Añade un argumento en tu idiomaAn orphan named Oliver Twist (Sam Smith) meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.An orphan named Oliver Twist (Sam Smith) meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.An orphan named Oliver Twist (Sam Smith) meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
- Nominado a 3 premios BAFTA
- 1 premio y 5 nominaciones en total
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- CuriosidadesThis series has a Star Wars connection. Lindsay Duncan, Keira Knightley and Andy Serkis appeared in a Star Wars film. Marc Warren was the stand-in for Ewan McGregor in Star Wars: Episodio I - La amenaza fantasma (1999). Obi-Wan Kenobi was originally portrayed by Sir Alec Guinness who also portrayed Fagin in Oliver Twist (1948). Duncan's husband Hilton McRae portrayed A wing pilot, Arvel Crynyd in El retorno del jedi (1983).
- Citas
Monks, aka Edward Leeford: If I could live my life again, I wouldn't.
- Versiones alternativasThe version which ran on ITV in England and CBC in Canada in late 1999 consisted of four two-hour episodes with commercials; the video for sale in the UK runs 386 minutes. When PBS ran the series on Masterpiece Theater in October 2000, it consisted of three two-hour episodes without commercials; the video available in North America runs 360 minutes.
- ConexionesFeatured in Dickens (2002)
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Oliver Twist is a journalist's novel. The principal character has only one real purpose- as a foil for a range of villainous or inadequate or officious or bungling adults. He barely utters a thousand words in the novel, in the film he is never silent. In this version, the novel has not merely been arranged - it has been totally re-written by someone who has completely missed Dicken's intention: to show us the effects of utilitarian government in late Georgian society. Instead of using the huge range of ideas and the profound commentary- a story which contains enough for several films, the writer rifles the ideas and tries to modernise the language, at once destroying the authority of Dickens' voice and destroying some of his most memorable effects. Dickens is not so far away from us that his language needs translation and most people are literate enough to follow his ideas and arguments. The issues of the novel are as relevant today as they were then - the abuses of authority, attitudes to the destitute, exploitation of the young. Instead, Brownlow shares his sitting room with his housekeeper and asks for 'a large brandy' as though in a saloon rather than his home - this is just sheer ignorance. Fagin is politically corrected - a circus conjurer rather than Dickens' child exploiter and murderer by proxy. Fagin is based on a real person. A real moderniser might have wanted to develop those aspects of Ikey Solomons that Dickens couldn't put in print in 1836. Meanwhile, the novel is trimmed so that characters who are dead before the novel opens are brought incompetently to life and occupy large chunks of time. There is soap-opera violence instead of the real thuggery of public hangings and casual murder. Unlike David Lean, this team seem to be unable to capture Dickens' burning indignation, his contempt for self-serving officialdom. The glaring parallel between the effects of the 'respectable gentlemen' of 'the board' and of the 'merry old gentleman', Fagin on unprotected and unwanted children is missed.
This film has no more relevance to Dickens work than the Lionel Bart musical - an excellent cast and a lot of money completely wasted!
This film has no more relevance to Dickens work than the Lionel Bart musical - an excellent cast and a lot of money completely wasted!
- nickjg
- 27 nov 2004
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By what name was Oliver Twist (1999) officially released in Canada in English?
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