Joshuu sasori: Kemono-beya

1973
Not Rated
1h 27min

PUNTUACIÓN EN IMDb

7,0/10

2,3 mil

TU PUNTUACIÓN

Crime Drama Thriller

Añade un argumento en tu idiomaMatsu is sheltered by an incestuous prostitute on her run from the police, her ex-prison mate and a cop whose arm she hacked off.Matsu is sheltered by an incestuous prostitute on her run from the police, her ex-prison mate and a cop whose arm she hacked off.Matsu is sheltered by an incestuous prostitute on her run from the police, her ex-prison mate and a cop whose arm she hacked off.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,0/10

2,3 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Curiosidades
References ghost stories of old Japan on demon folklore; the story of Tsuna Watanabe battling a demon and severing his arm, and the story of a brother and sister from a forgotten village committing incest as a means of supporting each other. This is the cinematic world Shunya Ito wanted to create for this installment of the Scorpion series.

Citas
Yuki Nakagawa: That's right. I'm pregnant. It's my brother's baby!

Conexiones
Featured in Shunya Ito: Birth of an Outlaw (2016)

Banda sonora
Kuruwase tai no
(uncredited)
Performed by Linda Yamamoto
Can be heard playing on Tanida's portable radio

Reseñas de usuarios24

Reseña destacada

7/10

Not as Good as the First Two, Still Worth Seeing

I thought "Female Prisoner #701: Scorpion" was an awesome exploitative adventure filled with over-the-top violence and a revenge story that made me want to cheer. "Female Prisoner Scorpion: Jailhouse 41" continued Matsu the Scorpion's (Meiko Kaji, "Lady Snowblood") journey in a way that artistically expanded the world established in the first film while still giving us a compelling story that furthered the legend of our titular character. This third entry is the last of the FPS series directed by Shun'ya Ito, and while I can't say that it's as much fun as the previous entries in the series, I can say that fans of the first two films will probably still find a lot to enjoy in this movie: there are plenty of sleazy and exploitative scenes that justify the sequences of over-the-top graphic violence, and the way the film approaches that violence is still pretty artistic, and, of course, Matsu still has her sting.