Max Kirkpatrick es un agente de policía que se ve obligado a proteger a Kate McQuean, una prestigiosa abogada de derechos civiles de Miami amenazada por una banda de agentes del KGB.Max Kirkpatrick es un agente de policía que se ve obligado a proteger a Kate McQuean, una prestigiosa abogada de derechos civiles de Miami amenazada por una banda de agentes del KGB.Max Kirkpatrick es un agente de policía que se ve obligado a proteger a Kate McQuean, una prestigiosa abogada de derechos civiles de Miami amenazada por una banda de agentes del KGB.
- Premios
- 4 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThis is Cindy Crawford's only starring role in a film.
- PifiasThe whole plot rests on Kazak and his men trying to kill Kate before her court case causes them to lose the Tortuga in the divorce case she is pursuing. However, they only need a couple of days to complete the transfer, and any court case Kate was undertaking would take weeks, if not months, before there was any chance her client would be awarded the ship.
- Citas
[Max has called his cousin Jodi and got the answering machine]
Ilya Kazak: [on the machine] Hello. You have reached the number of Detective Kirkpatrick's meddling relative. Cousin Jodi cannot answer the phone right now, but if you wish to leave a message, please contact your nearest psychic.
[scream from Jodi, gunshot]
Ilya Kazak: Dosvedanya to you, *asshole*!
- Versiones alternativasEuropean release was 8 minutes longer, less violence, but more sex/nudity.
Erm, it sounds good on paper, and perhaps it would have been a good idea if they hadn't screwed the damn thing up by giving us a weak script, even weaker plot, weaker villians and then give up on the sexy model as John McClane and turn her into a damsel in distress.
It almost feels like Producer, Joel Silver is satirizing or parodying himself in the constant need for set-piece action after set-piece action strung together on the weakest thing to ever grace the screen.
Everything that hits something explodes, cars hit telegraph poles and explode violently, tree's that are in the way explode even more violently...its almost too much to take in. I know action is what was driving hollywood around the early 90s - but this is just TOO much.
Anyway, the film pretty much nose-dives when Crawford - who looks stunning - turns into a damsel in distress with Baldwin acting like he's painting by numbers - just doing the thing because either Stallone dropped out or because of the money.
Not even the "sex-scenes" can save this terrible affair. Not even Berkov, now type-cast as Russian bad guys, can save it. Everything hurts...everything. The end explosion looks kinda cool, but it can't mask the fact that this film is flimsy at best - and at worst? Well, I just don't wanna think about that.
They could have made it a lot better than this trash. A die-hard with a woman as the hero could have been done a lot better. Its a shame with the buckloads of money they wasted on this trash seems to have gone onto Crawford's make-up.
My Rating: 0/10
- modius
- 10 dic 2000
- Enlace permanente
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Caça legal
- Localizaciones del rodaje
- Las Olas Boulevard, Fort Lauderdale, Florida, Estados Unidos(apartment explosion)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 11.534.477 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.946.332 US$
- 5 nov 1995
- Recaudación en todo el mundo
- 11.534.477 US$
- Duración1 hora 31 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1