Una periodista de una gran ciudad viaja a un pequeño pueblo en el que su madre ha sido detenida por el asesinato de una anciana para la que trabaja como sirvienta.Una periodista de una gran ciudad viaja a un pequeño pueblo en el que su madre ha sido detenida por el asesinato de una anciana para la que trabaja como sirvienta.Una periodista de una gran ciudad viaja a un pequeño pueblo en el que su madre ha sido detenida por el asesinato de una anciana para la que trabaja como sirvienta.
- Premios
- 1 premio y 8 nominaciones en total
Vernon Steel
- Ferry Vendor
- (as Vernon Steele)
Argumento
¿Sabías que...?
- CuriosidadesKathy Bates' favorite movie role of her career.
- PifiasA scene shows Dolores driving the night before a total solar eclipse. The scene shows a full moon, which is impossible since a full moon cannot occur less than 14 days before a total solar eclipse.
- Citas
Vera Donovan: Sometimes, Dolores... sometimes you have to be a high-riding bitch, to survive... Sometimes, being a bitch, is all a woman has to hang onto.
- ConexionesEdited from El padrino parte III (1990)
- Banda sonoraHappy Days Are Here Again
Written by Milton Ager and Jack Yellen
Reseña destacada
Selena St George returns to her Maine island home to be reunited with her estranged mother Dolores. Dolores has been charged with the murder of her long time wealthy employer Vera, and all the evidence points to her guilt. Inspector Mackey leads the investigation, however his view is tainted as he failed to convict Dolores for the murder of her husband Joe, almost 20 years ago - his only unclosed case. As the present murder is investigated the truth about the past is slowly revealed.
How many Hollywood films give good roles to women. Not many - certainly not older women. This stands out because it has three good roles for women and a very strong supporting cast. The story is compelling, the present murder is slowly revealed, while the back story between Dolores, Selena, Joe and Vera is slowly spun out in memories. The various strands are all gripping - the level of detail and back story is excellent. The way the past is weaved into the present is well handled and you never feel like there's too much going on - each strand compliments the others.
The flashbacks are well filmed - each memory is painted bright with sunshine and gaudy colours. Like Selena's memory, it all seems better in hindsight. The present is filmed in pale greys, not even flesh colours come across - everyone looks ashen and grey. The director also deserves praise with the way he blends the present scenes into the past - the camera moves slightly revealing past action. At the end, every story is revealed and it's very satisfying.
As I said, the cast are excellent. If Bates got an Oscar for Misery then she more than deserved one here. She is superb in older and younger roles. She has some annoying habits, mainly the phrases she uses - but she brings out so much hurt, so many layers and so much resentment really well. Jason-Leigh is as good as always and is suitably disturbed - she is very well matched by her younger version, Ellen Muth, who matched Leigh's manner and speech well. Parfitt is an excellent Vera, she has a smaller role but deals with the changes very well. The support cast are all excellent - three stand out. Strathairn is excellent as the abusive Joe, Plummer is great as the cop, who turns out to have as many unresolved issues as Selena. The cast is rounded off by John C Reilly, who is always great.
Overall this is a well-acted compelling story. It lacks the sudden horror of Misery, but is a much more fully developed character piece.
How many Hollywood films give good roles to women. Not many - certainly not older women. This stands out because it has three good roles for women and a very strong supporting cast. The story is compelling, the present murder is slowly revealed, while the back story between Dolores, Selena, Joe and Vera is slowly spun out in memories. The various strands are all gripping - the level of detail and back story is excellent. The way the past is weaved into the present is well handled and you never feel like there's too much going on - each strand compliments the others.
The flashbacks are well filmed - each memory is painted bright with sunshine and gaudy colours. Like Selena's memory, it all seems better in hindsight. The present is filmed in pale greys, not even flesh colours come across - everyone looks ashen and grey. The director also deserves praise with the way he blends the present scenes into the past - the camera moves slightly revealing past action. At the end, every story is revealed and it's very satisfying.
As I said, the cast are excellent. If Bates got an Oscar for Misery then she more than deserved one here. She is superb in older and younger roles. She has some annoying habits, mainly the phrases she uses - but she brings out so much hurt, so many layers and so much resentment really well. Jason-Leigh is as good as always and is suitably disturbed - she is very well matched by her younger version, Ellen Muth, who matched Leigh's manner and speech well. Parfitt is an excellent Vera, she has a smaller role but deals with the changes very well. The support cast are all excellent - three stand out. Strathairn is excellent as the abusive Joe, Plummer is great as the cop, who turns out to have as many unresolved issues as Selena. The cast is rounded off by John C Reilly, who is always great.
Overall this is a well-acted compelling story. It lacks the sudden horror of Misery, but is a much more fully developed character piece.
- bob the moo
- 3 feb 2002
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Dolores Claiborne: L'ombra d'un crim
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 24.361.867 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.721.920 US$
- 26 mar 1995
- Recaudación en todo el mundo
- 24.361.867 US$
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Principal laguna de datos
What is the Hindi language plot outline for Eclipse total (Dolores Claiborne) (1995)?
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