Tras un exitoso atraco, Porter es dado por muerto. Una vez recuperado, busca venganza y quiere su parte del dinero.Tras un exitoso atraco, Porter es dado por muerto. Una vez recuperado, busca venganza y quiere su parte del dinero.Tras un exitoso atraco, Porter es dado por muerto. Una vez recuperado, busca venganza y quiere su parte del dinero.
- Premios
- 2 premios y 2 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesFor release in Australia, the U.S. tagline "Get ready to root for the bad guy" was changed to "Get ready to cheer for the bad guy" because, as Mel Gibson himself pointed out, in Australia "to root" is slang for "to have sexual intercourse".
- PifiasPorter fires about 40 rounds out of a 6-shot revolver without reloading once.
- Créditos adicionalesIn the international prints, the 75th anniversary wordings in the Warner Bros. logo is removed. Meanwhile, the new fanfare did not appeared until the release of Mensaje en una botella (1999) on February 12, 1999.
- Versiones alternativasThe UK cinema version and all subsequent video and DVD releases were cut by 5 seconds to remove the use of a butterfly knife. The Blu-ray reinstates the previously cut footage.
- ConexionesEdited into Payback: Straight Up (2006)
- Banda sonoraAnniversary Song
Music by Iosif Ivanovici
Arranged by Saul Chaplin
Lyrics by Al Jolson and Saul Chaplin
Performed by Chris Boardman
Reseña destacada
Yes - Payback & Point Blank (1967) are very similar. But there is a very good reason for that. Both films are based on the novel 'The Hunter' by Richard Stark, a pseudonym for Donald E Westlake.
The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.
Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.
The films share several character names such as Brewster, Carter, Stegman and Fairfax and similar plots. In both cases the anti-hero Porter (or Walker) is trying to recover a sum of money after being double-crossed.
Now, I am a huge fan of Point Blank. It takes a relatively simple plot and makes a bit of cinematic poetry out of it. And if I was forced to compare Lee Marvin and Mel Gibson's performances, then I'm sorry but Gibson would lose big time. However, Payback is a much better film than I thought it would be. There are sufficient differences to make the story interesting and though it is told in a much more straightforward and, dare I say, 'safe' way than Point Blank, it is a very well made film and tells a compelling story well. And it's nice to see Gibson return to a somewhat morally ambiguous character a la Mad Max.
- smudged68
- 15 sept 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Revancha
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 90.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 81.526.121 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 21.221.526 US$
- 7 feb 1999
- Recaudación en todo el mundo
- 161.626.121 US$
- Duración1 hora 40 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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