Un joven estadounidense que estudia en París en 1968 se hace amigo de una chica francesa y de su hermano. La historia se desarrolla con las protestas estudiantiles del París del 68 como teló... Leer todoUn joven estadounidense que estudia en París en 1968 se hace amigo de una chica francesa y de su hermano. La historia se desarrolla con las protestas estudiantiles del París del 68 como telón de fondo.Un joven estadounidense que estudia en París en 1968 se hace amigo de una chica francesa y de su hermano. La historia se desarrolla con las protestas estudiantiles del París del 68 como telón de fondo.
- Premios
- 2 premios y 11 nominaciones en total
Jean-Pierre Léaud
- Self
- (as Jean-Pierre Leaud)
Gilbert Adair
- Man in the Louvre
- (sin acreditar)
Fred Astaire
- Jerry Travers
- (metraje de archivo)
- (sin acreditar)
Jean-Paul Belmondo
- Michel Poiccard a.k.a. Laszlo Kovacs
- (metraje de archivo)
- (sin acreditar)
Charles Chaplin
- A Tramp
- (metraje de archivo)
- (sin acreditar)
Virginia Cherrill
- A Blind Girl
- (metraje de archivo)
- (sin acreditar)
Marlene Dietrich
- Helen Faraday, aka Helen Jones
- (metraje de archivo)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesTo make the actors feel comfortable and natural in the film's nude scenes, the director Bernardo Bertolucci would encourage them to be totally nude long before the actual shot so they could get used to be naked around each other. Source: Director's commentary on DVD
- PifiasOn the walk along the canal, Isabelle states that she "...entered this world on the Champs-Elysees, 1959." She is obviously much older than 9, but she is not referring to her actual birth. She is reciting a speech from Al final de la escapada (1960), whose clips are shown.
- Créditos adicionalesThe word "events" is misspelled in the sentence stating "The wevents, characters and firms depicted in this photoplay are fictitious."
- Versiones alternativasUS R-rated version runs ca. 3 minutes shorter than the uncut NC-17-rated version. The following was cut from the NC-17 version for the R rated version:
- 45:40/45:40-45:45 Extended shot of Theo kneeing in front of the Marlene Dietrich masturbating while being watched by Isabelle and Matthew. The following shot of Isabelle lacks a second.
- 45:55/46:00-46:09 The scene with Matthew ends earlier in the R-Rated Version. In the Unrated Version, he's being shown from another angle while he's still masturbating. He slightly hits the wall with the head and touches the picture. The beginning of the following shot of Isabelle moving her head is missing as well.
- 46:02/46:16-46:29 A moment later, the R-Rated Version ends when Isabelle pets Theo's butt and back with a feather duster. Theo's waving hand can be recognized better here.
- 46:07/46:34-46:37 The end of the shot of Isabelle is missing and so is the beginning of the following shot of Theo masturbating. The R-Rated Version is back in the game when Theo's coming.
- 53:42-53:45/54:12-54:20 Alternate footage of Isabelle dropping Matthew's shorts in the R-Rated Version. In the Uncut Version, she drops his shorts and his penis is visible. Furthermore Matthew had a picture of her in his shorts. (7.97 sec) The R-Rated Version contains a close-up of Matthew instead. This exact shot is exclusively in the R-Rated Version. (3.21 sec)
- 55:03/55:38-55:55 The camera pans over their naked bodies. Isabelle has her hands at Matthew's crotch and supports him to penetrate into her.
- 55:20/56:12-56:21 Extended shot of Isabelle's face while they're having sex. She moans. The beginning of the following shot a little lower is also missing.
- 57:05/58:07-58:50 The R-Rated Version stops and goes on with alternate footage of Isabelle when Theo enters the kitchen. The footage is slightly different to the footage a little later in the Uncut Version. Theo slowly goes to Isabelle and Matthew who are still lying lying on the ground. The camera tracks to them over the table. Theo knees down in front of his sister, pets her und touches her vagina. His fingers are bloody and he smiles at her. Then he gets up and Matthew touches her, too. His fingers are also bloody and that is where the R-Rated Version continues.
- 57:31/59:12-59:41 The R-Rated Version ends when Matthew smudges Isabelle's face with her own blood while they're kissing. They keep kissing, then they hug. The beginning of the following scene is also missing: they're having sex and the camera tracks slowly to the top.
- 58:42/1:00:52-1:00:59 The camera tracks slowly ober Isabelle's legs to the top, an explicit shot of her vagina included. The R-Rated Version only shows her breasts.
- 59:17-59:21/1:01:35-1:01:42 The R-Rated Version contains alternate footage of Isabelle when Matthew puts is head next to Isabelle's hip and her pubic hair is visible for a short period. The beginning of Matthew's comment is slightly shorter. (3.67 sec) The NC-17 Version sticks with Matthew. (7.63 sec)
- 59:27/1:01:49-1:01:59 Earlier beginning of the shot of Matthew. His face is pretty close to Isabelle's pubic area.
- 59:35/1:02:06-1:02:10 Same here. This time he kisses Isabelle's belly.
- 1:25:32/1:28:08-1:28:18 Extended shot of Isabelle in the mirror. Then a shot of Matthew's head between Isabelle's legs, under the tied round blanket. Then Isabelle in the mirror again. she really enjoys what Matthew is doing up there. The first frames of the following shot of Matthew are missing as well.
- ConexionesFeatured in Cinema Sex Politics: Bertolucci Makes 'The Dreamers' (2003)
- Banda sonoraThird Stone from the Sun
Written and Performed by Jimi Hendrix
Published by Experience Hendrix LLC
(p) 1967 Experience Hendrix LLC/MCA Records
Courtesy of Experience Hendrix LLC
Under license from Universal Music Enterprises & Universal Music Special Projects France
Reseña destacada
THE DREAMERS (3 outta 5 stars) Interesting project by the renowned director Bernardo Bertolucci... dealing with the events of 1968 in France... a time of great social upheaval, as rioting students took to the streets to shut down the French government. The main characters are a young American student who has come to France to study film... and a very unconventional brother and sister who recruit him to their offbeat lifestyle. All three are obsessed by film (as many young people were in 1968... the glory days of the avant garde)... and also with the concept of breaking rules and societal taboos. With their parents away for the month and the flat to themselves, bets are made on film trivia and the penalties for not identifying a particular moment from a particular film become more and more shocking. Only leaving their home to watch films, the trio are basically oblivious to the growing trouble in the streets... until finally they can sit passively no more. Very intriguing concept and the acting is fine... but ultimately I thought the conclusion fell a little flat... the transition from sexual hedonism to political activism didn't really work for me... it all seemed a little abrupt and could have been explored a little deeper. Worth watching and discussing though.
- hokeybutt
- 3 mar 2005
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Els somiadors
- Localizaciones del rodaje
- Rue Beethoven, Paris 16, París, Francia(group of friends walking back home after demonstration)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 15.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 2.532.228 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 142.632 US$
- 8 feb 2004
- Recaudación en todo el mundo
- 23.670.715 US$
- Duración1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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