Añade un argumento en tu idioma"G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons."G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons."G" is a Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons.
- Premios
- 2 premios y 1 nominación
Imágenes
Renet Kyles
- Monica
- (as Ronette Kyles)
Brian d'Arcy James
- Lloyd
- (as Brian Darcy James)
Argumento
¿Sabías que...?
- CuriosidadesBeth Dover's debut.
- ConexionesVersion of La dicha de los demás (1926)
- Banda sonoraMonumental Continental
Written by Ahmad Lewis (as Almad Lewis), Tim Stewart (as Tim Steward), Jabulani Smith-Freeman
Performed by 4th Avenue Jones
Courtesy of Lookalive Music Publishing (ASCAP), Jafro Music (BMI), Napzteefn'Earz Music (ASCAP) and Falling Elevator! Music Group
Reseña destacada
...but no cigar.
I go into all films with the highest of hopes...and the lowest of expectations. (For the record, I see about 200 films per year. At my own expense. I'm a screenwriter and this is part of my ongoing education.) Most times, I'm disappointed. (However, I've had three great film experiences in the past two weeks and I'm expecting to see two of the year's best over the next three days.)
'G' was a disappointment. I'm not going to go into particulars of plot and spoil it for anyone, but what I will say is that if there's any 'connection' between this film and the world of hip-hop, it's a reliance on style. That is, 'bombastic' gets the job done. Now, before anyone accuses me of dissin' hip-hop, I'm not. I wouldn't claim to know enough about the music to have a credible opinion. But certainly the music videos, the marketing, the press, the 'lifestyle' implies that -it would be easy to believe- having the bling does the thing. (Yes, I know the music transcends the attitude.) Here, basic storytelling precepts were thrown out the window and a reliance was placed on the arena of hip-hop with the parties and the cars and the jewellery. There was so little going on in this film...and when something did go on, it was either convoluted, lacking proper motivation, or was completely out of perspective.
For the record, the acting was fine. The production values were great. But the script... Yes, there were a couple of funny moments. But there was nothing to either grab onto, or to grab you. The story was not engaging at all. The characters -though all very, very beautiful and handsome- didn't pique your curiosity. You knew where everything was going to end up. And the screenwriter/director should be reminded of the fact that what people say doesn't define their personalities. What they *do* tells us who and what they're like. There was way too much posturing in this film; fine for hip-hop videos, where most everything these days seems to be a parody of itself, but not for a motion picture. The rules are completely different. What this film needed was more exploration of who the characters were, where they'd been and what really was at stake with the decisions that ended up being made, because in the end, it was 'a tempest in a teapot'. A 24 carat gold one, of course.
I'm sad that so much effort went into this production and so little passion ended up on the screen. I'm especially sad that this wasn't a better vehicle for Richard T Jones, someone that I think has a lot more potential than Jamie Foxx or Will Smith.
Oh, well. Onto the next film, eh?
I go into all films with the highest of hopes...and the lowest of expectations. (For the record, I see about 200 films per year. At my own expense. I'm a screenwriter and this is part of my ongoing education.) Most times, I'm disappointed. (However, I've had three great film experiences in the past two weeks and I'm expecting to see two of the year's best over the next three days.)
'G' was a disappointment. I'm not going to go into particulars of plot and spoil it for anyone, but what I will say is that if there's any 'connection' between this film and the world of hip-hop, it's a reliance on style. That is, 'bombastic' gets the job done. Now, before anyone accuses me of dissin' hip-hop, I'm not. I wouldn't claim to know enough about the music to have a credible opinion. But certainly the music videos, the marketing, the press, the 'lifestyle' implies that -it would be easy to believe- having the bling does the thing. (Yes, I know the music transcends the attitude.) Here, basic storytelling precepts were thrown out the window and a reliance was placed on the arena of hip-hop with the parties and the cars and the jewellery. There was so little going on in this film...and when something did go on, it was either convoluted, lacking proper motivation, or was completely out of perspective.
For the record, the acting was fine. The production values were great. But the script... Yes, there were a couple of funny moments. But there was nothing to either grab onto, or to grab you. The story was not engaging at all. The characters -though all very, very beautiful and handsome- didn't pique your curiosity. You knew where everything was going to end up. And the screenwriter/director should be reminded of the fact that what people say doesn't define their personalities. What they *do* tells us who and what they're like. There was way too much posturing in this film; fine for hip-hop videos, where most everything these days seems to be a parody of itself, but not for a motion picture. The rules are completely different. What this film needed was more exploration of who the characters were, where they'd been and what really was at stake with the decisions that ended up being made, because in the end, it was 'a tempest in a teapot'. A 24 carat gold one, of course.
I'm sad that so much effort went into this production and so little passion ended up on the screen. I'm especially sad that this wasn't a better vehicle for Richard T Jones, someone that I think has a lot more potential than Jamie Foxx or Will Smith.
Oh, well. Onto the next film, eh?
- probitionate
- 28 sept 2005
- Enlace permanente
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- How long is G?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 3.020.784 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 248.337 US$
- 18 sept 2005
- Recaudación en todo el mundo
- 3.020.784 US$
- Duración1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was El precio de la ambicion (2002) officially released in Canada in English?
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