Un matemático paranoico busca un número clave que desbloquee los patrones universales que se encuentran en la naturaleza.Un matemático paranoico busca un número clave que desbloquee los patrones universales que se encuentran en la naturaleza.Un matemático paranoico busca un número clave que desbloquee los patrones universales que se encuentran en la naturaleza.
- Premios
- 8 premios y 12 nominaciones en total
Stanley B. Herman
- Moustacheless Man
- (as Stanley Herman)
Argumento
¿Sabías que...?
- CuriosidadesNo location permits were secured for any of the scenes filmed. The crew had to have one man constantly serving as a lookout for police so they could stop filming if needed.
- PifiasMax mentions that the Golden Mean is represented by the Greek letter theta. In fact it is denoted using the Greek letter Tau or, more commonly Phi, whereas phi is used to denote 1/Phi. Phi is for Phidias, a 5th Century BC Greek sculptor who employed the ratio.
- Citas
[repeated line]
Maximillian Cohen: When I was a little kid, my mother told me not to stare into the sun, so when I was six I did...
- Créditos adicionalesLeonardo DaVinci listed under "Special Thanks"
- Versiones alternativasDVD version includes deleted scenes:
- Max being threatened by Farrouhk, Devi's jealous boyfriend;
- Max climbing up a pile of discarded computer parts and monitors;
- ConexionesEdited into Sabores do Saber (2014)
- Banda sonoraI Only Have Eyes For You
Performed by Stanley B. Herman (as Stanley Herman)
Written by Al Dubin & Harry Warren
Published by WB Music Corp. (ASCAP)
Reseña destacada
Max Cohen is a mathematical and computer genius who seeks mathematical patterns in everything. However he also suffers from intense headaches, dellusions and some paranoia. He looks into patterns in the stock market only to find his ability sought by both a Wall Street trader, Marcy Dawson, and a Hasidic, Lenny Meyer, who both want the code for different reasons.
Before I saw this I must admit I heard a lot of hype but no actual details so I was half-expecting an intense `Usual Suspects' thriller mixed with maths. So I was a little disappointed at first. However once over my preconceptions I was able to settle into this. That is, if you can `settle into' something like this. The story is clever it plays on paranoia and delusion in fact it may or may not happen. Even at the end of the film I was left wondering if Max was a genius or if he was a nutter and all this was in his mind. The film uses this paranoia to create some good scenes and the thumping base music ups the ante a bit.
It's not an easy film to enjoy in the traditional sense, but it is an experience. The subject matter is different enough to be interesting and the telling is clever I for one can't wait to see what the director does with Batman: year one, it certainly won't be a camp Joel Schumacher film anyway!
Gullette (who also co-wrote) is good in the lead and is totally convincing. Mark Margolis is also good and it's good to see him in different roles, I know him from his strong role in Oz although he's not as good here. The rest of the cast are good but really the star here is the director as he manages to put us in Max's mind and involve us in the paranoia so thoroughly that we're not sure what is real and what isn't.
Overall this isn't as masterly as the hype suggests but it's different enough and compelling enough to be more than gripping for 90 minutes.
Before I saw this I must admit I heard a lot of hype but no actual details so I was half-expecting an intense `Usual Suspects' thriller mixed with maths. So I was a little disappointed at first. However once over my preconceptions I was able to settle into this. That is, if you can `settle into' something like this. The story is clever it plays on paranoia and delusion in fact it may or may not happen. Even at the end of the film I was left wondering if Max was a genius or if he was a nutter and all this was in his mind. The film uses this paranoia to create some good scenes and the thumping base music ups the ante a bit.
It's not an easy film to enjoy in the traditional sense, but it is an experience. The subject matter is different enough to be interesting and the telling is clever I for one can't wait to see what the director does with Batman: year one, it certainly won't be a camp Joel Schumacher film anyway!
Gullette (who also co-wrote) is good in the lead and is totally convincing. Mark Margolis is also good and it's good to see him in different roles, I know him from his strong role in Oz although he's not as good here. The rest of the cast are good but really the star here is the director as he manages to put us in Max's mind and involve us in the paranoia so thoroughly that we're not sure what is real and what isn't.
Overall this isn't as masterly as the hype suggests but it's different enough and compelling enough to be more than gripping for 90 minutes.
- bob the moo
- 27 mar 2002
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- How long is Pi?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 60.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 3.221.152 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 31.069 US$
- 12 jul 1998
- Recaudación en todo el mundo
- 3.221.152 US$
- Duración1 hora 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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What is the streaming release date of Pi, fe en el caos (1998) in Canada?
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