Jerusalem de Bille August

The film is based on a novel by Selma Lagerlof and itself is indeed a magnificent epic of a Scandinavian spirit, though not that naive in its approach as one finds in, say, some famous epic movies based on Scottish history. In my eyes the film is a revelation of a fragile human story, full of obstacles and hard days, proceeded by a careful, attentive eye, and smooth in a sense that the sequence of events do not overshadow each other but rather form a nice waving flow, thus sustaining intensity not in separate scenes but rather as a whole, where each moment is masterfully organized. Also, though dealing with difficult issues, the film sees people not as a collection of scenes of despair, but as a continuous spirit, worth of admiration after all.

If you want an entertaining film in the narrow sense then I suggest this is not the right one to choose and you might be disappointed. Else, go and see it, it is rewarding in a sense of how much attention and openness you can give to it, a film its director Bille August did not manage to overtake by now, despite his expensive Hollywood attempts.