Añade un argumento en tu idiomaA teenage rapper uses his Gran's magic powers to help him in his revenge against those who put her in the hospital.A teenage rapper uses his Gran's magic powers to help him in his revenge against those who put her in the hospital.A teenage rapper uses his Gran's magic powers to help him in his revenge against those who put her in the hospital.
Jennia Fredrique Aponte
- Teesha
- (as Jennia Watson)
William Stanford Davis
- Pere
- (as Bill Davis)
William L. Johnson
- Jean
- (as William Johnson)
Frederic Tucker
- Shadow Man
- (as Fredrick D. Tucker)
Ski-ter Jones
- Man
- (as Ski-Ter Jones)
Nathaniel Haywood
- Agent
- (as Nathaniel Lamar)
Jemal McNeil
- Bartender
- (as Jemal T. McNeil)
Argumento
¿Sabías que...?
- CuriosidadesProduction of the film actually dates back to 1994 when Full Moon CEO Charles Band announced it during the videozone for Puppet Master 5. It remains unknown how much was changed from the original script. More than likely it would have been written by Dave Parker and Jay Woelfel. Regardless and contrary to a rumor that Paramount shut down production due to ending their partnership with Full Moon, Band postponed the film on his own accord, as he felt it needed more time to develop.
- ConexionesEdited into When Puppets and Dolls Attack! (2004)
- Banda sonoraRagdoll
Performed by Freda Payne, Lester Chambers and Marquis Dair (as Marquis "Hami" Dair)
Reseña destacada
On the verge of a record deal, an aspiring rap group about to sign learns some shady things about the owner and becomes hesitant to sign, so when he uses devious tactics to get what he wants one of the group uses a voodoo-raised doll to seek revenge only to learn the terrible truth about his actions.
This was a pretty enjoyable if still flawed genre effort. What works well here is the fine setup that gets everything going with a strong connection between the various storylines present. By quickly giving us a hint of their musical connection as a group as well as their disgust at the attempted association with the sleazy record producer and his operations, this one provides the kind of overlying setup that has plenty of intriguing elements. It even goes far enough to provide a fantastic grounding for the need to set up the dolls' creation and quest for revenge through his dabblings in voodoo and black magic that ties everything together. The other big positive with this one is the fine work done to bring the doll to life in a solid enough series of ambush attacks. Obviously working within the lower-budge realms of the genre, the initial attack on the henchman in his home as well as the following attack on the group member showcases some cheesy thrills alongside some decent practical effects. The big sequences in the hospital and police station are bigger setpieces in scale and effects-work to sell the idea even more, and the finale that goes through the restaurant kitchen before finishing in the officers upstairs offers some enjoyable ideas and better-than-expected gore. Overall, these manage to hold this up enough. There are some issues here that hold this one down. One of the biggest issues with this one comes from the overlong setup that, despite doing as much as it does to generate the storylines it does, comes at the expense of a lot of action in this part of the film. The lack of action here is also partly due to the low body count required here but it's structured so that the relaxed atmosphere of this section comes up against the rushed second half due to this overlong setup. The other issue here is the low-budget look and feel here which is to be expected with the overall production which all combines together to bring this one down.
Rated Unrated/R: Graphic Language, Graphic Violence, and Brief Nudity.
This was a pretty enjoyable if still flawed genre effort. What works well here is the fine setup that gets everything going with a strong connection between the various storylines present. By quickly giving us a hint of their musical connection as a group as well as their disgust at the attempted association with the sleazy record producer and his operations, this one provides the kind of overlying setup that has plenty of intriguing elements. It even goes far enough to provide a fantastic grounding for the need to set up the dolls' creation and quest for revenge through his dabblings in voodoo and black magic that ties everything together. The other big positive with this one is the fine work done to bring the doll to life in a solid enough series of ambush attacks. Obviously working within the lower-budge realms of the genre, the initial attack on the henchman in his home as well as the following attack on the group member showcases some cheesy thrills alongside some decent practical effects. The big sequences in the hospital and police station are bigger setpieces in scale and effects-work to sell the idea even more, and the finale that goes through the restaurant kitchen before finishing in the officers upstairs offers some enjoyable ideas and better-than-expected gore. Overall, these manage to hold this up enough. There are some issues here that hold this one down. One of the biggest issues with this one comes from the overlong setup that, despite doing as much as it does to generate the storylines it does, comes at the expense of a lot of action in this part of the film. The lack of action here is also partly due to the low body count required here but it's structured so that the relaxed atmosphere of this section comes up against the rushed second half due to this overlong setup. The other issue here is the low-budget look and feel here which is to be expected with the overall production which all combines together to bring this one down.
Rated Unrated/R: Graphic Language, Graphic Violence, and Brief Nudity.
- kannibalcorpsegrinder
- 1 oct 2022
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By what name was Ragdoll (1999) officially released in India in English?
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