Corky, una expresidiaria, y su amante Violet diseñan un plan para robar millones en dinero negro e incriminar a Cesar, el novio de Violet.Corky, una expresidiaria, y su amante Violet diseñan un plan para robar millones en dinero negro e incriminar a Cesar, el novio de Violet.Corky, una expresidiaria, y su amante Violet diseñan un plan para robar millones en dinero negro e incriminar a Cesar, el novio de Violet.
- Premios
- 8 premios y 13 nominaciones en total
John P. Ryan
- Mickey Malnato
- (as John Ryan)
Kevin Michael Richardson
- Cop #2
- (as Kevin M. Richardson)
Argumento
¿Sabías que...?
- CuriosidadesIn a 2014 interview for Vulture, Jennifer Tilly talked about the sex and nudity in this film, and how filming a sex scene and being naked with another woman was less stressful than with a man. "Actors are always saying, 'Oh, sex scenes are so technical. Everyone's standing around and watching.' It is technical, but there is something about being naked with a member of the opposite sex that you still want them to think that you're hot. There's a reason why people are always having affairs with their leading men. With Gina it was really relaxing, because you could say things to her that you wouldn't say to other people. Like, 'Can you put your hand on my thigh here so my butt doesn't look so big? Can you hold my breast up so it looks more plump and juicy?' You would never, ever say those things to a man. Between takes, I would say, 'Gina, there's a shoe sale at Barneys. If we finish early, we should go over to Barneys and shop for shoes!' So it was surprisingly unsexy, but then when you saw it on screen, I was blown away. Violet and Corky have chemistry. They have it in buckets." She then added "We were a little bit worried because Dino De Laurentiis was a producer, and we were worried that after we finished shooting the scene, they would send it off to Italy and insert some breasts and buttocks shots. The Wachowskis said that was a concern of theirs, too, so they decided to shoot that love scene in one long, continuous shot. They said, 'That way he can't cut into it without it looking really obvious and intrusive. So the day we were supposed to shoot the love scene, it was a closed set. But there were monitors in the hallway, and everybody was clustered around the monitors watching. So the Wachowskis put the camera on a crane, and there were all these elements that they wanted to capture. They wanted to start out on a safe and get the side of my back, and they wanted to pan down to the toes, and they would be yelling through a megaphone, telling us what different parts were onscreen. They would yell, 'Toes!' and Gina would curl her toes like she was about to come. Then they would say, 'Hand!' and my hand was on her crotch, and I would kind of move my fingers a little bit. And then they would say, 'Face!' and it would be on Gina's face, and Gina would 'come.' So it was very, very technical, and we did eight takes."
- PifiasThe cleaning of the money -- washing, hanging up to dry, and ironing -- could not possibly be accomplished in one night. $2 million in 100-dollar bills is 20,000 individual bills. Even if each one was handled for only 10 seconds, it would take more than two days of constant work.
- Versiones alternativasThe Criterion 4K Ultra HD release changes the credits of the Wachowskis to remove any references to their deadnames.
- ConexionesEdited into Matrix: Descubre lo increíble (2001)
- Banda sonora(Chicago Is) My Kind of Town
Written by Jimmy Van Heusen and lyrics by Sammy Cahn
Sung by Jennifer Tilly and Gina Gershon
Reseña destacada
Bound is a film for which I have mixed feelings: it looks and feels amazing, the cinematography, acting, directing, costumes, wardrobe, props, colors, moods, etc. feel like a graphic novel brought to life. Yet on the other hand there is something that smacks of "aren't we cool for doing x?" - I guess the lesbian scenes and camera work were what did this so as to give it a punk/hip feel (then again, this is not long after Pulp Fiction came out so everyone was doing it).
Having seen the Matrix 1-3 I can understand and appreciate the camera work on second viewing, but it feels like the Wachowski brothers were pushing the lesbian eroticism for the sake of shock and males in the audience. It definitely seems to be directed by males insofar as the sex scenes go (the female body is both fetishist and problematized as a threat to men throughout the film too, but that's a different subject altogether), but these are more artsy than "Skinemax" night flicks in that there is very little nudity, it was tastefully shown for the most part and a lot was told with sounds and shadows. (Personally, I think the lesbians were there for shock since a male lover would have worked just as well, but in general I think some more subtlety could have been used in the sex scenes myself since imagining it is sexier IMHO).
That said, the first half, which establishes character, does seem to drag quite a bit, but once the caper gets going it never stops. You also feel for all of the characters - surprisingly, I felt the most for Cesar, the "villain" of the piece (perhaps because of an amazing shot when he opens the briefcase and then the world seems out of whack as we look up at him).
I can't really find anything "wrong" with this film per se and it is a good film although I could have easily fast forwarded the first half and got roughly the same effect. Still I could watch this film over and over again for the way it was shot since it is amazing and there are a lot of techniques and style one can learn from it, plus the story is great too. So for this I give the film
8 out of 10 stars. Definitely worth a watch, although some of you more conservative folks might be a little put off by the lesbian scenes.
Having seen the Matrix 1-3 I can understand and appreciate the camera work on second viewing, but it feels like the Wachowski brothers were pushing the lesbian eroticism for the sake of shock and males in the audience. It definitely seems to be directed by males insofar as the sex scenes go (the female body is both fetishist and problematized as a threat to men throughout the film too, but that's a different subject altogether), but these are more artsy than "Skinemax" night flicks in that there is very little nudity, it was tastefully shown for the most part and a lot was told with sounds and shadows. (Personally, I think the lesbians were there for shock since a male lover would have worked just as well, but in general I think some more subtlety could have been used in the sex scenes myself since imagining it is sexier IMHO).
That said, the first half, which establishes character, does seem to drag quite a bit, but once the caper gets going it never stops. You also feel for all of the characters - surprisingly, I felt the most for Cesar, the "villain" of the piece (perhaps because of an amazing shot when he opens the briefcase and then the world seems out of whack as we look up at him).
I can't really find anything "wrong" with this film per se and it is a good film although I could have easily fast forwarded the first half and got roughly the same effect. Still I could watch this film over and over again for the way it was shot since it is amazing and there are a lot of techniques and style one can learn from it, plus the story is great too. So for this I give the film
8 out of 10 stars. Definitely worth a watch, although some of you more conservative folks might be a little put off by the lesbian scenes.
- camachoborracho
- 22 nov 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- Llaços ardents
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 3.802.260 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 900.902 US$
- 6 oct 1996
- Recaudación en todo el mundo
- 3.802.260 US$
- Duración1 hora 49 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of Lazos ardientes (1996) in Canada?
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