PUNTUACIÓN EN IMDb
6,7/10
39 mil
TU PUNTUACIÓN
La historia del romance entre el rey de Siam y la maestra británica viuda, Anna Leonowens, durante la década de 1860.La historia del romance entre el rey de Siam y la maestra británica viuda, Anna Leonowens, durante la década de 1860.La historia del romance entre el rey de Siam y la maestra británica viuda, Anna Leonowens, durante la década de 1860.
- Nominado para 2 premios Óscar
- 14 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesThe real King Mongkut was paralyzed on one side of his face.This fact is completely omitted from the film.
- PifiasThe Thai language used between the King and his prime minister is not royal Thai language, but everyday Thai language. Everyday Thai language is never used to speak to a member of the royal family, especially the King.
- Citas
[last lines]
King Chulalongkorn: It is always surprising how small a part of life is taken up by meaningful moments. Most often they are over before they start, although they cast a light on the future and make the person who originated them unforgettable. Anna had shined such a light on Siam.
- Banda sonoraJade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
Reseña destacada
This is a masterful piece of filmmaking that over romanticizes a true story to improve its entertainment value. However, the generous use of artistic license can be almost completely forgiven because the final product is so pleasing. Director Andy Tennant weaves together resplendent visual images, wonderfully warm lighting, magnificent set design, breathtaking locations and beautiful costumes to produce a banquet of sensory delight. I'm surprised this film didn't get more technical awards, since it was one of the most exhilarating filmmaking experiences I had all year.
The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.
The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.
I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in Replacement Killers' and The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.
Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.
This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.
The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.
I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in Replacement Killers' and The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.
Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.
This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
- FlickJunkie-2
- 22 jun 2000
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Detalles
Taquilla
- Presupuesto
- 92.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 39.263.420 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.223.416 US$
- 19 dic 1999
- Recaudación en todo el mundo
- 113.996.937 US$
- Duración2 horas 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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Principal laguna de datos
By what name was Ana y el rey (1999) officially released in India in English?
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