Añade un argumento en tu idiomaOn the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.
Imágenes
Lloyd Ingraham
- J.M. Randall - alias Dr. Havens (edited from 'Race Suicide')
- (metraje de archivo)
Lona Andre
- Florence Davis (edited from 'Race Suicide')
- (metraje de archivo)
- (sin acreditar)
Dean Benton
- Harry - A Henchman (edited from 'Smashing the Vice Trust')
- (metraje de archivo)
- (sin acreditar)
Betty Compson
- Mrs. Lucy Morgan (edited from Mad Youth)
- (metraje de archivo)
- (sin acreditar)
Lester Dorr
- Eddie's Henchman (edited from 'Smashing the Vice Trust')
- (metraje de archivo)
- (sin acreditar)
Sam Flint
- Martin Standish - Gang Leader (edited from 'Smashing the Vice Trust')
- (metraje de archivo)
- (sin acreditar)
Kit Guard
- Henchman (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
John Ince
- Judge (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
Selmer Jackson
- The District Attorney (edited from 'Smashing the Vice Trust')
- (metraje de archivo)
- (sin acreditar)
Donald Kerr
- Man at Party House
- (metraje de archivo)
- (sin acreditar)
Frank LaRue
- Mr. Benton (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
Noel Madison
- Nick - Procurer at Nightclub (edited from 'The Pace That Kills')
- (metraje de archivo)
- (sin acreditar)
Blanche Mehaffey
- Florence Jones (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
Rose Plumer
- Mrs. Benton (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
Veola Vonn
- Lois - The Nice Girl (edited from 'Smashing the Vice Trust')
- (metraje de archivo)
- (sin acreditar)
Frank Wayne
- Eddie - Henchman (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
Constance Worth
- Judy (edited from 'Wages of Sin')
- (metraje de archivo)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThis wartime exploitation film was mostly made up of scenes from earlier exploitation films. New footage features Willy Castello as a prisoner about be be executed who dictates the the story of his life of crime. This provides the framework for the use of scenes from earlier films.
- ConexionesEdited from The Murder in the Museum (1934)
Reseña destacada
This movie is a must-have for exploitation film fans as it contains edited clips from a number of other movies within its overarching narrative. In essence, it is a "Best of Willy Castello" retrospective, rather cleverly strung together from bits and pieces of 1930s films in which this Dutch-born actor portrayed criminals. Identification of the movies in which the archival footage originated includes fragments from "Mad Youth" (Willy Castello as a gigolo), "Race Suicide" (Willy Castello as an abortion doctor), "The Pace That Kills" (better known under its reissue title "Cocaine Fiends" -- in which Willy Castello does not appear), and "Smashing the Vice Trust" (Willy Castello as crime lord James "Lucky" Lombado in a prostitution sub-plot). Although at least one of the movies from which the footage is drawn deals with drug use, that aspect of the story is discarded here entirely in favour of a focus on Castello's character as a despoiler of women, first as a gigolo, then as an abortion doctor, and finally as the crime boss who instigates two prostitution subplots -- one in which the focus is on the kidnapping of school girls and another in which he seduces a young woman and sends her to Fat Pearl's brothel when he tires of her. Exploitation of women is also evident in a dainty disrobing sequence in the abortionist's office and a noteworthily non-plot-driven side-show scene showcasing the belly dancers "Carmalita" and "Fatima" (pronounced "Fateema") from another Willis Kent production, "Murder in the Museum." My immediate reaction to this film was to try to identify the sources used in compiling it. Others, whose interests are not attuned to filmic trivia, might fault the story for lack of originality, but beauty is in the eye of the beholder. I liked it, although i realize its firmest audience base will be classic exploitation fans only.
- CatherineYronwode
- 10 nov 2005
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Detalles
- Duración59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was Confessions of a Vice Baron (1943) officially released in Canada in English?
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