PUNTUACIÓN EN IMDb
7,1/10
4,3 mil
TU PUNTUACIÓN
No es de extrañar la vida de clase trabajadora de Bill, Eileen y sus tres hijas mayores.No es de extrañar la vida de clase trabajadora de Bill, Eileen y sus tres hijas mayores.No es de extrañar la vida de clase trabajadora de Bill, Eileen y sus tres hijas mayores.
- Nominado a 1 premio BAFTA
- 1 premio y 6 nominaciones en total
Anton Valensi
- Danny
- (as Anton Saunders)
Argumento
¿Sabías que...?
- CuriosidadesThe last film being produced by Polygram Filmed Entertainment.
- Banda sonoraBabies
Written by Jarvis Cocker, Russell Senior, Steve Mackey, Nick Banks and Candida Doyle
Performed by Pulp
Recording Courtesy of Island Records Limited
© 1992 Island Music Ltd
Licensed by kind permission from Polymedia Film & TV Licensing UK, a Universal Music Company
Reseña destacada
I caught this on TV without knowing who it was by and I was instantly captivated. The first thing is that it's filmed and set where I live, around the Elephant and Castle, as well as in Soho, and it's about the people I see every day. It's absolutely spot on about the kind of lives people around here lead and the way individuals and different social groups interact.
What lifts it above the sort of social realism common in British cinema is the cutting, the cinematography and Michael Nyman's lovely music, which must be his best work post-Greenaway. While I've never been a big fan of the 'poetry of degradation' school of art, somehow the ugliness and squalor of South East London are transformed by this film and the lives of the characters are invested with real dignity.
Though it may deal with the same sort of subject matter as Ken Loach or Mike Leigh, the style and approach are very different - the difference between a great piece of prose and a poem. I guess you could say Winterbottom and Nyman do for London what Scorsese and Herrmann did for New York in Mean Streets and Taxi Driver.
This is a beautiful film and I feel real gratitude to Michael Winterbottom for bringing our lives to the screen in such a way.
What lifts it above the sort of social realism common in British cinema is the cutting, the cinematography and Michael Nyman's lovely music, which must be his best work post-Greenaway. While I've never been a big fan of the 'poetry of degradation' school of art, somehow the ugliness and squalor of South East London are transformed by this film and the lives of the characters are invested with real dignity.
Though it may deal with the same sort of subject matter as Ken Loach or Mike Leigh, the style and approach are very different - the difference between a great piece of prose and a poem. I guess you could say Winterbottom and Nyman do for London what Scorsese and Herrmann did for New York in Mean Streets and Taxi Driver.
This is a beautiful film and I feel real gratitude to Michael Winterbottom for bringing our lives to the screen in such a way.
- Krustallos
- 15 jul 2003
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 414.254 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 38.947 US$
- 30 jul 2000
- Recaudación en todo el mundo
- 414.254 US$
- Duración1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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