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Añade un argumento en tu idiomaTwo clan chiefs who have maintained a blood feud for decades have to contend with the romance between their respective grandchildren.Two clan chiefs who have maintained a blood feud for decades have to contend with the romance between their respective grandchildren.Two clan chiefs who have maintained a blood feud for decades have to contend with the romance between their respective grandchildren.
- Premios
- 2 premios y 6 nominaciones en total
Argumento
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- CuriosidadesUpon arriving on the films sets, Raaj Kumar realized that Dilip Kumar's character spoke Hindi with a U.P. BIhari dialect. This angered him as he was to speak regular Hindi in the film and he was not told about Dilip's characters Hindi. He told Subash Ghai he was quitting the film right there and then and returning back to Bombay. Subhash Ghai had to go and convince Raaj Kumar for two hours to remain in the film. Ghai reasoned that Raaj Kumar's character was rich and royal where as Dilip's was a poor lower cast character. Hearing this Raaj Kumar finally relented and stayed in the film.
- PifiasMonty, Chuniya mama's (Amrish Puri) son, by relation is Gajja and Deven's (Dalip Tahil and Anand Balraj's) first cousin. Which would make Monty, Radha's (Manisha Koirala's) uncle. Yet the movie showed Monty wanting to marry Radha when by religion and blood relation this is not permitted especially in Hindu culture.
- ConexionesFeatured in Trimurti (1995)
- Banda sonoraIlu Ilu
Performed by Kavita Krishnamurthy, Manhar Udhas and Udit Narayan
Composed by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma
Written by Anand Bakshi
Reseña destacada
Saudagar review :
They didn't call Subhash Ghai the 'SHOWMAN' for nothing!!
Only he could think of bringing the two titans - Dilip Kumar and Raaj Kumar - together as besties turned foes in a magnum opus loosely adapted from Romeo and Juliet. The focus was more on their feud than the love story of the young couple from the original classic tale.
Saudagar is a complete director's film and Ghai showed his true calibre by not only handling the two veterans who hadn't worked together after Paigham (1959) but also by introducing two fresh faces - Vivek Mushran and Manisha Koirala- out of which one went on to become a big star of the '90s.
Laxmikant Pyarelal always reserved their best for Ghai and the love duet 'ILU ILU' ruled the music charts for nearly one and half year after the film's release. After Tridev's Oye Oye, Ilu Ilu became eve teaser's favourite anthem and the police would actually pick anyone singing it loudly.
The confrontation scenes between Dilip Kumar and Raaj Kumar were epic stuff and the dialogue "Hum tumhe maarenge aur zaroor maarenge. Par woh bandook bhi hamari hogi, goli bhi hamari hogi aur waqt bhi hamara hogaa" joined the ranks of Raaj Kumar's best.
Clocking more than three hours, Saudagar opened to packed houses across India and it was simply impossible to procure tickets in its first week. I got to see the film only on its second tuesday at Matunga's Badal Cinema which was still going full. Most of the crowd were repeat and they were screaming the dialogues and cheering so loudly it was difficult to hear the screen. In 2017, Subhash Ghai re-premiered Saudagar at his own New Excelsior theatre in Mumbai and that was my second theatrical watch of this grand movie. This time, I had Ghai himself with Anupam Kher and Gulshan Grover seated in the row ahead of me. Wow!!
Regards, Sumeet Nadkarni.
They didn't call Subhash Ghai the 'SHOWMAN' for nothing!!
Only he could think of bringing the two titans - Dilip Kumar and Raaj Kumar - together as besties turned foes in a magnum opus loosely adapted from Romeo and Juliet. The focus was more on their feud than the love story of the young couple from the original classic tale.
Saudagar is a complete director's film and Ghai showed his true calibre by not only handling the two veterans who hadn't worked together after Paigham (1959) but also by introducing two fresh faces - Vivek Mushran and Manisha Koirala- out of which one went on to become a big star of the '90s.
Laxmikant Pyarelal always reserved their best for Ghai and the love duet 'ILU ILU' ruled the music charts for nearly one and half year after the film's release. After Tridev's Oye Oye, Ilu Ilu became eve teaser's favourite anthem and the police would actually pick anyone singing it loudly.
The confrontation scenes between Dilip Kumar and Raaj Kumar were epic stuff and the dialogue "Hum tumhe maarenge aur zaroor maarenge. Par woh bandook bhi hamari hogi, goli bhi hamari hogi aur waqt bhi hamara hogaa" joined the ranks of Raaj Kumar's best.
Clocking more than three hours, Saudagar opened to packed houses across India and it was simply impossible to procure tickets in its first week. I got to see the film only on its second tuesday at Matunga's Badal Cinema which was still going full. Most of the crowd were repeat and they were screaming the dialogues and cheering so loudly it was difficult to hear the screen. In 2017, Subhash Ghai re-premiered Saudagar at his own New Excelsior theatre in Mumbai and that was my second theatrical watch of this grand movie. This time, I had Ghai himself with Anupam Kher and Gulshan Grover seated in the row ahead of me. Wow!!
Regards, Sumeet Nadkarni.
- nadkarnisumeet
- 7 ago 2022
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By what name was Saudagar (1991) officially released in Canada in English?
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