Congo

OK, this movie is best watched on a rainy day or when you're pretty bored. The fake looking gorillas were obviously not very well-made, whereas the 1993 film Jurassic Park had familiarized audiences with CG dinosaurs. In fact, CGI was originally planned for the grays, but the technology had not yet been developed to the point where realistic hair could be created. While smooth skinned dinosaurs were possible, hairy apes would have looked inappropriately cartooned. Therefore, animatronics, masks and puppetry had to be utilized. So that was kind of a damper on the special effects as well as Tim Curry's bad acting. The movie could have been a lot better, but it was viewable. If you got over the gorilla puppets and Tim Curry's accent, you have a pretty decent movie. I thought the story was good. It's not Jurassic Park, but it's Michael Crichton. Congo wasn't very realistic, but neither was Jurassic Park. It was like that show "Legends of the Hidden Temple" with intelligent gorillas and science. There was action and a plot. So I could sit and watch it. I'll give it (barely) 6 stars.

This movie is a great litmus test. It can be used to separate your friends and family into two categories: fun people vs elitist snobs. The type of people that hate this movie are the same ones that want to argue about mise-en-scene in Argento films and the iconography of Bergman.

Congo is a throw back to the days of the drive-in movie. In those simpler times, movies about lost cities, diamonds and killer gorillas were considered fun. Sometimes, movies are just meant to be fun. Tim Curry gets it, why can't you?

I remember being only six years old when my older brother and his friends rented this one night. I watched it with them and now that I am seventeen years old, I feel that this was one of my most cherished memories. Of course i fell asleep near the end of it then, but it was still a really good memory, to watch CONGO with them. And now I have viewed this film fairly recently without falling asleep and have read the Michael Crichton(Jurassic Park, The Andromeda Strain) book. I for one find this film to be very entertaining. Of course it goes without saying that this film is not completely accurate to the book. They have added new characters and added more gory death and less technology and actual factual feeling. The creators could have made this film an interesting sci-fi adventure feature, but instead they have made a B movie. Although the film feels like the former, and did when i was six. This film has enough technology and factual feel to be interesting, but not quite believable. And yet, this for once, is not at all a bad thing. The film is pretty convoluted. It is about a primatologist and a friend who have a talking gorilla(via electronic headset) and decide to go to it's birthplace to see what its like and discover what happened to a team that went their a little while earlier to find a treasure in which Tim Curry randomly appears in a fake accent and pretends to be a companion who is searched for by a stereotypical soldier looking dude who turns out not to be a friend and, yeah. I don't really know how to exactly explain the plot, suffice to say that somehow, the gorilla named Amy and her friends, for some reason, must escape from a helicopter because they are shot at and end up in the jungle, not alone, with all of their crew mates and stuff. And from there on, they must try to avoid danger from snakes, hippos, and a wild pack of mutated monkeys that intend to eat their flesh and kill everyone. I know that this film sounds completely ridiculous and stupidly pointless, but that is really part of the fun. Usually movies are either thought provoking and interesting, or entertaining. This film is very entertaining and funny. This film also has a high body count, with a lot of characters meeting their end in gruesome ways. It takes itself seriously, but not seriously enough to make it not fun. I liked this film as a kid because it was funny and fun. It still works for me.

Congo is the first movie on the IMDB for which I am writing a user comment. I am giving it this distinction because, although it is not the best movie I have ever seen, nor my all-time favorite movie, it is one of my personal favorites nonetheless. If I could choose only ten movies to own, or even just five, Congo would be one of them.

Because so many people dislike Congo, or are at least indifferent to it, I feel compelled to explain why I like it. I like Congo because it's different: in the seven years since I first saw it in June of 1995, I've seen countless other movies, but Congo still retains its uniqueness, I believe. Other movies have tried to duplicate Congo's juvenile sense of adventure and tongue-in-cheek humor (most notably the two Mummy movies), but none of them have surpassed Congo as one of the most gleefully preposterous and deliriously fun yarns I've ever seen.

So many people have criticized Congo in so many ways that I'm not sure which complaint I should address first. The consensus among most comments seems to be that the character of Amy, the "talking" gorilla, pretty much ruins the movie because she is annoying and unconvincing. Although I cannot deny that "Amy" is, indeed, a woman in a gorilla costume which is not quite convincing, I should also say (1) that when I first saw Congo, I thought Amy was pretty convincing, and at least acceptable; and (2) convincing gorillas in movies are rare, in my opinion. Rick Baker's work in Gorillas in the Mist and the Mighty Joe Young remake is the best I've seen; and although Amy (created by Stan Winston's team, not Baker's) is inferior to Baker's best work, she's better than some of Baker's apes in Burton's terrible Planet of the Apes remake. If I must choose between Amy, and Tim Roth in an obvious chimpanzee costume, I choose Amy.

Another common complaint is that the movie Congo is inferior to Michael Crichton's novel, upon which it was based. I read the novel in early 1995, just prior to seeing the movie, and so the book was still fresh in my mind when I saw the movie: and I thought the movie did an excellent job of conveying the essence of the book, and gave the story an offbeat style which sets the movie apart from the book. The movie also has a healthy sense of humor about itself, which Crichton's novel lacks and sorely needs.

I almost forgot the actors! Some people hate Congo simply because it lacks a Mel Gibson or Bruce Willis; nevertheless it does boast a talented and interesting cast of mostly underrated actors. Laura Linney has given good, strong performances in many movies, but I argue that her performance in Congo is still her most entertaining. Dylan Walsh gives an earnest, appealing performance as the earnest, appealing Peter Elliot, whose devotion to Amy (however laughable it is for many viewers) gives the movie some heart. Ernie Hudson gives a clever, unforgettable performance as Munro Kelly; although black, he possesses the mannered speech and condescending attitude of an authentic "great white hunter," one of the movie's best gags. Grant Heslov has little to do, but some of his delivery is terrific ("Safari? I don't even like picnics!") Tim Curry is a sheer delight in this movie, giving a campy performance as the monomaniacal Herkermer Homolka, a "Roumanian philanthropist" obviously written into the movie (the character does not exist in the novel) to correspond with Wayne Knight's character Dennis Nedry in Jurassic Park. Some people are offended by Curry's performance, and believe it's offensive to Roumanians as well. Here's a tip: anyone offended by anything in Congo takes life (not to mention this movie) way too seriously, and needs to lighten up.

Many people hate Congo simply because it's cheesy. But considering the story (assorted oddballs journey to a site in the African jungle which may be the legendary mines of King Solomon), how could the movie not be cheesy? Did people really expect a movie called Congo to be realistic, believable and compelling? Surely such a movie would be even more cliched and misconceived than the one that was made. John Patrick Shanley's script may be crude and smug, but at least it's fun, and certainly a model of efficiency: Shanley trimmed the novel of subplots (such as a rival expedition, and attempts to decipher the gray gorillas' "language") which would have made the movie longer, slower and more pretentious. He added lots of pithy dialogue and made the whole affair an exercise in high camp. The result is a quintessential juvenile adventure that improves upon more bombastic and elaborate efforts like Armageddon. And Frank Marshall's straightforward, low-key direction nicely contrasts with the inherent absurdity of the storyline; a more intense and heavy-handed director would not have been a good choice to helm a movie like Congo.

Congo isn't nearly the terrible movie that many people believe it is. It isn't a movie for everybody or even a movie for most people: but it was created with a certain audience in mind, and many people are simply too serious and high-minded to belong to that audience. Congo and movies like it are cartoons for adults: if you don't like movies with colorful visuals, ridiculous plots and juvenile characters, you should not watch Congo. But if you do like movies with those characteristics, then I submit that Congo is one of the best movies of that kind that I've ever seen.

What can you say about a movie like "Congo"? Well, it's silly and underdeveloped with some pretty shabby special effects but god help me, I like it.

The plot is somewhat episodic as multiple different characters with wildly different motives converge on the Congo. One is a communications technician (played nicely by Lauara Linney) who is looking for her fiancé. Another is a Romanain nut case (played by the fabulous Tim Curry) who is looking for a mythical, lost diamond mine. And the last is a gorilla expert returning a talking gorilla back to her natural habitat. I swear, I'm NOT making this up.

The cast as a whole is OK. Linney is appealing, Curry turns in a usual fine job, and cameos from Bruce Campbell and Joe Don Baker add to the quirky atmosphere. Special mention should go to Ernie Hudson, who's roguish charm while not as polished as Harrison Ford's, makes a great Clark Gable/Indiana Jones type-explorer.

The special effects are kind of a mixed bag. The gorillas are obviously stunt-men but the hokeyness is kind of fun. The climax in the temple is also silly but still rousing. Topping all this off, the quirky Jerry Goldsmith score adds considerably to the film as a whole.

Although certainly not a classic or even 100% good, "Congo" is a cheesy, yet entertaining jungle adventure movie and is worth seeing.