Nathalie enseña a Sandrine que la transgresión sexual puede provocar un placer violento y dar a quien la utiliza un arma poderosa para escalar en la jerarquía social. Deciden buscar trabajo ... Leer todoNathalie enseña a Sandrine que la transgresión sexual puede provocar un placer violento y dar a quien la utiliza un arma poderosa para escalar en la jerarquía social. Deciden buscar trabajo en un banco, un lugar donde abundan las víctimas.Nathalie enseña a Sandrine que la transgresión sexual puede provocar un placer violento y dar a quien la utiliza un arma poderosa para escalar en la jerarquía social. Deciden buscar trabajo en un banco, un lugar donde abundan las víctimas.
- Premios
- 2 premios en total
- Delacroix
- (as Roger Mirmont)
- Sandrine's Mother
- (as Lisa Hérédia)
Argumento
¿Sabías que...?
- CuriosidadesChosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2002 (#01, with "Ten")
- PifiasThe level of champagne in Sandrine's glass varies from shot to shot on the first night in Nathalie's apartment.
- Citas
Nathalie: Next chapter: Men, a user's manual. First pick a good one. But don't fall all over him. Play the good, innocent little girl. Let him play protector.
Sandrine: We can all do that. Guys just want to get laid and move on.
Nathalie: That's why you don't fuck 'em. At least not just like that. Without letting on, study them, get them talking. Discover their weak spots and passions: money, cars, I dunno... success, work. When you find out, you flatter them. Then, once you've chosen your man, you yield to him. Never on the first date. He'll think you're easy. Don't wait too long, either. After 3 or 4 dinners, then give him the works. Give him pleasure, make him think only he can make you climax, play the happy, docile woman, but not for too long. Soon in bed, you stop faking. Not seeing you climax will get him all worked up. Then without warning, drop him and start fooling around. Overtly. One night stands. If possible, with another woman. It'll humiliate him, drive him nuts. He'll come crawling back.
Sandrine: It works every time?
Nathalie: Just about. That's the mystery of human nature... we want what resists or escapes us.
Sandrine: Who taught you that?
Nathalie: Life. My mother. But she and I were poor. I also read a lot. I had schooling like you. It didn't keep us from enduing in the same strip club. We women lack confidence and daring. Someone always has to be behind us, egging us on. We're a bit like the working class. My mother said they'd stay that way for one reason: they didn't dare move up. "Dare!" That's what she'd always say. She knew about human nature.
Sandrine: Meanwhile, no guy ever made me come.
Nathalie: I know. And that's just fine!
Sandrine: If you say so.
Nathalie: You'll soon understand. What'd you do with your guy?
Sandrine: I faked it.
Nathalie: Why?
Sandrine: I wanted to make him happy.
Nathalie: No, you felt guilty, thinking it was your fault. You were wrong. Lesson 3: femmes fatales are usually narcissists or lesbians. They're frigid with men. They come when they want to, which isn't often. It's their strength. With famous courtesans...
Sandrine: Want to make me a call girl?
Nathalie: No, I'm teaching you about life. Now, with famous courtesans each guy wanted to succeed where others had failed. Pride will make a man spend a fortune to be seen with them. Frigidity helps with men. Sex enslaves you. The slave must be the other. Now you can come on your own, you're free. Get it?
Sandrine: What about love?
Nathalie: Our Enemy Number One. The real risk. In war, if you stop to think, you die. If we fall in love, we're done for. Has your life been such a thrill until now? Be realistic: no one'll help you change your life. True love can wait. Now show me how you fake it.
- ConexionesReferenced in Le cinéma selon Brisseau (2007)
It's so refreshing to see a truly adult film these days. Not to mention, a film that doesn't just say it is erotic, it goes ahead and proves it. This is not a film for prudes, for those who are easily offended. But for adults who are willing to see some frank discussion about sex and some deliciously devious sexual politics, this film provides wonderful entertainment.
"Choses secrètes" is enormously entertaining with two thoroughly captivating leads. Sabrina Seyvecou, who turns in a spellbinding performance, has a sort of Heather Grahamish innocence and sexiness to her and, along with Coralie Revel, provides some of the most titillating scenes seen in a mainstream movie in many years.
There really aren't any good/wholesome characters in this film. But that's OK. (I suppose Cadene qualifies as a nice chap, but he's a minor character.) Because the cunning of the two women is so absolutely engrossing that you're quickly drawn into their wicked world. Watching them use people for their own ends and not quite knowing who is manipulating whom is one of the many charms of this sensual and exciting film.
The film comes apart toward the end. Unravels a bit, especially when writer/director Jean-Claude Brisseau resorts to awfully heavy-handed (and needless) symbolism. There's also a superfluous orgy scene that comes out of nowhere. I wish Brisseau would have come up with an original, atypical, less conventional denouement for his story.
If you like the works of Neil LaBute - "The Shape of Things," "Your Friends and Neighbors" and "In the Company of Men" - you should appreciate and enjoy "Choses secrètes."
- anhedonia
- 22 may 2004
- Enlace permanente
Selecciones populares
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Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 105.090 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9421 US$
- 4 ene 2004
- Recaudación en todo el mundo
- 234.255 US$