Tom Reagan, asesor de un jefe del crimen de la época de la ley seca, intenta mantener la paz entre las mafias enfrentadas, pero se ve atrapado en una división de lealtades.Tom Reagan, asesor de un jefe del crimen de la época de la ley seca, intenta mantener la paz entre las mafias enfrentadas, pero se ve atrapado en una división de lealtades.Tom Reagan, asesor de un jefe del crimen de la época de la ley seca, intenta mantener la paz entre las mafias enfrentadas, pero se ve atrapado en una división de lealtades.
- Premios
- 4 premios y 16 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesWriters Joel Coen and Ethan Coen suffered writer's block while writing Muerte entre las flores (1990). They took a three week break and wrote Barton Fink (1991) a film about a writer with writer's block. The name of Tom Regan's residence is "The Barton Arms". In one of the newspapers an article reads 'Seven Dead in Hotel Fire,' another reference to Barton Fink.
- PifiasWhen Tom throws the glass at the mirror in the woman's washroom, the cracks in the glass change between shots.
- Citas
Tom Reagan: Nobody knows anybody. Not that well.
- Créditos adicionalesThe opening credits list production companies, the title, and the main cast. The crew is not listed until the ending credits, starting with a director credit.
- Versiones alternativasAlthough there is no mention of this on the packaging, the Criterion Blu-ray edition released in 2022 is over two minutes shorter than the theatrical release version. Among the cuts are Frankie's line 'Jesus, Tom' after Tom hits him in the face with a chair, and the line 'Take care now' said by Lazzare's messenger after Tom is subjected to a beating.
- Banda sonoraDanny Boy
Music by Rory Dall O'Cahan (uncredited)
Lyrics by Frederick Edward Weatherly (uncredited)
Sung by Frank Patterson
Reseña destacada
One of the great undiscovered gems of recent movie history. In my opinion, Miller's crossing is easily the best of the Coen brothers' films, and one of the true classics of American cinema.
On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".
I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).
Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.
I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.
On the surface, the story of warring gangsters in 1920's America is one that has been told many times before. But never before has it been handled with such artistry and precision. The (rather violent) action scenes keep the movie going along at a brisk pace, and the camera work is every bit the equal of "Fargo".
I became a lifelong Gabriel Byrne fan as a result of this movie, despite his best efforts to disappoint me since. Byrne's Tom Reagan is a compellingly amoral character, who takes more unchallenged beatings than perhaps anyone in film history. Men beat him up. Women beat him up. Collection men, bookies, gangsters, and even his boss gives him a terrible thrashing, and he hardly lifts a finger in opposition (with one notably humorous exception).
Albert Finney is tremendous as Leo, the local crime boss. His "Danny Boy" scene should go down in film history as one of the greatest pieces ever filmed. Jon Polito is at once absurdly funny and threateningly psychotic as Johnny Caspar, Leo's rival in the turf war. J.E. Freeman, John Turturro, and Marcia Gay Harden all lend strong support in a cast that was assembled and performs to near perfection.
I will never understand why this film has not received more recognition and acclaim. As an example of the modern style of Film Noir, it has no equals ("The Usual Suspects" would rate a close second). Among gangster films, only "The Godfather" can compete, and "Miller's Crossing" features superior pacing and dialog, although it lacks "The Godfather's" epic proportions. Perhaps someday this film will receive, like "The Manchurian Candidate" and "Touch of Evil", the belated accolades it so richly deserves.
- PClark
- 7 jul 1999
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Mort entre les flors
- Localizaciones del rodaje
- 619 Gravier Street, Nueva Orleans, Luisiana, Estados Unidos(exteriors: Shenandoah Club)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 14.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 5.080.409 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 28.202 US$
- 23 sept 1990
- Recaudación en todo el mundo
- 5.080.409 US$
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Principal laguna de datos
What was the official certification given to Muerte entre las flores (1990) in India?
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