En un submarino de misiles nucleares de EE. UU., un joven primer oficial organiza un motín para evitar que su capitán dispare antes de confirmar las órdenes de hacerlo.En un submarino de misiles nucleares de EE. UU., un joven primer oficial organiza un motín para evitar que su capitán dispare antes de confirmar las órdenes de hacerlo.En un submarino de misiles nucleares de EE. UU., un joven primer oficial organiza un motín para evitar que su capitán dispare antes de confirmar las órdenes de hacerlo.
- Nominado para 3 premios Óscar
- 5 premios y 9 nominaciones en total
Jaime Gomez
- Ood Mahoney
- (as Jaime P. Gomez)
Lillo Brancato
- Russell Vossler
- (as Lillo Brancato Jr.)
Ricky Schroder
- Lt. Paul Hellerman
- (as Rick Schroder)
Argumento
¿Sabías que...?
- CuriosidadesThe scene in which the U.S.S. Alabama is diving for the first time is footage of the real submarine submerging. Tony Scott was following along in a helicopter and a separate camera unit on boats obtaining shots of the ship. When the Captain of the Alabama requested that the helicopter cease filming, they submerged, which is what director Tony Scott was hoping for anyway.
- PifiasOn 26 October, when Hunter briefs the officers after receipt of the first EAM placing forces at Defcon 3, he states the last time forces were at that level of readiness was during the Cuban Missile Crisis, "32 1/2 years ago". The Cuban Missile Crisis was ALSO in October, so no matter what year in which this film was set, there would be no half year involved. And, anyway, it was last ordered in 1973, during the Arab-Israeli War.
- Versiones alternativasThe English language version includes a scene where Lt. Cmdr. Hunter (Denzel Washington) breaks up a fight between two sailors. One of the two men tells Hunter that they were arguing over which version of the character Silver Surfer was best, the one drawn by Jack Kirby or the one by Moebius. In the Italian version the comic book character over which the two men are fighting have been changed to Betty Boop and Felix the Cat.
- ConexionesEdited into Time Under Fire (1997)
- Banda sonoraPiano Sonata No.14 Op.27 No.2
Written by Ludwig van Beethoven
Performed by Tatiana Nikolayeva
Courtesy of Olympia Compact Discs, Ltd.
Reseña destacada
Denzel and Gene are the perfect choices for the leads. The score is simply amazing and deserves the Oscar. But anyway during the after texts i felt relief. 1.45 h of submarine command language can take its toll and be pretty indigestible.
The only thing that prevents me from putting a solid 8 out of 10 for this effort from Tony Scott are the totally unnecessary racial remarks made by Hackmans character captain Ramsey at the end of the movie. The Lipizzaner dialog could easily have been replaced with something else. It was very irritating and ridiculous simply because if Ramsey had preferences in skin color, he wouldn't have chosen a black man as an X.O. in the first place, right?
The served purpose was of course to help the viewer to take sides in the conflict but the audience had already done that. The audience had already understood that Ramsey associated Hunter with Harvard and military school theory and that he thought of him as a softy. The moment Hunter takes control of the conn, the sympathies lies with him.
Ramsey with his happy trigger-finger and "shoot first ask questions later" attitude was the stereotype perhaps needed to push some moral points about the problems with blind obedience and the ever recurring need of critical thought (especially amongst men in control of nukes). The audience got it, but to make sure the viewers didn't have any sympathies for the old commie-hater he must be throwing some racial epithets too. The choice in making characters over explicitly bad is quite common in Hollywood though, but more often than not the drama itself suffers from this practice. Characters made more shallow and one-dimensional, who wants that except the studio bosses? If they dumb it down and keep it within the stereotypes maybe they think it's easier to go break even, who knows? But in the same way as the US military can be saved from personnel like Ramsey maybe a well educated middle class one day can save the world from risk reducing studio bosses by demanding a dismantling of the stereotypes we all cherished and consumed for too long.
The only thing that prevents me from putting a solid 8 out of 10 for this effort from Tony Scott are the totally unnecessary racial remarks made by Hackmans character captain Ramsey at the end of the movie. The Lipizzaner dialog could easily have been replaced with something else. It was very irritating and ridiculous simply because if Ramsey had preferences in skin color, he wouldn't have chosen a black man as an X.O. in the first place, right?
The served purpose was of course to help the viewer to take sides in the conflict but the audience had already done that. The audience had already understood that Ramsey associated Hunter with Harvard and military school theory and that he thought of him as a softy. The moment Hunter takes control of the conn, the sympathies lies with him.
Ramsey with his happy trigger-finger and "shoot first ask questions later" attitude was the stereotype perhaps needed to push some moral points about the problems with blind obedience and the ever recurring need of critical thought (especially amongst men in control of nukes). The audience got it, but to make sure the viewers didn't have any sympathies for the old commie-hater he must be throwing some racial epithets too. The choice in making characters over explicitly bad is quite common in Hollywood though, but more often than not the drama itself suffers from this practice. Characters made more shallow and one-dimensional, who wants that except the studio bosses? If they dumb it down and keep it within the stereotypes maybe they think it's easier to go break even, who knows? But in the same way as the US military can be saved from personnel like Ramsey maybe a well educated middle class one day can save the world from risk reducing studio bosses by demanding a dismantling of the stereotypes we all cherished and consumed for too long.
- fikamugg
- 14 ago 2011
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- How long is Crimson Tide?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 53.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 91.387.195 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 18.612.190 US$
- 14 may 1995
- Recaudación en todo el mundo
- 157.387.195 US$
- Duración1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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