man the victim. Not surprisingly, I noticed that women gave this movie a higher average rating than did the men.
- senortuffy
- 27 mar 2003
- Enlace permanente
Selecciones populares
Detalles
Taquilla
- Presupuesto
- 55.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 83.015.089 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.068.126 US$
- 11 dic 1994
- Recaudación en todo el mundo
- 214.015.089 US$
- Duración2 horas 8 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1