La esposa de un investigador universitario cree que su casa en el lago de Vermont está embrujada por un fantasma, o que está perdiendo la cabeza.La esposa de un investigador universitario cree que su casa en el lago de Vermont está embrujada por un fantasma, o que está perdiendo la cabeza.La esposa de un investigador universitario cree que su casa en el lago de Vermont está embrujada por un fantasma, o que está perdiendo la cabeza.
- Premios
- 7 premios y 7 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesDirector Robert Zemeckis filmed this while production for Náufrago (2000) was shut down (so Tom Hanks could lose weight for his character).
- PifiasThe bite Claire takes out of the apple is gone when she forces Norman to take a bite out of it.
- Citas
Jody: [showing off her new convertible] It's a beautiful thing, alimony. You lose a husband, you get a car. Think it'll help me pick up dudes?
Claire Spencer: [later] Pick up any dudes yet?
Jody: I have one in the trunk!
- Créditos adicionalesWhen the movie title first appears on screen, the word 'Lies' appears just before the rest of the title.
- Banda sonoraToo Late
Written by J.C. Brandy (as Justine Brandy), Katie Harris, Lissa Beltri, Claudia Rossi & Doug DeAngelis
Performed by Lo-Ball (as LoBall)
Courtesy of Doug DeAngelis
Reseña destacada
Claire and Norman Spencer's marriage starts to fall apart when she believes there is a ghost in the house. Things gather apace when Claire is convinced that the spirit is trying to tell her something. Something that could be too close to home for comfort.
Robert Zemeckis does Hitchcock? Well yes, the influence is obvious, unashamedly so. But the trouble with that, is having the maestro as a benchmark renders all other modern day attempts as folly. However, casting aside that gargantuan issue, What Lies Beneath is an effective creeper come thriller that boasts star credentials.
Directed by Zemeckis, formed from an idea by Steven Spielberg (from the story by Sarah Kernochan) and starring Harrison Ford and Michelle Pfeiffer as the fragmenting Spencer's. That's a pretty tidy bunch from which to launch your movie. What follows is a mixture of genuine unease and mystery, red herrings and standard boo jump moments, all of which almost gets lost on a saggy middle section as Zemeckis plays Hitchcock one too many times and loses sight of the supernatural heart of the piece, not helped by Clark Gregg's meandering script I might add. None the less, the picture gets pulled around for the finale as the spooky combines with thriller to produce some quality edge of the seat stuff. But it's only then that you totally realise that the makers here have tried to cram too much in to one film. In eagerness to manipulate the audience for the fine ending (though you probably will have it worked out at the half way point) the film just ends up as being confused as to what it mostly wanted to be.
Pfeiffer is excellent and looks stunning and Ford gives it gusto when the script allows. Support comes from Diana Scarwid, Joe Morton, Miranda Otto and James Remar. The house is suitably eerie with its waterside setting and Alan Silvestri's score is perfectly in tune with the creepy elements of the piece. It's a fine enough film in its own right, regardless of the Hitchcockian homages. It's just that it should have been a far better horror picture than it turned out to be. 7/10
Robert Zemeckis does Hitchcock? Well yes, the influence is obvious, unashamedly so. But the trouble with that, is having the maestro as a benchmark renders all other modern day attempts as folly. However, casting aside that gargantuan issue, What Lies Beneath is an effective creeper come thriller that boasts star credentials.
Directed by Zemeckis, formed from an idea by Steven Spielberg (from the story by Sarah Kernochan) and starring Harrison Ford and Michelle Pfeiffer as the fragmenting Spencer's. That's a pretty tidy bunch from which to launch your movie. What follows is a mixture of genuine unease and mystery, red herrings and standard boo jump moments, all of which almost gets lost on a saggy middle section as Zemeckis plays Hitchcock one too many times and loses sight of the supernatural heart of the piece, not helped by Clark Gregg's meandering script I might add. None the less, the picture gets pulled around for the finale as the spooky combines with thriller to produce some quality edge of the seat stuff. But it's only then that you totally realise that the makers here have tried to cram too much in to one film. In eagerness to manipulate the audience for the fine ending (though you probably will have it worked out at the half way point) the film just ends up as being confused as to what it mostly wanted to be.
Pfeiffer is excellent and looks stunning and Ford gives it gusto when the script allows. Support comes from Diana Scarwid, Joe Morton, Miranda Otto and James Remar. The house is suitably eerie with its waterside setting and Alan Silvestri's score is perfectly in tune with the creepy elements of the piece. It's a fine enough film in its own right, regardless of the Hitchcockian homages. It's just that it should have been a far better horror picture than it turned out to be. 7/10
- hitchcockthelegend
- 30 sept 2009
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 100.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 155.464.351 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 29.702.959 US$
- 23 jul 2000
- Recaudación en todo el mundo
- 291.420.351 US$
- Duración2 horas 10 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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Principal laguna de datos
What is the Japanese language plot outline for Lo que la verdad esconde (2000)?
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