Un extraño accidente une a un matemático con una enfermedad grave, a una madre en luto y a un exconvicto reformado.Un extraño accidente une a un matemático con una enfermedad grave, a una madre en luto y a un exconvicto reformado.Un extraño accidente une a un matemático con una enfermedad grave, a una madre en luto y a un exconvicto reformado.
- Nominado para 2 premios Óscar
- 30 premios y 79 nominaciones en total
- Freddy
- (as Marc Thomas Musso)
Argumento
¿Sabías que...?
- CuriosidadesThe film was shot almost completely with hand-held cameras.
- PifiasWhen the Private Investigator gives Paul the revolver, he flips it open to show that it is loaded. He then spins the cylinder and we hear a ratcheting sound. When a revolver is open, there is no ratchet mechanism connected to the cylinder...it rotates freely and silently.
- Citas
[last lines]
Paul Rivers: How many lives do we live? How many times do we die? They say we all lose 21 grams... at the exact moment of our death. Everyone. And how much fits into 21 grams? How much is lost? When do we lose 21 grams? How much goes with them? How much is gained? How much is gained? Twenty-one grams. The weight of a stack of five nickels. The weight of a hummingbird. A chocolate bar. How much did 21 grams weigh?
- Créditos adicionalesThanks to ÁLos amo!
- Banda sonoraCan We Get Together
(2003)
Written by Renee Funderburgh, Anson Funderburgh and John Street
Performed by Anson Funderburgh & The Rockets (as Anson Funderburgh and Rockets)
Licensed courtesy of Bullseye Blues & Jazz, a Rounder Records Group label
By Arrangement with Ocean Park Music Group
It is worth noting that the actual storyline, when told linearly, is not as gripping as when told in this style. The linear form would resemble a typical mindless story of the wounded seeking revenge. The way Inarritu constructs the story allows him to give the viewer a sense of where various characters are at the same time without the appearance of repetition. It allows moviegoers to see actual events first, then form associations later. There is a sense of, "Oh, now I get it!" that would be conspicuously absent if 21 Grams were told linearly.
Moving on, the performances of the actors and actresses in the film are incredible. All are believable. The animalistic hatred of Christina Peck (Naomi Watts) for Jack Jordan (Benicio Del Toro), the deeply troubled father who regrets his big mistake and has become a born again Christian, is palpable throughout. Paul Rivers (Sean Penn) is genuine in his efforts to repay, literally, a life debt. The performances breathe further life into the series of events that 21 Grams attempts to chronicle.
By the film's ending, the entire tale of what has transpired is revealed to the viewer. Since key plot elements often appear in several of the disconnected sequences, they come to be points of reference that astute moviegoers can use to sort the rest of the plot. By the end, everything is complete. The title is finally put into context, and the attempt to answer the three previously mentioned fundamental questions is made. Yes, at the beginning, this movie may not seem to make much sense, and it may even be frustrating to watch. Still, resist the temptation to get up and leave the theater. Stick around and watch the whole thing. The pieces do ultimately fall into place. I promise. And besides, there's only one way to find out.
- thegouch23
- 3 nov 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- 21 Grams
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 20.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 16.290.476 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 274.454 US$
- 23 nov 2003
- Recaudación en todo el mundo
- 60.466.876 US$
- Duración2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1